Dose-painting intensity-modulated proton therapy for intermediate- and high-risk meningioma.

BACKGROUND Newly diagnosed WHO grade II-III or any WHO grade recurrent meningioma exhibit an aggressive behavior and thus are considered as high- or intermediate risk tumors. Given the unsatisfactory rates of disease control and survival after primary or adjuvant radiation therapy, optimization of treatment strategies is needed. We investigated the potential of dose-painting intensity-modulated proton beam-therapy (IMPT) for intermediate- and high-risk meningioma. MATERIAL AND METHODS Imaging data from five patients undergoing proton beam-therapy were used. The dose-painting target was defined using [68]Ga-[1,4,7,10-tetraazacyclododecane tetraacetic acid]- d-Phe(1),Tyr(3)-octreotate ([68]Ga-DOTATATE)-positron emission tomography (PET) in target delineation. IMPT and photon intensity-modulated radiation therapy (IMRT) treatment plans were generated for each patient using an in-house developed treatment planning system (TPS) supporting spot-scanning technology and a commercial TPS, respectively. Doses of 66 Gy (2.2 Gy/fraction) and 54 Gy (1.8 Gy/fraction) were prescribed to the PET-based planning target volume (PTVPET) and the union of PET- and anatomical imaging-based PTV, respectively, in 30 fractions, using simultaneous integrated boost. RESULTS Dose coverage of the PTVsPET was equally good or slightly better in IMPT plans: dose inhomogeneity was 10 ± 3% in the IMPT plans vs. 13 ± 1% in the IMRT plans (p = 0.33). The brain Dmean and brainstem D50 were small in the IMPT plans: 26.5 ± 1.5 Gy(RBE) and 0.002 ± 0.0 Gy(RBE), respectively, vs. 29.5 ± 1.5 Gy (p = 0.001) and 7.5 ± 11.1 Gy (p = 0.02) for the IMRT plans, respectively. The doses delivered to the optic structures were also decreased with IMPT. CONCLUSIONS Dose-painting IMPT is technically feasible using currently available planning tools and resulted in dose conformity of the dose-painted target comparable to IMRT with a significant reduction of radiation dose delivered to the brain, brainstem and optic apparatus. Dose escalation with IMPT may improve tumor control and decrease radiation-induced toxicity.

Art, Painting

Signatur des Originals: S 36/F12235

The Merry Musician. From the painting by Gerrit van Honthorst. In the Museum at Amsterdam

Signatur des Originals: S 36/G04512

Aspectos de la tradición clásica en América : Sibilas y Triunfos en La Casa del Deán de Puebla de los Ángeles (México)

Dentro de la pintura mural civil mexicana del siglo XVI, ubicamos dos anónimas series iconológicas en dos habitaciones de la Casa del Deán de la ciudad de Puebla: Sibilas y Triunfos realizadas en 1580. Analizamos la posible procedencia del modelo sibilino, su número, particularidades, la composición de la serie y los problemas que presenta. Seguimos el mismo procedimiento para los Triunfos, cuya fuente literaria son los Trionfi de F. Petrarca; otro elemento a considerar son las guardas o cenefas que enmarcan cada serie con flora y fauna tropical americana. Concluimos con el tipo de síntesis plástica lograda

Aspectos de la tradición clásica en América : Sibilas y Triunfos en La Casa del Deán de Puebla de los Ángeles (México)

Dentro de la pintura mural civil mexicana del siglo XVI, ubicamos dos anónimas series iconológicas en dos habitaciones de la Casa del Deán de la ciudad de Puebla: Sibilas y Triunfos realizadas en 1580. Analizamos la posible procedencia del modelo sibilino, su número, particularidades, la composición de la serie y los problemas que presenta. Seguimos el mismo procedimiento para los Triunfos, cuya fuente literaria son los Trionfi de F. Petrarca; otro elemento a considerar son las guardas o cenefas que enmarcan cada serie con flora y fauna tropical americana. Concluimos con el tipo de síntesis plástica lograda

Aspectos de la tradición clásica en América : Sibilas y Triunfos en La Casa del Deán de Puebla de los Ángeles (México)

Dentro de la pintura mural civil mexicana del siglo XVI, ubicamos dos anónimas series iconológicas en dos habitaciones de la Casa del Deán de la ciudad de Puebla: Sibilas y Triunfos realizadas en 1580. Analizamos la posible procedencia del modelo sibilino, su número, particularidades, la composición de la serie y los problemas que presenta. Seguimos el mismo procedimiento para los Triunfos, cuya fuente literaria son los Trionfi de F. Petrarca; otro elemento a considerar son las guardas o cenefas que enmarcan cada serie con flora y fauna tropical americana. Concluimos con el tipo de síntesis plástica lograda

La pintura mural de las iglesias mozárabes

La pintura mural de las iglesias mozárabes

Precedentes de la decoración mural hispanomusulmana

Precedentes de la decoración mural hispanomusulmana

The sand hill [Material gráfico] : engraved from an original painting of D. Teniers...

Inscripción en ángulo inf. derech.: "Nº 23"

Una leve Arqueología de la escala

Esta es una tesis con dos partes bien diferenciadas; en la primera se habla de conceptos como la escala, el tamaño y la medida en el mundo de la antigua Roma. Para ello se eligen edificios con características específicas que pueden explicar estos términos, como la” Villa Adriana” en la que se habla del tamaño desde la acumulación de dimensiones medias, el “Ara Pacis”, en la que se describe la ambigüedad dimensional y el tamaño, el Panteón en el que habla de la escala, y el Santuario de Baalbek a través del cual se reflexiona sobre la condición de monumentalidad. Dichos edificios se comparan con piezas de arte contemporáneo que ayudan a entender el contenido histórico. En ese sentido la tesis propone un viaje desde lo moderno a lo antiguo, instalándose en la certeza de que el conocimiento ampliado de los conceptos contemporáneos otorga nueva vida a los edificios históricos, en un paseo inverso al clásico de estudiar lo antiguo para entender el presente. La tesis defiende que el presente se lee desde el presente y el pasado también desde el presente, elaborando nuevas narrativas que permiten superponer realidades distintas para alumbrar lo real. La segunda parte de la tesis compara la medida de lo público y lo privado así como la medida del paisaje. Habla de la medida del Poder ejemplificada en el proyecto de los Foros Imperiales desde el Foro de César hasta el Foro de Trajano y elabora una comparación dimensional desde la disección de sesenta casas pompeyanas, que son sometidas a un cuidadoso análisis métrico y relacional. Se estudian así mismo sus distintas proporciones desde el tratado de Vitrubio y se analizan sus sistemas de proyecto, encontrando en la ampliación acumulativa un mecanismo que relaciona lo público y lo privado. Por último se estudia la medida del paisaje, encontrando un apoyo en la pintura mural romana y también en la relación entre los cuatro Santuarios Republicanos de Lacio. ABSTRACT This is a thesis with two different parts; the first one deals with concepts from the Ancient Rome, such as scale, size and measure. Some buildings with specific characteristics have been chosen in order to explain these terms, such as "Villa Adriana" where size is formed by the accumulation of medium sizes, the "Ara Pacis",where the dimensional ambiguity is described, the Pantheon where the scale is explained and the Sanctuary of Baalbek where the condition of monumentality is understood. These buildings are compared with contemporary artworks that help to understand the historical contents. In that sense, the thesis proposes a journey from the modern to the old, settling in the certainty that the extended knowledge of contemporary concepts gives new life to historic buildings, instead of the usual walk to the old to understand the present . The thesis argues that both the present and the past can be read through the present, developing new narratives that are overlayed to light reality. The second part of the thesis compares the measures in public and private worlds as well as the measure in the landscape. It is also about the measure of the power, that is exemplified in the Fori Imperiali as the Forum of Caesar and Trajan's Forum. Besides a dimensional comparison is made by dissecting sixty Pompeian houses, which are subjected to careful and relational analysis. Furthermore, their different proportions are studied, since the Treaty of Vitruvius and their design systems are analyzed, finding the mechanism that links the public and private spheres in the cumulative expansion. Finally , the measure of the landscape is studied supported by Roman wall painting and in the relationship between the four Sanctuaries Republicans of Lazio.

Painting of fourth, a chromosome-specific protein in Drosophila

Chromosome-specific gene regulation is known thus far only as a mechanism to equalize the transcriptional activity of the single male X chromosome with that of the two female X chromosomes. In Drosophila melanogaster, a complex including the five Male-Specific Lethal (MSL) proteins, “paints” the male X chromosome, mediating its hypertranscription. Here, with the molecular cloning of Painting of fourth (Pof), we describe a previously uncharacterized gene encoding a chromosome-specific protein in Drosophila. Unlike the MSL proteins, POF paints an autosome, the fourth chromosome of Drosophila melanogaster. Chromosome translocation analysis shows that the binding depends on an initiation site in the proximal region of chromosome 4 and spreads in cis to involve the entire chromosome. The spreading depends on sequences or structures specific to chromosome 4 and cannot extend to parts of other chromosomes translocated to the fourth. Spreading can also occur in trans to a paired homologue that lacks the initiation region. In the related species Drosophila busckii, POF paints the entire X chromosome exclusively in males, suggesting relationships between the fourth chromosome and the X and between POF complexes and dosage-compensation complexes.

Development of a bovine X chromosome linkage group and painting probes to assess cattle, sheep, and goat X chromosome segment homologies.

The X chromosome linkage group is conserved in placental mammals. However, X chromosome morphological differences, due to internal chromosome rearrangements, exist among mammalian species. We have developed bovine chromosome painting probes for Xp and Xq to assess segment homologies between the submetacentric bovine X chromosome and the acrocentric sheep and goat X chromosomes. These painting probes and their corresponding DNA libraries were developed by chromosome micromanipulation, DNA micropurification, microcloning, and PCR amplification. The bovine Xp painting probe identified an interstitially located homologous segment in the sheep and goat Xq region, most probably resulting from chromosome inversion. Ten type II (microsatellite) markers obtained from the bovine Xq library and five other X chromosome assigned, but unlinked, markers were used to generate a linkage map for Xq spanning 89.4 centimorgans. The chromosome painting probes and molecular markers generated in this study would be useful for comparative mapping and tracing of internal X chromosome rearrangements in all ruminant species and would contribute to the understanding of mammalian sex chromosome evolution.