952 resultados para Lowell, James Russell, 1819-1891


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Back Row: Don Oldham, Robert Hurley, Stanley Knickerbocker, Fred Baer, James Bates, Art Walker, Lowell Perry, Tom Witherspoon,

4th Row: Ted Cachey, Cline Daniel, George Dutter, Duncan McDonald, Herb Geyer, Eugene Knutson, Robert Topp, Robert Strozewski, Tony Branoff

3rd Row: trainer Jim Hunt, Bill Billings, Ted Kress, Richard Balzhiser, Don Bennett, Jim Balog, Thad Stanford, Frank Howell, Ron Williams, student manager Gerry Dudley

2nd Row: Robert Matheson, Dave Tinkham, Laurence Leclair, Wayne Melchiori, Roger Zatkoff, Robert Timm, Robert Dingman, Russell Rescorla, Donald Dugger

Front Row: Don Bennett, Richard O'Shaughnessy, Fritz Crisler, Merritt Green, Bennie Oosterbaan, Richard Beison, Ralph Stribe, Ted Topor

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Back Row (standing): Joseph Pickarski, Raymond Heym, Walter Kunow, Foster Hall, Harry Hawkins, Richard Dewey, Richard Babcock, William Heath, Philip Marion, Paul Samson, John Ryrholm, Todd Rockwell, Edgar Madsen, William Ullman, Robert Brown, ? Kurston, Harold Steele, Barney Koplin, Edliff Slaughter, Ernest Ratliff, Frederick Parker, Charles Grube, Howell White, William Herrnstein, Charles Munz, James K. Miller, Herbert Steger

Midle Row: H.S. Maentz, Harold MacGregor, Hupert Goebel, Floyd McCaffree, William McMillan, Lowell Palmer, Harlan Froemke, William Flora, Lyman Savage, Wilfred Kilpatrick, Victor Domhoff, Carl Stamman, Ben Friedman

Front Row: Thomas Edwards, Leo Hoffman, William Coventry, Kent McIntyre, Charles Sommers, Russell Davis, Henry Ferenz, Elmer Langguth, John Lovette, Dwight Kellar

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Front Row: William Billings, Tony Branoff, Richard Beison, Robert Topp, Donald Bennett, Merritt Green, Captain, Charles Ritter, Theodore Kress, Richard Strozewski, Cark Kamhout

Second Row: Ronald Williams, James Balog, Ray VanderZeyde, Robert Hurley, Joseph Shomsky, Robert Milligan, Stanley Knickerbocker, James Bowman, Melvin Bernay, Kenneth Shields, Casimir Chomicz

Third Row: Dean Ludwig, Donald Drake, Norman Canty, Richard Balzhiser, Junior Steilstra, James Dutcher, Robert Dingman, Peri Gagalis, Eugene Knutson, Donald Oldham, Lowell Perry

Fourth Row: Edward Hickey, Duncan MacDonald, Stanley Bowns, Daniel Cline, George Muelich, Herbert Geyer, Russell Swaney, George Dutter, Fred Caffrey, Robert Timm

Fifth Row: John Veselenak, Thad Stanford, Richard O'Shaughnessy, Captain-elect, Donald Evans, Ralph Stribe, Richard Rex, Russell Rescorla, James Wagner, Donald Dugger, Laurence LeClaire

Sixth Row: Donald Zanfagna, Theodore Topor, James Bates, Wayne Melchiori, Robert Matheson, Bruce Bartholomew, Bernhardt Pederson, Roger Zatkoff, Thomas Witherspoon

Back Row: John Treadway, Ted Cachey, Fred Baer, Ray Kenaga, John Rahrig, Arthur Walker, Frank Hall, David Tinkham

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Mode of access: Internet.

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Leon Battista Alberti, 'On the Art of Building in Ten Books' Translated by Joseph Rykwert, Neil Leach and Robert Tavemor L. A. Zhadova (ed.), 'Tatlin' (Budapest 1984). English translation Helen Ross, 'Just For Living, Aboriginal Perceptions of Housing in North West Australia' Tony Fry, 'Design History Australia: A Source Text in Methods and Resources' Phillip Cox and David Moore, 'The Australian Functional Tradition' Lenore Coltheart and Don Fraser (eds.), 'Lamdmarks in Public Works, Engineers and Their Works in New South Wales 1884-1914' Peter Bridges and Don MacDonald, 'James Barnet, Colonial Architect' Don Watson and Judith McKay, 'A Directory of Queensland Architects to 1940' Russell Walden, 'Voices of Silence: New Zealand's Chapel of Futuna' Jeremy Salmond, 'Old New Zealand Houses 1800-1940' Victoria Middleton, 'The Legend of Green Valley' Dyranda Prevost and Ann Rado, 'Living Places' Mark Jackson and Mark Stiles (directors), 'Universal Provider' Lars Lerup, 'Planned Assaults'

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Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".