Planning for Wooded Acreages and Woodlands, August 2005

PM2002B: People own wooded acreages and woodlands for a variety of reasons that may include: timber production, firewood production, recreation, wildlife habitat, aesthetics, and alternative forest products. Most of Iowa���s forestland is privately held, and the majority of ownership is fragmented into an average of ten acres (Forest Reserve Survey, 2004). In fact, the average size of an individual forest or woodlot ownership has been steadily declining for several years due in part to population growth, urban sprawl, and changes in land ownership. Studies indicate that the probability of a sustainable woodlot decreases as the population increases. At the same time, most woodlot owners want to be good stewards and protect and enhance the forest that they own. To achieve this goal, careful forest planning and management is required especially when managing the land for multiple objectives.

Woodland Improvement and Crop Trees in Iowa, 2005

Vigorous and Healthy woodlands in Iowa have the unique distinction of being able to provide a wealth of benefits for the landowner and residents of the state. Benefits from a healthy forest include timber and wood resources, watershed protection, fragile site protection, wildlife and bird habitat, aesthetics and beauty, and recreational opportunities.

Posterior auricular perichondrial cutaneous graft combined with cartilage strip in nostril reconstruction.

Objective: Reconstruction of alar structures of the nose remains difficult. The result has to be not only functional but also aesthetic. Different solutions to reconstruct alar defects are feasible. A good result that meets the specific demands on stability, aesthetics, and stable architecture without shrinkage of the area is not easily achieved. Method: A perichondrial cutaneous graft (PCCG), a graft consisting of a perichondral layer, fatty tissue, and skin that is harvested retroauriculary, is combined with an attached cartilage strip. Case Result: A 72-year-old patient suffering from basal cell carcinoma of the ala of the nose underwent the reconstructive procedure with a good result in 1 year in terms of stability, color match, and graft take. Conclusion: First, a strip of cartilage had been included in a PCCG where tumor resection required sacrifice of more than 50% of the alar rim. The case shows that one can consider a cartilage strip-enhanced PCCG graft to reconstruct alar defects.

Radial forearm free flap donor site morbidity: ulnar-based transposition flap vs split-thickness skin graft.

OBJECTIVES: To evaluate morbidity associated with the radial forearm free flap donor site and to compare functional and aesthetic outcomes of ulnar-based transposition flap (UBTF) vs split-thickness skin graft (STSG) closure of the donor site.��DESIGN: Case-control study.��SETTING: Tertiary care institution.��PATIENTS: The inclusion criteria were flap size not exceeding 30 cm(2), patient availability for a single follow-up visit, and performance of surgery at least 6 months previously. Forty-four patients were included in the study and were reviewed. Twenty-two patients had UBTF closure, and 22 had STSG closure.��MAIN OUTCOME MEASURES: Variables analyzed included wrist mobility, Michigan Hand Outcomes Questionnaire scores, pinch and grip strength (using a dynamometer), and hand sensitivity (using monofilament testing over the radial nerve distribution). In analyses of operated arms vs nonoperated arms, variables obtained only for the operated arms included Vancouver Scar Scale scores and visual analog scale scores for Aesthetics and Overall Arm Function.��RESULTS: The mean (SD) wrist extension was significantly better in the UBTF group (56.0�� [10.4��] for nonoperated arms and 62.0�� [9.7��] for operated arms) than in the STSG group (59.0�� [7.1��] for nonoperated arms and 58.4�� [12.1��] for operated arms) (P = .02). The improvement in wrist range of motion for the UBTF group approached statistical significance (P = .07). All other variables (Michigan Hand Outcomes Questionnaire scores, pinch and grip strength, hand sensitivity, and visual analog scale scores) were significantly better for nonoperated arms vs operated arms, but no significant differences were observed between the UBTF and STSG groups.��CONCLUSIONS: The radial forearm free flap donor site carries significant morbidity. Donor site UBTF closure was associated with improved wrist extension and represents an alternative method of closure for small donor site defects.

Gesti�� de la informaci�� d'inter��s d'un treballador aut��nom

L���objectiu principal d���aquest treball ��s fer un programa que permeti portar la informaci�� que un treballador aut��nom li interessa, d���acord amb les seves necessitats. En el nostre cas es tracta d���un centre d���est��tica, que t�� m��s d���una seu, el qual li interessa portar tota la cartilla de clients, centres associats, prove��dors ... a m��s de poder fer les factures corresponents als centres associats, poder calcular en el moment que en el treballador li interessi, els ingressos realitzats durant un per��ode de temps determinat i poder portar una agenda actualitzada dels dos centres, on es mostren totes les visites que hi ha en un dia. Per tal de realitzar el programa, s���han portat a terme mitjan��ant dos aplicacions, i connectant-los en una base de dades. Per una banda tenim una aplicaci�� implementada amb C++, per l���altra, una p��gina web amb PHP, finalment com a sistema gestor de base de dades utilitzem el MySQL Server. El programa fet amb C++, consta de tota la part d���entrada i/o modificacions de dades, en aquesta part nom��s hi pot accedir el treballador aut��nom, ja que ��s la ��nica persona que pot fer aquesta feina. En la p��gina web, hi pot accedir qualsevol persona que tingui un nom d���usuari i una contrasenya. A trav��s de la web es pot fer qualsevol tipus de consulta, fer tot el control de les agendes, portar a terme tot el tema de facturaci�� i ingressos, i com a excepci�� l���entrada de dades de clients, ja que s���ha de poder realitzar en qualsevol moment i lloc. Per acabar, tenim la necessitat de tenir un servidor, aquest ha d���estar format, m��nim, per la base de dades. Com que l���aplicaci�� amb C++ i la base de dades han d���estar ubicades al mateix lloc. A m��s, necessitem un servidor web per tal de tenir la nostra p��gina a la xarxa, per aconseguir aix��, utilitzem un programa anomenat DynDNS, que es fa servir per a convertir una IP din��mica en una IP est��tica i d���aquesta manera convertir un ordinador qualsevol amb un servidor web.

Proc��s de disseny i forma narrativa

El proc��s del projectar cont�� una l��gica de desenvolupament que tamb�� queda afectada en la crisi de la ra�� a partir del romanticisme i la primera revoluci�� industrial. Dissenyar passa a ser l'intent de recuperaci�� moment��nia d'aquesta l��gica, com assaig constant que es plasma en els resultats. Aquest assaig t�� diversos 'moments' o estadis entre els que el 'moment' de la conceptalitzaci�� necessita la reflexi�� amb altres formes de reflexi��, com ��s la narrativitat.

Proceso de dise��o y forma narrativa

Estudio sobre el proceso proyectual de dise��o y sobre la necesidad de la narratividad en la conceptualizaci��n

I-74 Iowa/Illinois Corridor Study Aesthetic Design Guideline April 6, 2009

The I-74 Aesthetic Design Guideline (ADG) document has two primary goals: To establish and identify an overall design theme To prioritize enhancement opportunities within the framework of corridor elements The recommendations of this report have been developed based on an ���unconstrained��� framework for future corridor���wide enhancements. Future funding availability, along with the recommendations of this report, will guide the final design process. ADG Future Uses: This document is intended to be used as a reference to future processes in the following ways: Guidance for I-74 final design teams Reference document for future local community redevelopment initiatives Inspiration for identification and development of other I-74 corridor aesthetic enhancement opportunities Process: As illustrated in Figure 1.3, the overall process for corridor aesthetics began traditionally with inventory and identification of potential aesthetic applications. The ADG does not document all the reports and presentations related to these early design stages, but has incorporated these efforts into the design theme, guiding principles and prioritized enhancements shown on the following pages of this report. The I-74 final design phase will incorporate these recommendations into the project. The consultant design team and representatives of the DOTs have worked with the CAAT members to facilitate community input and have helped develop recommendations for improving I-74 corridor aesthetics. CAAT recommendations have been advanced to the I-74 Advisory Committee for review and endorsement. Both DOTs have reviewed the CAAT recommendations and have endorsed the contents of this report. Figure 1.4 illustrates the status of corridor aesthetic design development. As of the date of this report, aesthetic design is approximately 50% complete. Future detailed design, cost evaluation, feasibility and prioritizations all need to occur for this process to be successfully completed.

Political Emotions: Civil Religion and Melodrama in Spielberg's Lincoln

This essay focuses on how Spielberg's film engages with and contributes to the myth of Lincoln as a super-natural figure, a saint more than a hero or great statesman, while anchoring his moral authority in the sentimental rhetoric of the domestic sphere. It is this use of the melodramatic mode, linking the familial space with the national through the trope of the victim-hero, which is the essay's main concern. With Tony Kushner, author of Angels in America, as scriptwriter, it is perhaps not surprising that melodrama is the operative mode in the film. One of the issues that emerge from this analysis is how the film updates melodrama for a contemporary audience in order to minimize what could be perceived as manipulative sentimental devices, observing for most of the film an aesthetic of relative sobriety and realism. In the last hour, and especially the final minutes of the film, melodramatic conventions are deployed in full force and infused with hagiographic iconography to produce a series of emotionally charged moments that create a perfect union of American Civil Religion and classical melodrama. The cornerstone of both cultural paradigms, as deployed in this film, is death: Lincoln's at the hands of an assassin, and the Civil War soldiers', poignantly depicted at key moments of the film. Finally, the essay shows how film melodrama as a genre weaves together the private and the public, the domestic with the national, the familial with the military, and links pathos to politics in a carefully choreographed narrative of sentimentalized mythopoesis.

Menke y B��rger ante Adorno

Este trabajo enfrenta cr��ticamente dos importantes interpretaciones de la est��tica de Th. Adorno: B��rger ha destacado la autonom��a y la instituci��n arte; Menke ha subrayado la oposici��n entre autonom��a y soberan��a art��sticas. Al oponer B��rger y Menke se trata de ofrecer una interpretaci��n alternativa que articula esas tres dimensiones del arte: autonom��a, instituci��ny soberan��a. Es clave para ello una teor��a de la modernidad cuyo n��cleo est�� en Adorno y que no olvida la evoluci��n del arte moderno.

Ojos aniquilados: ceguera reveladora y apagamiento de las im��genes en el cine de Angelopoulos, Bresson, Kiarostami, Majidi, Sokurov

A partir de tres ideas -la "impercepci��n" (el "punctum caecum") en el pensamiento de Maurice Merleau-Ponty, la "ceguera" en Jacques Derrida, y la teor��a del "no ver" en Maurice Blanchot y Michel de Certeau-, se analizan algunos ejemplos del cine contempor��neo que constituyen im��genes representativas de la confluencia entreexperiencia-l��mite y representaci��n-l��mite, del apagamiento m��stico de los sentidos y del estrecho intervalo entre lo visible y lo invisible: "teolog��a cero" de lo "siempre ausente" (Derrida), "��xtasis blanco" (Certeau). Algunos escritores hablan de cerrar los ojos, de ojos vac��os de mirada, de cegarse para ver (A. Breton, P. Celan, J. Joyce, R. M. Rilke): la visi��n coincide con el desvanecimiento de las cosas vistas para hacer de esta"ausencia de visi��n el punto culminante de la mirada" (M. Blanchot). En el cine de Theo Angelopoulos, Robert Bresson, Abbas Kiarostami, Majid Majidi y Aleksandr Sokurov se emplean diversos recursos -el fuera de campo, los fundidos en blanco o en negro, la pantalla a oscuras��- orientados a expresar -por medio de este espacio vac��o- aquello de otro modo inexpresable. Estos recursos reflejan la dial��ctica visible-invisible, la contraimagen de la mirada, la "mirada sin mirada" (Angelopoulos) hasta "perder por completo la noci��n de imagen" (Bresson). Se trata, en definitiva, de "la retirada de lo divino al fondo de una presencia-ausencia" (Jean-Luc Nancy) expresada por medio del eclipse o la extinci��n de las im��genes.

Maxine Hong Kingston as Counterculture Writer

This article examines Maxine Hong Kingston's work against the backdrop of the 1960s Berkeley counterculture, arguing that her books are informed by its values and aesthetics far more than has previously been recognized.

Stuka (Plastyka, Muzyka): una veu a favor de l'educaci�� a trav��s de l'art

Traducci�� comentada del pr��leg d��un llibre on la seva autora, amb motiu de presentar les propostes dels seus estudiants sobre activitats integrades de pl��stica i m��sica per a l��escola i l'institut, ens parla de la necessitat d��activar la situaci�� creadora en els individus per millorar el seu excel-lent proc��s educatiu, a la manera com ho feien els antics.

Retaining Wall - Modular Unit Reinforced Earth Tensar Geogrid Reinforcement, HR-549, 1998

This research, initiated in October 1992, was located at the intersection of Blairs Ferry Road and Lindale Drive in the City of Marion. The wall is located on the southeast corner of the intersection. Reinforced retaining wall construction started with a five inch base of roadstone with one inch of sand for leveling purposes. One and one-half to two feet of one inch clean stone was placed behind the blocks. A four inch perforated plastic pipe was placed approximately nine inches from the bottom of the one inch clean stone. The Tenswal, tensar geogrid was placed at every third layer. Openings in the Tenswal are hooked over plastic dowels in the blocks. The tenswal reaches from the face of the wall back 5' to 8'. The cost for constructing this wall was $124,400. The wall has performed well for the past five years. The wall improves the aesthetics of a high traffic volume intersection of an urban area. Many positive comments have been received by the city regarding its appearance. The City of Marion has been pleased with the wall and has used this type of wall on subsequent projects.