211 resultados para Goodhew, Lily E.


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Bibliography: p. 29-30.

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Arbitrarily numbered.

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Advertising matter: p. 239-241.

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An adaptation from Molière.

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Adapted from Dancourt's Les bourgeoises à la mode.

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Mode of access: Internet.

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Introductory, by B. H. Streeter.--Love and omnipotence, by C. F. D'Arcy.--The survival of the fittest, by Lily Dougall.--Power, by Lily Dougall.--The defeat of pain, by B. H. Streeter.

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Translation of Vospominanii͡a detstva i avtobiograficheskie ocherki.

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Top Row: Michelle Arsulowicz, Christy L. baginski, Sarah Ball, Jessica Beitner, Gina Blank, Kelley Brown, Cheryl Buckler, Loredana Bugan, Kelly Burrows, Cynthia Carillo, Raquel Casarez, Rachel Cieslak, Nicole Clark, Stephanie Cochran, John condon

Row 2: Becky Cooper, Claire Coughlan, Heidi M. Dillenbeck, Jennfier Long, Tracy Adame, Stacy B. Buchanan, Tiffany A. Fellberg, Elise H. Peterson, Jessica Na, Abigail Sikkenga, Michelle, Falatko, Lisa Dolan, Laura Dorman, Suzanne Ewald

Row 3: Heather Fix, Anna galczyk, Inessa Gankin, Elizabeth Gardner, Jennfier Gray, Katy Gudritz, Lindsey Hancock, Christina Haremski, Marcie Harless, Anne Hartgerink

Row 4: Benjamin Hatchett, Karrie Herdus, Lacy Hillman, Amy Hlavka, Nicole Holt, Julie Huss, Jessica Inwood, Sujuan Johnson, Nicole N. Jones, Jennfier M. kenny

Row 5: Lori Khami, Jennifer Kiebler, Nipa Kinariwala, Kelli Kingma, Elizabeth Kubis, Jillian LaPrairie, Heather Livermore, Emily Long-Minard, Miki Loveland, Meyhan Manion, David Markiewicz, Dareth McCoy

Row 6: Kerri McElmeel, Suzanne McQuaid, Katie Murphy, Marie Murray, Nola Pender, Carol Loveland-Cherry, Ada Sue Hinshaw, Susan Boehm, Beverly Jones, Patricia coleman-Burns, Darlene Najor, Kelly Nowak, Charisse Patterson, Jennfier Pliska

Row 7: Heather Prusi, Erika Punches, Gena ramazetti, Kimberly Rendz, Suzanne Robben, Sara Robbins, Lori rottschafer, Annette Sandretto, Sara Schad, Chad Schenavar, Jennifer Seamon, Katherine Shell, Charlotte L. Sims, Caryn Steenland, Andrea Stutzman

Row 8: Jennifer Thibault, stacey Turnipseed, Linda Twomey, Stephanie Van Eyk, Maryanne VanNasdale, Annemarie Vassalo, Anna Walawender, Mark Warren, Nicole Weber, Kindra Weid, Lela Shitley, Kristy Wierzba, Shari Wilkinson, Lily Wu

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Mode of access: Internet.

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"Ed. grand format. Limited to five hundred numbered sets of which this is no. 133."

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Imprint varies.

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The aim of this study was to ascertain the most suitable dosing schedule for gentamicin in patients receiving hemodialysis. We developed a model to describe the concentrationtime course of gentamicin in patients receiving hemodialysis. Using the model, an optimal dosing schedule was evaluated. Various dosing regimens were compared in their ability to achieve maximum concentration (C-max, >= 8 mg/L) and area under the concentration time-curve (AUC >= 70 mg(.)h/L and <= 120 mg(.)h/L per 24 hours). The model was evaluated by comparing model predictions against real data collected retrospectively. Simulations from the model confirmed the benefits of predialysis dosing. The mean optimal dose was 230 mg administered immediately before dialysis. The model was found to have good predictive performance when simulated data were compared to data observed in real patients. In summary, a model was developed that describes gentamicin pharmacokinetics in patients receiving hemodialysis. Predialysis dosing provided a superior pharmacokinetic profile than did postdialysis dosing.

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The article examines the early 20th century Australian actor, theater director, and writer Oscar Asche and how various aspects of his work are expressive of an aesthetic modernism. His theatrical productions with his wife Lily Brayton are discussed, as well as his solo projects like the highly acclaimed musical "Chu Chin Chow." Asche is described as a "vitalist."