Memoria sobre los baños y aguas minero-medicinales salino-alcalinas frias,tituladas de la Margarita , en Loeches /

Incluye dos hojas con la relación de los méritos y servicios literarios del mencionado licenciado.

Hidrología médica española : monografía de las aguas súlfidrico-álcalino-frias del Duque ó Fuensanta [Manuscrito] /

Mode of access: Internet.

Memoria sobre las aguas minero-medicinales sulfurosas frias de salinetas de Novelda : año 1868 /

Acompaña cuadro estadístico.

Memoria sobre las aguas minerales acidulas frias de Argentona provincia de Barcelona, correspondiente á la temporada del presente año /

Incluye un cuadro estadístico administrativo.

Memoria de las aguas alcalinas frias de Sobrón en la provincia de Alava, en la temporada de 1866 /

Incluye cuadros estadísticos.

Causas del brigadier Gregorio Quiroga y Frias, y del conde de Requena.

At head of title: Causas formadas á consecuencia de la sediciéon militar que tuvo lugar en esta córte en la noche del 7 de octubre de 1841, ent. 3.

Explorando a execução de técnicas estendidas no oboé encontradas em quatro peças contemporâneas

This dissertation presents an investigation of the evolutionary process of extended oboe techniques, through literary analysis and practical research. The objective of this work is to provide assistance to oboists interested in learning these techniques. Additionally, this work encourages the student, through the process of experimentation, to explore the questions that may arise around the aesthetics of sound, the concept of gesture as an additional visual and aural element in music, and the collaboration and “real-time” creation processes. Discussed within the work, are the relationship between the instrument (the oboe) and extended techniques, and two possible definitions of extended techniques, provided by Luk Vaes (2009) and Gardner Read (1993). Also explored are the how and why some composers have utilized extended techniques in their compositions, including brief discussions relating to extended techniques in real-time composition (improvisation), extended techniques and technological resources, theatrical gesture as an extended technique, and suggestions of how musicians might approach theatrical gestures in performance. Four works were visited: “I Know This Room So Well” – Lisa Bielawa (2007-9); “Four Pieces for Oboe and Piano” – Ernst Krenek (1966); “In Freundschaft” – Karlheinz Stockhausen (1978); “Atem” – Mauricio Kagel (1969-70); and an exploration of the difficulties and solutions associated with each extended technique found within these pieces, was carried out. The following founding works on extended oboe techniques were used, as a basis for research: books - Heinz Holliger’s Pro Musica Nova (1972); Gardner Read’s Compendium of Modern Instrumental Techniques (1993); Peter Veale & Claus-Steffen Mahnkopf’s The Techniques of Oboe Playing (1994); and Libby Van Cleve’s Oboe Unbound: Contemporary Techniques (2004); and articles - Nora Post’s “Monophonic sound resources for the oboe: Part I – Timbre” (1984), “Part II- Pitch and other techniques” (1984), and “Multiphonics for the oboe” (1982).

Técnicas estendidas para saxofone em obras compostas por meio de colaboração compositor-intérprete

This dissertation deals with the use of extended techniques for the saxophone in the piece Minus (for solo saxophone in Bb), composed through a composer-performer collaboration between Agamenon de Morais and the saxophonist Kleber Dessoles. The text is organized in the following manner: the first part brings the historical background of the concert music written for the saxophone since the beginning of the 20th-century, exploring the use of extended tehcniques and the main characters and historical facts of this period, with data obtained through a literature review; the second part deals with the issue of the composer-performer collaboration, since cases documented in the 18th and 19th centuries until nowadays, exploring in which different ways collaborations may happen and the motivations behind them; the third and final part is about the specific work, followed by a detailed description of the collaboration between the composer and the interpreter, as well as detailed explanations about the extended techniques present in the work (multiphonics and flatterzunge), through bibliographic and documental research, as well as descriptions of the meetings between composer and interpreter. At the end of the collaborative process, one may say that the final result was created from a sum of the composer's knowledge with the interpreter's, almost as if the composition had double authorship. The document describing this process may help composers and interpreters in composing for the saxophone, as well as guide future collaborative experiences.

Técnicas estendidas na obra Traçado Íntimo e Hesitante para violoncelo solo de Bruno Ângelo e sua utilização na iniciação ao violoncelo

This works sheds light on the technical challenges regarding the use of extended techniques at the piece “Traçado Íntimo e Hesitante” by Bruno Angelo and the use of some of these techniques in the cello initiation. The main goal of the research is to provide cellists interested in the performance of the piece with ideas to surpass the technical difficulties as well as to introduce new ideas of using sound materials of contemporary music in the beginner cello teaching.

Classificação de técnicas estendidas no contrabaixo acústico

This work is to identify and classify extended techniques on acoustic bass. The main purpose of this classification is to provide the bass better understanding and practice these techniques. For this, we carried out a literature review, it was noted that, in academia, this topic is new and understanding for some musicians is still complex and nebulous. To assist in the difficulties of the bass player, the extended techniques were divided into two parts, proposing different approaches. The first part proposes the experimentation and exploration of conventional and unconventional techniques from other instruments on acoustic bass. The second seeks to identify and rank the extended techniques, showing excerpts from the solo instrument repertoire compositions. On each, there are still referenced authors and their contributions to the instrumental practice these techniques. In both categories of classification procedures were presented to be adopted by the bass player for the implementation of those techniques, as well as suggestions for their study. Among the main results, it was found that through the proposed classification of these techniques, one can incorporate new resources to technical universe and timbre of the instrument. Lastly, it was found a creation of a composition performed by interaction between composer and performer, containing new extended techniques or extended techniques not found in the instrument's contemporary soloist repertoire.

Classificação de técnicas estendidas no contrabaixo acústico

This work is to identify and classify extended techniques on acoustic bass. The main purpose of this classification is to provide the bass better understanding and practice these techniques. For this, we carried out a literature review, it was noted that, in academia, this topic is new and understanding for some musicians is still complex and nebulous. To assist in the difficulties of the bass player, the extended techniques were divided into two parts, proposing different approaches. The first part proposes the experimentation and exploration of conventional and unconventional techniques from other instruments on acoustic bass. The second seeks to identify and rank the extended techniques, showing excerpts from the solo instrument repertoire compositions. On each, there are still referenced authors and their contributions to the instrumental practice these techniques. In both categories of classification procedures were presented to be adopted by the bass player for the implementation of those techniques, as well as suggestions for their study. Among the main results, it was found that through the proposed classification of these techniques, one can incorporate new resources to technical universe and timbre of the instrument. Lastly, it was found a creation of a composition performed by interaction between composer and performer, containing new extended techniques or extended techniques not found in the instrument's contemporary soloist repertoire.

Projeto de extensão colônia de férias cefd/ufsm : Relato de experiência

Essa pesquisa trata-se de um relato de experiência sobre o Projeto de Extensao Colônia de Férias na formaçao inicial dos acadêmicos da graduaçao em Educaçao Física Licenciatura e Bacharelado da UFSM. A pesquisa assume os pressupostos da abordagem qualitativa, e com vistas a alcançar os objetivos do estudo, optou se pela pesquisa exploratória. A coleta dos dados ocorreu por meio da pesquisa documental e entrevistas semiestruturadas, sendo os entrevistados acadêmicos do Curso de Educaçao Física Licenciatura e Bacharelado. Os dados foram analisados a partir da Análise de Conteúdo. Conclui-se que o Projeto teve relevância significativa para a formaçao inicial dos monitores envolvidos, por ser um espaço de vivência educativa, de formaçao profissional e de diálogo com a comunidade universitária

Projeto de extensão colônia de férias cefd/ufsm : Relato de experiência

Essa pesquisa trata-se de um relato de experiência sobre o Projeto de Extensao Colônia de Férias na formaçao inicial dos acadêmicos da graduaçao em Educaçao Física Licenciatura e Bacharelado da UFSM. A pesquisa assume os pressupostos da abordagem qualitativa, e com vistas a alcançar os objetivos do estudo, optou se pela pesquisa exploratória. A coleta dos dados ocorreu por meio da pesquisa documental e entrevistas semiestruturadas, sendo os entrevistados acadêmicos do Curso de Educaçao Física Licenciatura e Bacharelado. Os dados foram analisados a partir da Análise de Conteúdo. Conclui-se que o Projeto teve relevância significativa para a formaçao inicial dos monitores envolvidos, por ser um espaço de vivência educativa, de formaçao profissional e de diálogo com a comunidade universitária

Projeto de extensão colônia de férias cefd/ufsm : Relato de experiência

Essa pesquisa trata-se de um relato de experiência sobre o Projeto de Extensao Colônia de Férias na formaçao inicial dos acadêmicos da graduaçao em Educaçao Física Licenciatura e Bacharelado da UFSM. A pesquisa assume os pressupostos da abordagem qualitativa, e com vistas a alcançar os objetivos do estudo, optou se pela pesquisa exploratória. A coleta dos dados ocorreu por meio da pesquisa documental e entrevistas semiestruturadas, sendo os entrevistados acadêmicos do Curso de Educaçao Física Licenciatura e Bacharelado. Os dados foram analisados a partir da Análise de Conteúdo. Conclui-se que o Projeto teve relevância significativa para a formaçao inicial dos monitores envolvidos, por ser um espaço de vivência educativa, de formaçao profissional e de diálogo com a comunidade universitária

Modelo para formação dinâmica de rede de fornecedores em empresas estendidas

Supply chains have become an important focus for competitive advantage. The performance of a company increasingly depends on its ability to maintain effective and efficient relationships with its suppliers and customers. The extended enterprise (i.e. composed of several partners) needs to be dynamically formed in order to be agile and adaptable. According to the Digital Manufacturing paradigm, companies have to be able to quickly share and disseminate information regarding planning, designing and manufacturing of products. Additionally, they must be responsive to all technical and business determinants, as well as be assessed and certified for guaranteed performance. The current research intends to present a solution for the dynamic composition of the extended enterprise, formed to take advantage of market opportunities quickly and efficiently. A construction model was developed. This construction model consists of: information model, protocol model and process model. The information model has been defined based on the concepts of Supply Chain Operations Reference model (SCOR®). In this model is defined information for negotiating the participation of candidate companies in the dynamic establishment of a network for responding to a given demand for developing and manufacturing products, in seven steps as follows: request for information; request for qualification; alignment of strategy; request for proposal; request for quotation; compatibility of process; and compatibility of system. The protocol model has been elaborated and inspired in the OSI, this model provides a framework for linking customers and suppliers, indicates a sequence to be followed, in order to selecte companies to become suppliers. The process model has been implemented by means of process modeling according to the BPMN standard and, in turn, implemented as a web-based application that runs the process through its several steps, which uses forms to gather data. An application example in the context of the oil and gas industry is used for demonstrating the solution concept.