Handbook of the National Conference of Commissioners on Uniform State Laws, and proceedings of the annual meeting.

Proceedings for 1893 and 1895 were not printed, but exist in typewritten form in the archives of the conference.

Les plus anciens monuments de la langue francaise, publies pour les cours universitaires.

Texts: les serments de Strasbourg. Prose de sainte Eulalie. Fragment de Valenciennes. La passion du Christ. Vie de saint Leger. Le mystere de l'Epoux.

The holy bible : containing the old and new testaments, tr. out of the original tongues; and with the former translations diligently compared and revised. The references and marginal readings of the Polyglott Bible, with numerous additions from Bagster's Comprehensive Bible.

The Family record between the old and new testaments records the family of Solomon Sprague, b.1794.

The works of Shakespeare /

"The text ... from MacBeth [v. 31] onwards has been edited by Mr. Walter Raleigh" note in v. 38.

The life of St. Katharine of Alexandria.

The text is that of the Arundel ms.396 in the British museum, with that of the Rawlinson ms. (Poet. 118) in the Bodleian, for the first three books.

Introduction to the history of civilization in England;

"The present is an absolutely complete reprint of Buckle's work, with a new index. The two volumes in which it originally appeared (1857-61) bore the title ʻHistory of civilization in England,' their subject-matter, however, being simply the uncompleted ʻGeneral introduction' to the projected work so entitled."--Editor's pref.

The rise and fall of Krugerism : a personal record of forty years in South Africa /

Includes index.

Französische studien.

Vols. 2-7 have special title-page and separate paging for each part. Vol. 7 has no general title-page.

Proceedings of the annual meeting

Mode of access: Internet.

Zeitschrift fur franzosische Sprache und Literatur.

Frequency varies. Title varies: 1879-88, Zeitschrift fur neufranzosische Sprache und litteratur (varies slightly) 1889-19 Zeitschrift fur franzosische sprache und literatur (varies slightly) Editors: 1879-84, G. Korting, E. Koschwitz.--1885-1930, D. Behrens (with H. Korting, 1885-90).--1930- E. Gamillscheg, E. Winkler. Vols.1-13 were published in Oppeln and Leipzig by E. Franck. Vols. 4-44 were issued in 2 parts; pt.1: Abhandlungen; pt.2: Referate und rezensionen (v.4-5, Kritische anzeigen, etc.) Publication suspended 1945-55. Indexes: Vols.1-50. 1v.

Blühende Kakteen (Iconographia Cactacearum) Im auftrage der Deutschen Kakteen-Gesellschaft ...

Editors: v.1-4, Karl Schumann; v.5-[7] lief. 36, Max Gürke; lief. 37-[45], F. Vaupel.

The vulnerable subject:beyond rationalism in international relations

International Relations remains faithful to its rationalist roots focusing on instrumental forms of power and authority to address global problems and, in the process, fail to acknowledge a sense of vulnerability permeating the global community. This book challenges such assumptions establishing an account of international politics that draws on the ethical assumptions of agonism. it highlights the inherent struggle associated with individual and community based engagement to address this struggle. While it does not offer one single mode of engagement to overcome vulnerability per se, it hopes to elicit a series of reactions, on the part of the reader, provoking grater reflection on the nature of such shared vulnerabilities thereby challenging the dominance of rationalist assumptions.

Eficácia política de uma crítica: Paulo Emílio Salles Gomes e a constituição de uma teia interpretativa da história do cinema brasileiro

This work aims to contribute to theoretical and methodological analysis of writing the history of Brazilian cinema. The object of this study the trilogy of articles in Cinema: the trajectory of underdevelopment regimented, the critic and historian Paulo Emílio Salles Gomes, seeks to understand the process of setting up a web interpretative history of our film based on this work and how to rescue its historicity.

Reanalysis of the 1954-1963 Atlantic Hurricane Seasons

HURDAT is the main historical archive of all tropical storms and hurricanes in the North Atlantic Basin, which includes the Caribbean Sea and Gulf of Mexico, from 1851 to the present. HURDAT is maintained and updated annually by the National Hurricane Center at Miami, Florida. Today, HURDAT is widely used by research scientists, operational hurricane forecasters, insurance companies, emergency managers and others. HURDAT contains both systematic biases and random errors. Thus, the reanalysis of HURDAT is vital. For this thesis, HURDAT is reanalyzed for the period of 1954-1963. The track and intensity of each existing tropical cyclone in HURDAT is assessed in the light of 21st century understanding and previously unrecognized tropical cyclones are detected and analyzed. The resulting changes will be recommended to the National Hurricane Center Best Track Change Committee for inclusion in HURDAT.

Disruptive Threads and Renegade Yarns: Domestic Textile Making in Selected Women's Writing 1811-1925

Images of domestic textiles (items made at home for consumption within the household) and textile making form an important subtext to women’s writing, both during and after industrialization. Through a close reading of five novels from the period 1811-1925, this thesis will assert that a detailed understanding of textile work and its place in women’s daily lives is critical to a deeper understanding of social, sexual and political issues from a woman’s perspective. The first chapter will explore the history of the relationship between women and domestic textile making, and the changes wrought to the latter by the Industrial Revolution. The second chapter will examine the role of embroidery in the construction of “appropriate” feminine gentility in Jane Austen’s Mansfield Park (1814). The third chapter, on Elizabeth Gaskell’s Cranford (1853), will explore how the older female body became a repository for anxieties about class mobility and female power at the beginning of the Victorian era. The fourth chapter will compare Sara Jeannette Duncan’s A Social Departure (1890) and Kate Chopin’s The Awakening (1899) to consider how later Victorian women both internalized and refuted public narratives of domestic textile making in a quest for “self-ownership.” The last chapter, on Martha Ostenso’s Wild Geese (1925), examines the corrosive, yet ultimately redemptive, relationships of a family of women trapped by abuse and degradation. For all five authors, images of textiles and textile making allow them to speak to issues that were usually only discussed within a community of women: sexuality, desire, aging, marriage, and motherhood. In all five works, textile making “talks back” to the power structures that marginalize women, and lends insight into the material and emotional circumstances of women’s lives.