989 resultados para Character of Jesus Christ
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Vol. I translated by S. Taylor and J. E. Ryland, vol. II by J. E. Ryland and M. G. Huxtable, vol. III by R. E. Wallis and S. Manson and vol. IV by S. Manson and Robert Smith.
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Mode of access: Internet.
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Text in English and Bulgarian.
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At head of title: "The Oxford self-pronouncing Testament."
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Includes index.
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Mode of access: Internet.
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Vol. I translated by S. Taylor and J.E. Ryland, vol. II by J.E. Ryland and M.G. Huxtable, vol. III by R.E. Wallis and S. Manson and vol. IV by S. Manson and Robert Smith.
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[v.1] Matthew to John.
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BS2555.W35
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Mode of access: Internet.
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Includes index.
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(Résumé de l'ouvrage) The book of Hebrews has often been the Cinderella of the New Testament, overlooked and marginalized; and yet it is one of the most interesting and theologically significant books in the New Testament. A Cloud of Witness examines the theology of the book in the light of its ancient historical context. There are chapters devoted to the structure of Hebrews, the person of Jesus Christ, Hebrews within the context of Second Temple Judaism and the Greco-Roman empire and the role of Hebrews in early Christian thought.
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According to Ray Harryhausen, a special effects expert in the film industry, "Gustave Doré would have made a great director of photography . . . He saw things from the point of view of the camera." Doré's work has had a permanent impact on the imaginative realm of film since its very early days. In return, the silver screen has etched Doré into the 20th century imagination. Almost every film about the Bible since The Life and Passion of Jesus Christ produced by Pathé in 1902 refers to his illustrations, and every film adaptation of Dante or Don Quixote has used him as a model, from Georg Wilhelm Pabst and Orson Welles to Terry Gilliam. All films dealing with life in London in the Victorian era by directors ranging from David Lean, to Roman Polanski and Tim Burton draw on the visions in London: a pilgrimage for their sets. A large number of dream fantastical or phantasmagorical scenes take their inspiration from Doré's graphic world, beginning with Georges Méliès' A Trip to the Moon in 1902. In the realm of cartoons and animation, Walt Disney owes a huge debt to Doré. Doré primal forests, from Atala in particular, were also used in the various versions of King Kong from 1933 to the 2005 film by Peter Jackson, who had already drawn on Doré for The Lord of the Rings. Jean Cocteau was also indebted to the illustrations for Perrault's Fairy Tales for his Beauty and the Beast (1945), as was George Lucas for the character Chewbacca in Star Wars (1977) and even the Harry Potter film series. Through his influence on film history, Doré shaped the mass culture imagination.
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Mode of access: Internet.
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Mode of access: Internet.