The Venetian painters of the Renaissance : with an index to their works /

Includes indexes.

The poetical works of Dr. William King : with the life of the author.

Each vol. with added engraved series title-page (with vignettes engraved after designs by T. Stothard dated 1781-82) and special title-page.

The collected works of Dante Gabriel Rossetti /

Bio-bibliographical preface.

Catalogue of works by American naval authors.

Mode of access: Internet.

The complete works of Edgar Allen Poe /

The booklovers Arnheim ed.

Exhibition of the works of Vassili Verestchagin.

At head of title: American art galleries.

Elementary history of art. An introduction to ancient and modern architecture, sculpture, painting, music.

"List of works consulted": p. [xxiii]

State-of-the-art in integrated vehicle health management

Cranfield University in collaboration with The Boeing Company have set up a Centre of Excellence in IVHM on the University?s technology park. Sponsored by the East of England Development Agency (EEDA), the Centre carries out pre-competitive research and development of IVHM technologies for the benefit of industrial partners. In addition, the dedicated facilities and university staff provide an unparalleled educational environment for learning and applying IVHM technologies. Boeing is actively involved in the creation and work of the Centre through its enterprise-wide Phantom Works technology organization. This paper will describe the organisation and operation of the Centre and will illustrate its activities by describing a research project being carried out in the Centre. This project is a demonstration of an end to end IVHM system beginning with cost/benefit analysis and extending to maintenance, logistics and operations decision support.

Richard Duncan: Recent Works

Catalog of an exhibition co-sponsored by the Art Museum at Florida International University and the Ritter Art Gallery at Florida Atlantic University. Essay by Pablo Edelstein.

Light Works

Catalog of an exhibition held at the Visual Arts Gallery, Florida International University. Essay by Gene Arant.

Art + Bioéthique : L’art comme médiation

Compte-rendu / Review

Publics, visibilité et reconnaissance en art contemporain : étude du cas de Ai Weiwei

Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.

Art + Bioéthique : L’art comme médiation

Compte-rendu / Review

Unsettling Histories: Representation and Indigenous Creative Art Praxis in Official Indian Residential School Redress

This dissertation offers an investigation of the role of visual strategies, art, and representation in reconciling Indian Residential School history in Canada. This research builds upon theories of biopolitics, settler colonialism, and race to examine the project of redress and reconciliation as nation and identity building strategies engaged in the ongoing structural invasion of settler colonialism. It considers the key policy moments and expressions of the federal government—from RCAP to the IRSSA and subsequent apology—as well as the visual discourse of reconciliation as it works through archival photography, institutional branding, and commissioned works. These articulations are read alongside the creative and critical work of Indigenous artists and knowledge producers working within and outside of hegemonic structures on the topics of Indian Residential School history and redress. In particular the works of Jeff Thomas, Adrian Stimson, Krista Belle Stewart, Christi Belcourt, Luke Marston, Peter Morin, and Carey Newman are discussed in this dissertation. These works must be understood in relationship to the normative discourse of reconciliation as a legitimizing mechanism of settler colonial hegemony. Beyond the binary of cooptation and autonomous resistance, these works demonstrate the complexity of representing Indigeneity: as an ongoing site of settler colonial encounter and simultaneously the forum for the willful refusal of contingency or containment.