Engaging in online postgraduate education as means of professional learning

With enrolments in higher education becoming a competitive market, through the removal of caps in 2012, the equitable access to postgraduate education is raised. Postgraduate education, provided through higher education institutions, is an important aspect of career development for professionals. Professionals working outside of the metropolitan area are increasingly seeking postgraduate education opportunities that will be delivered online, at a distance. In this research study, data collected from the teaching profession, has culminated in a model that will ultimately improve access to professional learning. This research paper aims to highlight the important role that higher education providers play in the delivery of postgraduate education to professionals working in regional and remote areas of Australia. Although this paper focuses on the realm of education, the model of connectedness, where synchronous and asynchronous technologies are used, can be adapted and applied to any profession that requires equitable access to professional learning.

Age, growth and life history of Klamath River Basin steelhead trout (Onchorhynchus mykiss irideus) as determined from scale analysis

Adult steelhead (Oncorhynchus mykiss irideus) scales were analyzed from eight fall-run, two spring-run, and one winter-run stocks within the Klamath-Trinity River system, from 1981 through 1983, to provide basic information on age, growth, and life history. The higher degree of half-pounder occurrence of upper Klamath River steelhead stocks (86.7 to 100%) compared to Trinity River steelhead stocks (32.0 to 80.0%) was the major life history difference noted in scale analysis. Early life history was similar for all areas sampled with most juveniles (86.4%) remaining in freshwater during the first two years of life before migrating to sea. Repeat spawning ranged from 17.6 to 47.9% for fall-run, 40.0 to 63.6% for spring-run, and 31.1% for winter-run steelhead. Mean length of adults at first spawning was inversely related to percent half-pounder occurrence in each stock. Ages of returning spawners, back calculated lengths at various life stages, and growth information are presented. (PDF contains 22 pages)

Desenvolvimento do clube de história da matemática: um diálogo das ciências humanas com a matemática

Este trabalho apresenta uma pesquisa sobre a utilização da História da Matemática no ensino básico do Colégio Militar do Rio de Janeiro CMRJ através de manifestações artísticas, fazendo uso, principalmente, do teatro,para que alunos percebam a matemática como uma ciência temporal, humana e sujeita a interferências políticas e sociais e, dessa forma, desenvolver a criticidade, aumentar a sensibilidade e o senso de solidariedade. A partir de um tema da história envolvendo fatos matemáticos os alunos pesquisam, escrevem uma peça teatral e encenam para um público formado por pessoas da comunidade escolar. Como a intenção é tornar essa prática efetiva, a pesquisa culmina na fundação do Clube de História da Matemática, espaço onde, espera-se, atividades recorrentes sejamdesenvolvidas, atraindo alunos afetos tanto às ciências humanas e sociais como às ciências exatas. Realiza-se um estudo de caso com observação participante, por ser o autor também professor do CMRJ. Este estudo busca referência teórica principalmente em autores relacionados à História da Matemática, Arte na Educação, gestão democrática, relações de poder e na legislação vigente. A pesquisa aponta a importância do trabalho com a história e com a arte e nos leva a concluir que, para formar cidadãos participativos e críticos, o primeiro passo é a sociedade tornar-se participativa e crítica, sendo a escola o principal locuspara tal formação.

Curso de Especialização em Enfermagem Obstétrica na Modalidade de Residência (Rio de Janeiro, 2004 a 2006)

Este estudo, de cunho histórico-social qualitativo, com abordagem na história do tempo presente, tem por objeto o processo de implantação do Curso de Especialização em Enfermagem Obstétrica na Modalidade de Residência da Secretaria Municipal de Saúde do Rio de Janeiro/Faculdade de Enfermagem da Universidade do Estado do Rio de Janeiro (UERJ) no período de 2004 a 2006, sendo o marco inicial o ano que a primeira turma começou o Curso, e o marco final o ano de conclusão da referida turma. Os objetivos da pesquisa são: descrever as circunstâncias de implantação do Curso de Especialização em Enfermagem Obstétrica na Modalidade de Residência na cidade do Rio de Janeiro; analisar as estratégias desenvolvidas pelos professores, preceptores e residentes para a implantação do curso na Faculdade de Enfermagem da UERJ e nos campos clínicos. O estudo foi pautado nos conceitos de poder simbólico, espaço social, campo social, capital, luta simbólica e habitus do sociólogo Pierre Bourdieu. O método utilizado foi história oral temática. A análise foi realizada mediante a ordenação, classificação e articulação dos documentos escritos e orais com o referencial teórico. Os resultados da pesquisa apontam que no período estudado havia um contexto favorável à implantação do curso de Especialização em Enfermagem Obstétrica na modalidade de Residência, pois houve, em 2005, a promulgação da lei que instituiu Residência em Área Profissional de Saúde, como modalidade de ensino de pós-graduação lato sensu, voltada para a educação em serviço e destinada às categorias profissionais que integram a área de saúde, excetuada a médica. Desse modo, essa modalidade de ensino constitui-se em um programa de cooperação intersetorial para favorecer a inserção qualificada dos jovens profissionais da saúde no mercado de trabalho, particularmente em áreas prioritárias do Sistema Único de Saúde, como era o caso da área da saúde da mulher. Assim, os professores que estavam envolvidos com o direcionamento político pedagógico do Curso escolheram estrategicamente os campos de prática que tivessem enfermeiras obstétricas inseridas no cuidado ao parto e nascimento e sustentaram as disciplinas de História da Obstetrícia; Gênero, Sexualidade e Enfermagem, e Enfermagem Obstétrica como norteadoras conceituais do projeto político-pedagógico, a fim de atualizar o habitus dos residentes. As preceptoras diretamente inseridas no campo clínico contribuíram para garantir a presença contínua de uma supervisora enfermeira nos setores de realização das práticas pelos residentes, visando a reprodução do modelo humanizado, além de contribuir também com a complementação do conteúdo teórico. Seguindo o direcionamento político-pedagógico do curso, a principal estratégia desenvolvida pelos residentes foi a busca pela ampliação do capital científico com intuito de adquirir maior poder no campo. Conclui-se que as estratégias utilizadas por todos os agentes implantaram o Curso de Especialização em Enfermagem Obstétrica na Modalidade de Residência. Esse curso, reconfigurou o ensino da enfermagem obstétrica na Faculdade de Enfermagem da UERJ, pois aproximou a academia com os serviços, gerando uma corresponsabilidade dos agentes envolvidos na formação. Essa corresponsabilidade, por sua vez, facilitou a inserção dos egressos nos campos obstétricos do Sistema Único de Saúde.

Visual Disobedience: The Geopolitics of Experimental Art in Central America, 1990-Present

This dissertation centers on the relationship between art and politics in postwar Central America as materialized in the specific issues of racial and gendered violence that derive from the region's geopolitical location and history. It argues that the decade of the 1990s marks a moment of change in the region's cultural infrastructure, both institutionally and conceptually, in which artists seek a new visual language of experimental art practices to articulate and conceptualize a critical understanding of place, experience and knowledge. It posits that visual and conceptual manifestations of violence in Central American performance, conceptual art and installation extend beyond a critique of the state, and beyond the scope of political parties in perpetuating violent circumstances in these countries. It argues that instead artists use experimental practices in art to locate manifestations of racial violence in an historical system of domination and as a legacy of colonialism still witnessed, lived, and learned by multiple subjectivities in the region. In this postwar period artists move beyond the cold-war rhetoric of the previous decades and instead root the current social and political injustices in what Aníbal Quijano calls the `coloniality of power.' Through an engagement of decolonial methodologies, this dissertation challenges the label "political art" in Central America and offers what I call "visual disobedience" as a response to the coloniality of seeing. I posit that visual colonization is yet another aspect of the coloniality of power and indispensable to projects of decolonization. It offers an analysis of various works to show how visual disobedience responds specifically to racial and gender violence and the equally violent colonization of visuality in Mesoamerica. Such geopolitical critiques through art unmask themes specific to life and identity in contemporary Central America, from indigenous genocide, femicide, transnational gangs, to mass imprisonments and a new wave of social cleansing. I propose that Central American artists--beyond an anti-colonial stance--are engaging in visual disobedience so as to construct decolonial epistemologies in art, through art, and as art as decolonial gestures for healing.

Performing Resistance/Negotiating Sovereignty: Indigenous Women's Perofrmance Art in Canada

Performing Resistance/ Negotiating Sovereignty: Indigenous Women’s Performance Art In Canada investigates the contemporary production of Indigenous performance and video art in Canada in terms of cultural continuance, survivance and resistance. Drawing on critical Indigenous methodology, which foregrounds the necessity of privileging multiple Indigenous systems of knowledge, it explores these themes through the lenses of storytelling, decolonization, activism, and agency. With specific reference to performances by Rebecca Belmore, Lori Blondeau, Cheryl L'Hirondelle, Skeena Reece and Dana Claxton, as well as others, it argues that Indigenous performance art should be understood in terms of i) its enduring relationship to activism and resistance ii) its ongoing use as a tool for interventions in colonially entrenched spaces, and iii) its longstanding role in maintaining self-determination and cultural sovereignty.

ArchiBabel: Tracing the Writing Architecture Project in Architectural Education

Though much recent scholarship has investigated the potential of writing in creative practice (including visual arts, drama, even choreography), there are few models in the literature which discuss writing in the context of architectural education. The paper presented here aims to address this dearth of pedagogical research, analysing the cross-disciplinary Writing Architecture Project based in the undergraduate course of the School of Architecture at QUB. Over the course of four years, teaching staff, in partnership with the university's Learning Development Service, technicians and specialist librarians, have addressed an unfortunately persistent struggle for both architecture students and professionals alike to research and construct argument in written form. The paper examines the current problem as identified in the literature before analysing the efficacy of the variety of teaching methods used in the Writing Architecture Project, with conclusions about the project’s success and continuing challenges.

Film, History and Memory

Film, History and Memory examines the relationship between film and history, exploring the multiplicity of ways in which films depict, contest, reinforce or subvert historical understanding. This volume broadens the focus from 'history', the study of past events, to 'memory', the processes – individual, generational, collective or state-driven – by which meanings are attached to the past. This approach acknowledges how the significance of the historical film lies less in its empirical qualities than in its powerful capacity to influence public thinking and discourses about the past, whether by shaping collective memory, popular history and social memory, or by retrieving suppressed or marginalized histories. This study aims to contribute to the growing literature on history and film through the breadth of its approach, both in disciplinary and geographical terms. Contributors are drawn not only from the discipline of history but also film studies, film practice, art history, languages and literature, and cultural studies.

Increasing Prevalence of Myopia in Europe and the Impact of Education

PURPOSE: To investigate whether myopia is becoming more common across Europe and explore whether increasing education levels, an important environmental risk factor for myopia, might explain any temporal trend.

DESIGN: Meta-analysis of population-based, cross-sectional studies from the European Eye Epidemiology (E(3)) Consortium.

PARTICIPANTS: The E(3) Consortium is a collaborative network of epidemiological studies of common eye diseases in adults across Europe. Refractive data were available for 61 946 participants from 15 population-based studies performed between 1990 and 2013; participants had a range of median ages from 44 to 78 years.

METHODS: Noncycloplegic refraction, year of birth, and highest educational level achieved were obtained for all participants. Myopia was defined as a mean spherical equivalent ≤-0.75 diopters. A random-effects meta-analysis of age-specific myopia prevalence was performed, with sequential analyses stratified by year of birth and highest level of educational attainment.

MAIN OUTCOME MEASURES: Variation in age-specific myopia prevalence for differing years of birth and educational level.

RESULTS: There was a significant cohort effect for increasing myopia prevalence across more recent birth decades; age-standardized myopia prevalence increased from 17.8% (95% confidence interval [CI], 17.6-18.1) to 23.5% (95% CI, 23.2-23.7) in those born between 1910 and 1939 compared with 1940 and 1979 (P = 0.03). Education was significantly associated with myopia; for those completing primary, secondary, and higher education, the age-standardized prevalences were 25.4% (CI, 25.0-25.8), 29.1% (CI, 28.8-29.5), and 36.6% (CI, 36.1-37.2), respectively. Although more recent birth cohorts were more educated, this did not fully explain the cohort effect. Compared with the reference risk of participants born in the 1920s with only primary education, higher education or being born in the 1960s doubled the myopia prevalence ratio-2.43 (CI, 1.26-4.17) and 2.62 (CI, 1.31-5.00), respectively-whereas individuals born in the 1960s and completing higher education had approximately 4 times the reference risk: a prevalence ratio of 3.76 (CI, 2.21-6.57).

CONCLUSIONS: Myopia is becoming more common in Europe; although education levels have increased and are associated with myopia, higher education seems to be an additive rather than explanatory factor. Increasing levels of myopia carry significant clinical and economic implications, with more people at risk of the sight-threatening complications associated with high myopia.

Education building, First Methodist Church, Cheraw, SC

This is a mounted photo of the education building of First Methodist Church, Cheraw S.C. The building was designed by Graves & Toy in Charlotte, contractor was Haynsworth Construction Co in Florence, and the building was completed September 1953.

Cooperação, motivação e tecnologias : processo de aprendizagem em Oficina de Expressão Plástica, 7.º ano

Relatório da Prática de Ensino Supervisionada, Ensino de Artes Visuais, Universidade de Lisboa, 2013

Mapping one university's response to internationalization : a case study

This study explored one university's response to the internationalization of higher education. Case study methodology was employed through a review of current and archival documents and interviews with key actors in the international spheres of the university. The historical, current, and future contexts were considered to situate the case study on a time line. Data analysis revealed that there were several points of division among the university community related to the response to internationalization, but also a major point of coherence in the centrality of inter-cultural understanding in efforts to internationalize. Other key findings included strengths, areas for improvement, and future directions of the university's response to internationalization. All of these findings were contextualized in findings related to the history of the university. In addition to these major findings, three themes in relation to the vision for internationalization at the institution were revealed: ( a) intercultural understanding, (b) the comprehensive status of the university, and (c) the financial benefits of internationalization. Recommendations are made for practice at the university in order to clarify this vision to develop a clear foundation from which to further build a response to internationalization that is solidly based on inter-cultural understanding, and recommendations for future research into the process of internationalization at the institutional level in Canada are suggested.

Bio-art : Quand l'art rencontre la science

Konstantia Koutouki est chercheure régulière au CRDP et professeure à la Faculté de droit de l'Université de Montréal. Ernestine Daubner, est lecturer, Art History Department and MFA Studio Concordia University et professeure associée au Centre interuniversitaire des arts médiatiques (CIAM), UQAM.

La série Aux Abattoirs de la Villette (1929) : le point de vue du photographe Eli Lotar par-delà la revue Documents et la philosophie de Georges Bataille

Ce mémoire étudie la série Aux Abattoirs de la Villette photographiée par Eli Lotar en 1929. Il montre comment elle a été assimilée par l’histoire de l’art au texte « Abattoir » de Georges Bataille, aux côtés duquel ont été reproduites trois photos du corpus sous la rubrique Dictionnaire critique de la revue Documents. Cette emprise théorique sur la série est mise en perspective au regard de la démarche artistique d’Eli Lotar et des autres photomontages dont elle a fait l’objet ensuite. Le premier chapitre insiste sur la formation d’Eli Lotar et introduit son séjour à La Villette en lien avec la thématique de l’abattoir dans l’entre-deux-guerres. Il analyse ensuite la fortune critique d’Aux Abattoirs de la Villette qui s’appuie sur la philosophie de l’informe chez Georges Bataille. Le deuxième chapitre analyse le photomontage de la série fait par E.L.T. Mesens dans Variétés (1930) et le photoreportage reconstitué par Carlo Rim dans Vu (1931). Selon des points de vue et un travail formel différents, tous deux accentuent la dimension humaine de l’industrie d’abattage animal. Le troisième chapitre fait apparaître le regard posé par Eli Lotar sur le site de La Villette en tenant compte de ses préoccupations socio-artistiques à travers ses collaborations auprès de Germaine Krull et Joris Ivens. Finalement, il dresse une analyse comparative de la série avec la toile Abattoir d’André Masson, le poème Porte Brancion de Raymond Queneau et le film Le sang des bêtes de Georges Franju pour renforcer les spécificités du médium photographique.

Art québécois moderne (depuis 1940) au musée : regard sur la mise en scène permanente des collections

Ce mémoire comprend deux tomes : le premier consiste du texte et des figures, le deuxième consiste des annexes. Le tout est regroupé dans le document électronique présent.