Catalogue of paintings, Minneapolis Industrial Exposition, 1887.

Cover title.

Catalogue of paintings of the Art Department, third Minneapolis Induustrial Exposition :

Mode of access: Internet.

Lists of paintings, drawings, and Japanese prints in the permanent collections of the Department of Fine Arts; a preliminary publication, subject to revision.

Mode of access: Internet.

The Carnegie Institute catalogue of paintings sculpture, and other objects in the Department of Fine Arts, August, 1903.

Mode of access: Internet.

Catalogue of a loan exhibition of ancient Chinese paintings, sculptures & jade objects from the collection formed by Charles Lang Freer & given by him to the nation through the Smithsonian Institution. Exhibition November 15 to December 8, 1917.

Comp. by Frederich William Gookin.

[Japanese color prints and paintings : catalogues of sales].

Title from spine.

Retrospective and comparative exhibition of paintings by the late George Inness, N.A. and a few examples by the late A.H. Wyant, N.A. from the George H. Anslie [i.e. Ainslie] Collection ... New York : Detroit Museum of Art, Nov. 1st to Nov. 30th inclusive, 1913.

All paintings except two are from the George H. Ainslie Collection.

Masterpieces. 60 reproductions of photos from the original paintings, affording examples of the different characteristics of the artist's work.

Mode of access: Internet.

From Spanish paintings to murder:topic transitions in casual conversations between native and non-native speakers of English

This article explores some of the strategies used by international students of English to manage topic shifts in casual conversations with English-speaking peers. It therefore covers aspects of discourse which have been comparatively under-researched, and where research has also tended to focus on the problems rather than the communicative achievements of non-native speakers. A detailed analysis of the conversations under discussion, which were recorded by the participants themselves, showed that they all flowed smoothly, and this was in large measure due to the ways in which topic shifts were managed. The paper will focus on a very distinct type of topic shift, namely that of topic transitions, which enable a smooth flow from one topic to another, but which do not explicitly signal that a shift is taking place. It will examine how the non-native speakers achieved coherence in the topic transitions which they initiated, which strategies or procedures they employed, and show how their initiations were effective in enabling the proposed topic to be understood, taken up and developed. It therefore adds to our understanding of the interactional achievements of international speakers in informal, social contexts. © 2013 Elsevier B.V.

Classification of Paintings by Artist, Movement, and Indoor Setting Using MPEG-7 Descriptor Features

ACM Computing Classification System (1998): I.4.9, I.4.10.

The President's Choice new paintings and prints by Arnoldi Ups and Downs

Catalog of an exhibition held at the Visual Arts Gallery, Florida International University.

American Art Today: Night Paintings

Catalog of an exhibition held at the Art Museum at Florida International University. Essay by Barbara Dayer Gallati ; curated by Dahlia Morgan.

Simulacra and Essence: The Paintings of Luisa Basnuevo

Catalog of an exhibition held at Frost Art Museum. With an essay by Francine Birbragher.

Geoffrey Olsen: The Miami Paintings

Catalog of an exhibition held at the Frost Art Museum, Florida International University. Essay by Tony Jones.

Spectral damage model for lighted museum paintings: Oil, acrylic and gouache

A spectral aging test was developed to estimate the photochemical damage of oil, acrylic and gouache paints exposed to permanent lighting. The paints were irradiated at seven different wavelengths in the optical range to control and evaluate their spectral behaviour. To reach this objective, boxes with isolated aging cells were made. In each of box, one LED of a different wavelength and one photodiode were installed. Inside the boxes, the temperature of an exhibit area was recreated through a thermocouple sensor that controlled the temperature using a fan. The heat produced by the LED was dissipated by a thermal radiator. Moreover, to evaluate the exposure time dependence of the irradiation level, the test was performed using two different irradiation levels in ten exposure series. After each series, the spectral reflectance was measured, and the data collected for each paint and wavelength were used to develop a model of damage produced by the interaction between the spectral radiant exposure and the paint.