958 resultados para dominio PH
Resumo:
The canvas support in easel paintings is composed mainly of cellulose. One of the maindegradation paths of cellulose is acid-catalysed hydrolysis, which means that in an acidic environment (low pH), its degradation proceeds at a faster rate (Strlič et al., 2005).The main effect of acid-catalysed hydrolysis is the breaking up of the polymer chains,measured by the “Degree of Polymerisation” (DP). The lowering of the DP value impliesa lower mechanical strength of the textile (Scicolone, 1993), and thus this parameter canbe used to monitor degradation. Knowing these two parameters can, therefore, be veryinformative regarding the condition of the canvas support.
Resumo:
This paper presents the preliminary findings of pH and colour measurements carried out on artworks on paperand on wood that had been treated with a poly(vinyl acetate) (PVAC) based adhesive in the 1980s. In both cases, areas treated with PVAC proved to be less acidic than untreated areas. Contrary to expectations, the conservation treatments have not, as yet, increased acidity levels in the objects under study. Colour measurements of the works on paper showed that those that had been backed with a cotton fabric using a mixture of methylcellulose and PVAC were less yellow than those from the same print run that had not been backed. This finding suggests that the backing somehow prevented the natural degradation of the support. In view of these preliminary results, further research is clearly needed. This study forms part of a broader ongoing project to assess the role of PVAC in the conservation of a range of cultural assets.
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Selostus: Pohjois-Euroopan silikaattisten kalkitusaineiden reaktiivisuus astiakoemenetelmällä ja kahdella pH-staattisella menetelmällä arvioituna
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Se expone en un primer acercamiento cuáles teorías o metateorías han influido en el dominio usuario de la información. Se parte de la relación usuario - sistemas de información para luego analizar algunas cuestiones teóricas, filosóficas e históricas de la noción usuario y sus términos relacionados. Se exponen, además, algunas teorías y concepciones que dominaron y dominan al estudiar al usuario.
Resumo:
La evolución sedimentaria del Muschelkalk inferior de las cadenas costero catalanas se caracteriza por una primera secuencia de profundización, seguida por una segunda secuencia de somerización, constituída por pequeños ciclos somerizantes. Las dos secuencias están separadas por una discontinuidad estratigráfica de carácter regional. El tramo superior de la primera secuencia está dolomitizado por procesos de dolomitización secundaria él partir de la discontinuidad estratigráfica regional; en otros dominios de los Catalánides. la dolomitización puede afectar a casi toda la secuencia. La segunda secuencia está constituída por dolomías de tipo primario. El Muschelkalk inferior del dominio Montseny-L1obregat se diferencia del resto de los Catalánides, principalmente por existencia, en la secuencia de profundización, de cuatro rupturas sedimentarias interpretadas como superficies karstificadas intra-Muschclkalk. Todo el Muschelkalk inferior se desarrolla en facies mareales en un contexto de rampa carbonatada tipo homoclinal rampo. El estudio palinológico confirma una edad Anisiense medio-superior.
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[Vente. Art. 1859-03-28. Paris]
Resumo:
The canvas support in easel paintings is composed mainly of cellulose. One of the maindegradation paths of cellulose is acid-catalysed hydrolysis, which means that in an acidic environment (low pH), its degradation proceeds at a faster rate (Strlič et al., 2005).The main effect of acid-catalysed hydrolysis is the breaking up of the polymer chains,measured by the “Degree of Polymerisation” (DP). The lowering of the DP value impliesa lower mechanical strength of the textile (Scicolone, 1993), and thus this parameter canbe used to monitor degradation. Knowing these two parameters can, therefore, be veryinformative regarding the condition of the canvas support.
Resumo:
This paper presents the preliminary findings of pH and colour measurements carried out on artworks on paperand on wood that had been treated with a poly(vinyl acetate) (PVAC) based adhesive in the 1980s. In both cases, areas treated with PVAC proved to be less acidic than untreated areas. Contrary to expectations, the conservation treatments have not, as yet, increased acidity levels in the objects under study. Colour measurements of the works on paper showed that those that had been backed with a cotton fabric using a mixture of methylcellulose and PVAC were less yellow than those from the same print run that had not been backed. This finding suggests that the backing somehow prevented the natural degradation of the support. In view of these preliminary results, further research is clearly needed. This study forms part of a broader ongoing project to assess the role of PVAC in the conservation of a range of cultural assets.
Resumo:
This book, published jointly by the American Society of Agronomy, Soil Science Society of American and Iowa State University presents the papers that were given at a symposium held in Ames, Iowa, on Nov. 30 and Dec. 1, 1965 on the general topic of plant environment and efficient water use.