B-type cytochromes of the DOMON domain superfamily (Novel redox elements of plant plasma membrane)

The aim of the present study is understanding the properties of a new group of redox proteins having in common a DOMON-type domain with characteristics of cytochromes b. The superfamily of proteins containing a DOMON of this type includes a few protein families. With the aim of better characterizing this new protein family, the present work addresses both a CyDOM protein (a cytochrome b561) and a protein only comprised of DOMON(AIR12), both of plant origin. Apoplastic ascorbate can be regenerated from monodehydroascorbate by a trans-plasma membrane redox system which uses cytosolic ascorbate as a reductant and comprises a high potential cytochrome b. We identified the major plasma membrane (PM) ascorbate-reducible b-type cytochrome of bean (Phaseolus vulgaris) and soybean (Glycine max) hypocotyls as orthologs of Arabidopsis auxin-responsive gene air12. The protein, which is glycosylated and glycosylphosphatidylinositol-anchored to the external side of the PM in vivo, was expressed in Pichia pastoris in a recombinant form, lacking the glycosylphosphatidylinositol-modification signal, and purified from the culture medium. Recombinant AIR12 is a soluble protein predicted to fold into a β-sandwich domain and belonging to the DOMON superfamily. It is shown to be a b-type cytochrome with a symmetrical α-band at 561 nm, to be fully reduced by ascorbate and fully oxidized by monodehydroascorbate. Redox potentiometry suggests that AIR12 binds two high-potential hemes (Em,7 +135 and +236 mV). Phylogenetic analyses reveal that the auxin-responsive genes AIR12 constitute a new family of plasma membrane b-type cytochromes specific to flowering plants. Although AIR12 is one of the few redox proteins of the PM characterized to date, the role of AIR12 in trans-PM electron transfer would imply interaction with other partners which are still to be identified. Another part of the present project was aimed at understanding of a soybean protein comprised of a DOMON fused with a well-defined b561 cytochrome domain (CyDOM). Various bioinformatic approaches show this protein to be composed of an N-terminal DOMON followed by b561 domain. The latter contains five transmembrane helices featuring highly conserved histidines, which might bind haem groups. The CyDOM has been cloned and expressed in the yeast Pichia pastoris, and spectroscopic analyses have been accomplished on solubilized yeast membranes. CyDOM clearly reveal the properties of b-type cytochrome. The results highlight the fact that CyDOM is clearly able to lead an electron flux through the plasmamembrane. Voltage clamp experiments demonstrate that Xenopus laevis oocytes transformed with CyDOM of soybean exhibit negative electrical currents in presence of an external electron acceptor. Analogous investigations were carried out with SDR2, a CyDOM of Drosophila melanogaster which shows an electron transport capacity even higher than plant CyDOM. As quoted above, these data reinforce those obtained in plant CyDOM on the one hand, and on the other hand allow to attribute to SDR2-like proteins the properties assigned to CyDOM. Was expressed in Regenerated tobacco roots, transiently transformed with infected a with chimeral construct GFP: CyDOM (by A. rhizogenes infection) reveals a plasmamembrane localization of CyDOM both in epidermal cells of the elongation zone of roots and in root hairs. In conclusion. Although the data presented here await to be expanded and in part clarified, it is safe to say they open a new perspective about the role of this group of proteins. The biological relevance of the functional and physiological implications of DOMON redox domains seems noteworthy, and it can but increase with future advances in research. Beyond the very finding, however interesting in itself, of DOMON domains as extracellular cytochromes, the present study testifies to the fact that cytochrome proteins containing DOMON domains of the type of “CyDOM” can transfer electrons through membranes and may represent the most important redox component of the plasmamembrane as yet discovered.

Palermo di Buenos Aires: Borges e il sobborgo riconquistato.

Abbiamo più volte ribadito all’interno di questa tesi che una delle più importanti azioni che Borges compie con la sua scrittura è quella di riportare in vita, attraverso le memorie passate, la città di Buenos Aires, e in particolare il sobborgo. Il poeta si riappropria della sua città d’infanzia con un processo di allontanamento da quei tratti che oggi contraddistinguono Buenos Aires (come ad esempio la rumorosità assordante della vita metropolitana) a favore di quei connotati che un tempo rendevano la città mitica. Questo è il tentativo di elevare e recuperare l’aspetto autoctono del “suo” quartiere, valorizzando gli elementi caratterizzanti il sobborgo, che portano alla scoperta delle bellezze dei “quartieri amici” come scritto nel prologo di Fervore di Buenos Aires. Un altro elemento fondamentale che ha guidato questo lavoro è il tango. Borges opera in un‘epoca in cui non esiste un’identità argentina chiara e definita. Il processo di immigrazione ha fatto sì che la mescolanza di culture provenienti dall’estero, soprattutto dall’Europa, frammentasse quelli che erano le abitudini e i costumi primordiali del paese. Dunque Borges affronta questo tema facendo del tango il mezzo per la riconquista di un’identità che con il tempo si è perduta; questo perché il tango è uno dei pochi elementi, forse l’unico, che permane nella cultura argentina, nonostante le diverse vicissitudini che il paese attraversa nel corso della sua storia. Sono numerose le questioni che Borges tratta all’interno delle sue opere, come ad esempio il tema del sobborgo, del recinto, del patio e del rapporto che le architetture domestiche hanno con la luce e con lo spazio esterno ad esse. Nella sua opera più matura intervengono temi quali il labirinto, lo specchio e il sogno, che avvicinano la sua dimensione letteraria più ad un immaginario idealizzato che alla realtà percepita. Lo scopo di questo lavoro è quello di fare una trasposizione di tutti questi elementi attraverso un processo di trasfigurazione della letteratura in un progetto architettonico-compositivo. Un punto fermo e imprescindibile è la ricerca dell’identità, dunque, si è cercato di arrivare ad un progetto di architettura chiaro e riconoscibile per Buenos Aires; un edificio nel quale il cittadino possa identificare sé stesso e la città che egli abita. Il sistema con il quale si intende affrontare questo processo è quello di legare la cultura letteraria argentina e la cultura del tango in un complesso architettonico, affinché il sobborgo, tanto amato da Borges, possa essere “riconquistato”.

Un canto polytropo Geografie dell'Assenza e musiche d'Altrove in Vinicio Capossela

Nella poetica di Vinicio Capossela la geografia non è soltanto questione di meridiani e paralleli, ma è soprattutto quella che ognuno di noi si costruisce attraverso i viaggi, i racconti, la creatività: le strade e le vicende della nostra vita sono secondo lui «come le colonne delle cartine antiche, fanno la nostra geografia». Una geografia fatta di luoghi reali per lui significativi - per esempio Calitri, terra d'origine di suo padre, o Milano, città in cui vive - ma anche di mondi inventati, abitati da creature prodigiose e miti letterari, che tutti insieme formano il canto “polytropo” (multiforme) di Capossela. Un canto permeato da un perenne sentimento di clandestinità e da un desiderio insoddisfatto di “barrio”, di casa. Il sentimento dell'assenza è profondamente legato alla biografia del cantautore e alla sua geografia personale, ma anche al mondo affascinante e nascosto delle musiche da cui egli trae ispirazione, le cosiddette “musiche dell'Assenza” o “musiche d'Altrove”, in senso sia spaziale che temporale. In questo lavoro trovano spazio principalmente il tango e il rebetiko e le implicazioni culturali e linguistiche che essi hanno avuto nell'immaginario di Capossela, il quale ha riadattato alcune canzoni di questi due generi; per quanto riguarda il castigliano attraverso la singolare pratica della “traduzione ad orecchio”, mentre per quanto riguarda il greco riscrivendo completamente i testi. In particolar modo sarà descritto l'incontro di Capossela con la Grecia e con il rebetiko, che ha dato vita ad una fase inedita e particolarmente feconda della sua produzione, con la nascita del disco “Rebetiko Gymnastas”, il libro “Tefteri” e il docu-film “Indebito”, creato in collaborazione con il regista Andrea Segre.

Comparative effectiveness research across two spine registries

Comparative effectiveness research in spine surgery is still a rarity. In this study, pain alleviation and quality of life (QoL) improvement after lumbar total disc arthroplasty (TDA) and anterior lumbar interbody fusion (ALIF) were anonymously compared by surgeon and implant.

The rationale for a spine registry

In the discussion about the rationale for spine registries, two basic questions have to be answered. The first one deals with the value of orthopaedic registries per se, considering them as observational studies and comparing the evidence they generate with that of randomised controlled trials. The second question asks if the need for registries in spine surgery is similar to that in the arthroplasty sector. The widely held view that randomised controlled trials are the 'gold standard' for evaluation and that observational methods have little or no value ignores the limitations of randomised trials. They may prove unnecessary, inappropriate, impossible, or inadequate. In addition, the external validity and hence the ability to make generalisations about the results of randomised trials is often low. Therefore, the false conflict between those who advocate randomised trials in all situations and those who believe observational data provide sufficient evidence needs to be replaced with mutual recognition of their complementary roles. The fact that many surgical techniques or technologies were introduced into the field of spine surgery without randomised trials or prospective cohort comparisons makes obvious an even increased need for spine registries compared to joint arthroplasty. An essential methodological prerequisite for a registry is a common terminology for reporting results and a sophisticated technology that networks all participants so that one central data pool is created and accessed. Recognising this need, the Spine Society of Europe has researched and developed Spine Tango, the first European spine registry, which can be accessed under www.eurospine.org.

BETASCAN: probable beta-amyloids identified by pairwise probabilistic analysis

Amyloids and prion proteins are clinically and biologically important beta-structures, whose supersecondary structures are difficult to determine by standard experimental or computational means. In addition, significant conformational heterogeneity is known or suspected to exist in many amyloid fibrils. Recent work has indicated the utility of pairwise probabilistic statistics in beta-structure prediction. We develop here a new strategy for beta-structure prediction, emphasizing the determination of beta-strands and pairs of beta-strands as fundamental units of beta-structure. Our program, BETASCAN, calculates likelihood scores for potential beta-strands and strand-pairs based on correlations observed in parallel beta-sheets. The program then determines the strands and pairs with the greatest local likelihood for all of the sequence's potential beta-structures. BETASCAN suggests multiple alternate folding patterns and assigns relative a priori probabilities based solely on amino acid sequence, probability tables, and pre-chosen parameters. The algorithm compares favorably with the results of previous algorithms (BETAPRO, PASTA, SALSA, TANGO, and Zyggregator) in beta-structure prediction and amyloid propensity prediction. Accurate prediction is demonstrated for experimentally determined amyloid beta-structures, for a set of known beta-aggregates, and for the parallel beta-strands of beta-helices, amyloid-like globular proteins. BETASCAN is able both to detect beta-strands with higher sensitivity and to detect the edges of beta-strands in a richly beta-like sequence. For two proteins (Abeta and Het-s), there exist multiple sets of experimental data implying contradictory structures; BETASCAN is able to detect each competing structure as a potential structure variant. The ability to correlate multiple alternate beta-structures to experiment opens the possibility of computational investigation of prion strains and structural heterogeneity of amyloid. BETASCAN is publicly accessible on the Web at http://betascan.csail.mit.edu.

Patient-rated Outcomes of Lumbar Fusion in Patients with Degenerative Disease of the Lumbar Spine: Does Age Matter?

Introduction: Current demographic changes are characterized by population aging, such that the surgical treatment of degenerative spine conditions in the elderly is gaining increasing relevance. However, there is a general reluctance to consider spinal fusion procedures in this patient age group due to the increased likelihood of complications. The aim of this study was to assess the patient-rated outcome and complication rates associated with lumbar fusion procedures in three different age groups. Methods: This was a retrospective analysis of prospectively collected data from consecutive patients who underwent first-time, one to three level posterior instrumented fusion between 2004 and 2011, due to degenerative disease of the lumbar spine. Data were obtained from our Spine Surgery Outcomes Database (linked to the International Spine Tango Register). Before surgery, patients completed the multidimensional Core Outcome Measures Index (COMI), and at 3 and 12 months after surgery they completed the COMI and rated the Global Treatment Outcome (GTO) and their satisfaction with care. Patients were divided into three groups according to their age: younger (≥50y <65y; n = 317), older (≥65y <80y; n = 350), and geriatric (≥ 80y; n = 40). Results: 707 consecutive patients were included. The preoperative comorbidity status differed significantly (p < 0.0001) between the age groups, with the highest scores in the geriatric group. General medical complications during surgery were lower in the younger age group (7%) than in the older (13.4%; p = 0.006) and geriatric groups (17.5%; p = 0.007). Duration of hospital stay was longer (p = 0.006) in the older group (10.8 ± 3.7 days) than the younger (10.0 ± 3.6 days) group. There were no significant group differences (p>0.05) for any of the COMI domains covering pain, function, symptom specific well-being, general quality of life, and social and work disability at either 3 months’ or 12 months’ follow-up. Similarly, there were no differences (p>0.05) between the age groups for GTO and patient-rated satisfaction at either follow-up. Conclusions: Preoperative comorbidity and general medical complications during lumbar fusion for degenerative disorders of the lumbar spine are both greater in geriatric patients than in younger patients. However, patient-rated outcome is as good in the elderly as it is in younger age groups. These data suggest that geriatric age per se is not a contraindication to instrumented fusion for lumbar degenerative disease.

Patient-Rated Outcomes of Lumbar Fusion in Patients with Degenerative Disease of the Lumbar Spine: Does Age Matter?

STUDY DESIGN Single centre retrospective study of prospectively collected data, nested within the Eurospine Spine Tango data acquisition system. OBJECTIVE The aim of this study was to assess the patient-rated outcome and complication rates associated with lumbar fusion procedures in three different age groups. SUMMARY OF BACKGROUND DATA There is a general reluctance to consider spinal fusion procedures in elderly patients due to the increased likelihood of complications. METHODS Before and at 3, 12, and 24 months after surgery, patients completed the multidimensional Core Outcome Measures Index (COMI). At the 3-, 12-, and 24-month follow-ups they also rated the Global Treatment Outcome (GTO) and their satisfaction with care. Patients were divided into three age groups: younger (≥50y < 65y; n = 317), older (≥65y < 80y; n = 350), and geriatric (≥ 80y; n = 40). RESULTS 707 consecutive patients were included. The preoperative comorbidity status differed significantly (p < 0.0001) between the age groups, with the highest scores in the geriatric group. Medical complications during surgery were lower in the younger age group (7%) than in the older (13.4%; p = 0.006) and geriatric groups (17.5%; p = 0.007); surgical complications tended to be higher in the elderly group (younger, 6.3%; older, 6.0%; geriatric, 15.0%; p = 0.09). There were no significant group differences (p > 0.05) for the scores on any of the COMI domains, GTO, or patient-rated satisfaction at either 3-, 12-, and 24-months follow-up. CONCLUSIONS Despite greater comorbidity and complication rates in geriatric patients, the patient-rated outcome was as good in the elderly as it was in younger age groups up to two years after surgery. These data indicate that geriatric age needs careful consideration of associated risks but is not per se a contraindication for fusion for lumbar degenerative disease. LEVEL OF EVIDENCE 4.

Superior outcomes of decompression with an interlaminar dynamic device versus decompression alone in patients with lumbar spinal stenosis and back pain: a cross registry study.

INTRODUCTION Surgical decompression for lumbar spinal stenosis (LSS) has been associated with poorer outcomes in patients with pronounced low back pain (LBP) as compared to patients with predominant leg pain. This cross registry study assessed potential benefits of the interlaminar coflex® device as an add-on to bony decompression alone. METHODS Patients with lumbar decompression plus coflex® (SWISSspine registry) were compared with decompressed controls (Spine Tango registry). Inclusion criteria were LSS and a preoperative back pain level of ≥5 points. 1:1 propensity score-based matching was performed. Outcome measures were back and leg pain relief, COMI score improvement, patient satisfaction, complication, and revision rates. RESULTS 50 matched pairs without residual significant differences but age were created. At the 7-9 months follow-up interval the coflex® group had higher back (p=0.014) and leg pain relief (p<0.001) and COMI score improvement (p=0.029) than the decompression group. Patient satisfaction was 90% in both groups. No revision was documented in the coflex® and one in the decompression group (2.0%). DISCUSSION In the short-term, lumbar decompression with coflex® compared with decompression alone in patients with LSS and pronounced LBP at baseline is a safe and effective treatment option that appears beneficial regarding clinical and functional outcomes. However, residual confounding of non-measured covariables may have partially influenced our findings. Also, despite careful inclusion and exclusion of cases the cross registry approach introduces a potential for selection bias that we could not totally control for and that makes additional studies necessary.

Influence of previous surgery on patient-rated outcome after surgery for degenerative disorders of the lumbar spine.

PURPOSE Few studies have used multivariate models to quantify the effect of multiple previous spine surgeries on patient-oriented outcome after spine surgery. This study sought to quantify the effect of prior spine surgery on 12-month postoperative outcomes in patients undergoing surgery for different degenerative disorders of the lumbar spine. METHODS The study included 4940 patients with lumbar degenerative disease documented in the Spine Tango Registry of EUROSPINE, the Spine Society of Europe, from 2004 to 2015. Preoperatively and 12 months postoperatively, patients completed the multidimensional Core Outcome Measures Index (COMI; 0-10 scale). Patients' medical history and surgical details were recorded using the Spine Tango Surgery 2006 and 2011 forms. Multiple linear regression models were used to investigate the relationship between the number of previous surgeries and the 12-month postoperative COMI score, controlling for the baseline COMI score and other potential confounders. RESULTS In the adjusted model including all cases, the 12-month COMI score showed a 0.37-point worse value [95 % confidence intervals (95 % CI) 0.29-0.45; p < 0.001] for each additional prior spine surgery. In the subgroup of patients with lumbar disc herniation, the corresponding effect was 0.52 points (95 % CI 0.27-0.77; p < 0.001) and in lumbar degenerative spondylolisthesis, 0.40 points (95 % CI 0.17-0.64; p = 0.001). CONCLUSIONS We were able to demonstrate a clear "dose-response" effect for previous surgery: the greater the number of prior spine surgeries, the systematically worse the outcome at 12 months' follow-up. The results of this study can be used when considering or consenting a patient for further surgery, to better inform the patient of the likely outcome and to set realistic expectations.

Jorge Luis Borges y la nostalgia de las orillas

Este trabajo indaga en torno a la atracción por el suburbio y sus personajes más característicos –tal el compadrito- que se manifiesta en la obra de Jorge Luis Borges. En primer lugar, analiza la presencia del barrio como tema central en la poesía posmodernista de Enrique Banchs, Evaristo Carriego y Baldormero Fernández Moreno, quienes realizan la incorporación del mundo suburbano a la poesía argentina. A continuación se centra en una original hipótesis que ahonda en la razón afectiva que pudo mover al escritor políglota, erudito y cosmopolita a sentir esa fascinación por el mundo del arrabal y del tango porteño.

El invitado : Una historia con la radio

Eduardo Aliverti visitó nuestra universidad, es locutor, periodista y profesor universitario. Condujo algunos de los programas de radio con mayor impacto de las últimas dos décadas, tales como: Anticipos -poco menos que la única voz periodística de oposición a la dictadura, por Radio Continental-; Sin Anestesia -por Radio Belgrano, en los primeros años de la transición democrática- y Protagonistas, en varias emisoras porteñas desde 1988 hasta 1996. Actualmente dirige y conduce Marca de Radio, por Rivadavia, durante la mañana de los sábados. Es ganador de 7 premios Martín Fierro. En el año 2002 recibe el Galardón Susini como reconocimiento a su trayectoria en radio, otorgado por Argentores. Dirigió tres videos de periodismo documental: Tango de un Lagarto, sobre la realidad cubana; Volviendo a Washington, acerca de la historia de la moneda argentina, y Malajunta, en torno de la última dictadura militar. Esta última realización fue galardonada en los festivales internacionales de Nueva York, Ginebra, San Salvador de Bahía, La Habana, San Francisco y Houston. Además de innumerables premios en el ámbito nacional, la proyección de Malajunta, en Suiza, motivó el surgimiento en Europa de la agrupación HIJOS, integrada por los descendientes de detenidos-desaparecidos exiliados en el Viejo Continente. Fue productor ejecutivo de Sol de Noche, largometraje testimonial que refleja la relación entre el poder económico y la última dictadura militar. Esta película participó de festivales en Alemania, España, Francia, Italia y Buenos Aires, entre otros. Aliverti efectuó coberturas periodísticas en Estados Unidos, Rusia, América Latina, Europa y la península de Corea. En Buenos Aires fundó, dirige y es docente de ETER, Escuela Terciaria de Estudios Radiofónicos (la primera escuela de radio de Latinoamérica). Hace 18 años es titular del taller radiofónico en la carrera de Ciencias de la Comunicación de la Universidad Nacional de Buenos Aires y es dueño del que está considerado como uno de los archivos periodísticos personales más importantes del país.

Tangos en antologías : Algunas reflexiones sobre el género

En esta ponencia queremos introducir algunas reflexiones sobre el tango como género y sobre su ubicuidad en las letras argentinas, a la luz de las claves que nos presentan las antologías. Esta propuesta de análisis se inserta en el marco del Proyecto de Investigación Plurianual (PIP) "Antologías argentinas. Intervenciones sobre el canon y emergencias del imaginario", dirigido por la Dra. Ma. Amelia Arancet Ruda. Luego de Angel Gregorio Villoldo y desde la aparición de "Mi noche triste" (1917) de Pascual Contursi, las letras de tango comienzan a manifestar una conciencia autoral definida. Andados los años ya no se discute su valor estético en la literatura nacional. Sin embargo, aún quedan planteados algunos interrogantes tales como cuál es el lugar que ocupa el tango en dicha literatura, cómo lo mira la poesía, qué inserción tiene el tango en el género lírico, cuál es la relación del tango con las letras de canciones pertenecientes a otros géneros musicales entre otros. Estas cuestiones, si bien no completamente resueltas, pueden verse allanadas por el aporte teórico de las antologías, tanto de aquellas que recogen el tango como un ejemplo de poesía argentina -antologías de poesía- como aquellas consagradas exclusivamente a las letras de tango -antologías de tango-

Convergencias y divergencias respecto de las poéticas de la década del '60 en tres proyectos de escritura : César Fernández Moreno, Joaquín Giannuzzi y Alfredo Veiravé

La crítica especializada reconoce dos líneas dominantes en el campo intelectual argentino a partir de las producciones de las décadas del sesenta y sus prolongaciones en los setenta, aunque ambas se inscribirían en una genealogía que implica dos modos diferentes de leer la dicotomía arte/vida, una de las tensiones en las estéticas de las vanguardias históricas. Una de ellas, iniciada en los años cincuenta en torno de la famosa revista Poesía Buenos Aires, dirigida por Raúl Gustavo Aguirre, emerge como consecuencia, principalmente, del procesamiento de la vanguardia francesa [especialmente el surrealismo] y podría ser caracterizada como trascendentalismo poético [Calabrese: 2001 y 2002], un aspecto de la ideología del arte que, representado en plenitud por los poetas llamados "malditos", concibe a la poesía como un modo de vida y al poeta como vate, un ser singular, que se constituye en la poesía misma y que atisba un universo diferente al de la cotidianeidad. Mientras que la segunda de las líneas mencionadas, -surgida entre 1955, con "El solicitante descolocado" de Leónidas Lamborghini y prolongada hasta los '70- conocida como la de los "sesentistas", se instaura en polémica con la índole gratuita y estetizante del arte. Se trata de aproximar el texto a lo que se denominaba el contexto aludiendo a lo histórico-social; para ello se intenta crear un imaginario que establezca una continuidad entre la escritura y un determinado modo de ver el mundo; la literatura, inscripta así en el imperativo sartreano, debe identificarse con la praxis política y con los discursos sociales de procedencia referencial [Dalmaroni: 1993 y 1998]. Ingresan, así, elementos procedentes de la cultura popular [por ejemplo, el tango] y las jergas urbanas que construyen un simulacro de oralidad, como materiales a inscribir en la poesía, enfatizando su índole "antiliteraria": tales elementos, al desplazarse de su contexto de procedencia, generan un efecto de extrañamiento, apto para promover una estimulación de la conciencia crítica y develar los ideologemas vigentes. En este contexto, se trata de problematizar la generalización de esta periodización dicotómica, mediante el estudio de las obras de los tres poetas mencionados, instaladas en un espacio de cruce e hibridaciones entre estos mandatos y la vertiente experimental o más intelectual, por lo que no responderían a los rasgos dominantes que permitirían inscribirlos en uno u otro extremo del campo diseñado.

Convergencias y divergencias respecto de las poéticas de la década del '60 en tres proyectos de escritura : César Fernández Moreno, Joaquín Giannuzzi y Alfredo Veiravé

La crítica especializada reconoce dos líneas dominantes en el campo intelectual argentino a partir de las producciones de las décadas del sesenta y sus prolongaciones en los setenta, aunque ambas se inscribirían en una genealogía que implica dos modos diferentes de leer la dicotomía arte/vida, una de las tensiones en las estéticas de las vanguardias históricas. Una de ellas, iniciada en los años cincuenta en torno de la famosa revista Poesía Buenos Aires, dirigida por Raúl Gustavo Aguirre, emerge como consecuencia, principalmente, del procesamiento de la vanguardia francesa [especialmente el surrealismo] y podría ser caracterizada como trascendentalismo poético [Calabrese: 2001 y 2002], un aspecto de la ideología del arte que, representado en plenitud por los poetas llamados "malditos", concibe a la poesía como un modo de vida y al poeta como vate, un ser singular, que se constituye en la poesía misma y que atisba un universo diferente al de la cotidianeidad. Mientras que la segunda de las líneas mencionadas, -surgida entre 1955, con "El solicitante descolocado" de Leónidas Lamborghini y prolongada hasta los '70- conocida como la de los "sesentistas", se instaura en polémica con la índole gratuita y estetizante del arte. Se trata de aproximar el texto a lo que se denominaba el contexto aludiendo a lo histórico-social; para ello se intenta crear un imaginario que establezca una continuidad entre la escritura y un determinado modo de ver el mundo; la literatura, inscripta así en el imperativo sartreano, debe identificarse con la praxis política y con los discursos sociales de procedencia referencial [Dalmaroni: 1993 y 1998]. Ingresan, así, elementos procedentes de la cultura popular [por ejemplo, el tango] y las jergas urbanas que construyen un simulacro de oralidad, como materiales a inscribir en la poesía, enfatizando su índole "antiliteraria": tales elementos, al desplazarse de su contexto de procedencia, generan un efecto de extrañamiento, apto para promover una estimulación de la conciencia crítica y develar los ideologemas vigentes. En este contexto, se trata de problematizar la generalización de esta periodización dicotómica, mediante el estudio de las obras de los tres poetas mencionados, instaladas en un espacio de cruce e hibridaciones entre estos mandatos y la vertiente experimental o más intelectual, por lo que no responderían a los rasgos dominantes que permitirían inscribirlos en uno u otro extremo del campo diseñado.