954 resultados para Sujeito passivo


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There is an area in the Brazilian Contemporary Literature which is articulated according to the first person narrator who presents the problematic of the own creational action, the expression of a conflictual subjectivity divided between the vertiginous dive into itself – what would imply in a renounce of the world and the reality, where the authors’ work are their only matter – and the social participation - not as an awareness, but as the recognition of the limits and impasses which the real representation imposes on the creative writing. Therefore, this article proposes a reading on the novel O Azul do Filho Morto (2002) by Marcelo Mirisola, to try to situate him into the recent Brazilian literary production, as well as to reflect on his narrative the complex notion of authorship which is called into question on his novels, since they produce an intrincate imbrication between the fictional subject and the empirical image of the writer himself, breaking and confusing the limits between the fictional discourse and the extralinguistic reality which is evoked, manipulated, distorted and made unstable on his representational process.

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Este trabalho objetiva estudar o fenômeno da posposição do sujeito com relação ao verbo em distintos tipos e gêneros do jornal: O Araraquarense do início do século XX, e verificar se há alguma diferença entre eles, quanto à posição do sujeito na frase. A escolha de um corpus jornalístico é devida ao fato de seu texto ser muito propício para analisar os processos de implementação de uma possível mudança no português brasileiro; por se tratar de um texto público, o qual atua sobre os elementos da situação sócio-histórica em que está inserido e por sofrer influências dessa situação. Foram analisados dados coletados de artigos de opinião e notas sociais, levando em conta os tipos textuais: descrição, dissertação, injunção e narração (TRAVAGLIA, 2003, p.103). Constatou-se que os tipos (dissertativo e narrativo) foram predominantes nos artigos de opinião, e que somente o tipo narrativo esteve presente nas notas sociais. A posição do sujeito foi analisada em função dos seguintes grupos de fatores: tipo sintático do verbo, tipo morfológico do sujeito, padrão de construção e tipo textual. Como principais resultados, constatou-se: (i) um índice de posposição de 47% em notas sociais e de 19,2% em artigos de opinião; (ii) tipo do verbo (transitivo direto) 21,7% em artigos de opinião e 44,7% em notas sociais; neste mesmo gênero os verbos (inacusativo, bitransitivo, intransitivo e verbo de ligação) apresentaram, respectivamente, 71%, 45%, 37% e 37,9%; (iii) tipo morfológico do sujeito (sintagma nominal) em artigo de opinião 16,5% e 41,4% em notas sociais, 28,2% de (pronome pessoal) em artigo de opinião e 68,3% de (nome próprio) em notas sociais; (iiii) tipo textual (narrativo) 47,6% em notas sociais e em artigo de opinião 18,8% (dissertativo) e 27,8% (injuntivo)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Dans ce texte, nous avons abordé l'enseignement des langues selon une approche constructiviste, où le sujet qui apprend et l'objet de connaissance ne se polarisent pas, mais s'articulent. Ceci signifie que personne ni rien ne sort indemne d'un processus de formation : il y a des transformations chez le sujet (apprenant) et l'objet (langues). Nous critiquons par conséquent la conception du langage et donc de la langue en tant qu'instrument de communication.

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This essay intends to think critically and theoretically on the interrelations among subject, identity, and Feminism in the context of Postmodernity, a context which will be herein denominated ―Age of Crises. These three aspects will be approached under a Historical perspective and put into question in a philosophical sight guided by Post-structuralistic theories, especially Derridian Deconstruction. In general, the main objective is to reach into a discussion about the undecidable inter-relation between Feminist thinking and Postmodernity, which is one of the configurations of the many contemporary crises. In order to do so, it will be necessary a previous discussion on the postmodern subject and its identity. This discussion will open up the possibility of contextualizing and discussing Feminism inside the intended objective. This discussion will be structured around the word ―crises which, in a compositional relation to the word ―age, will be taken as a synonym for ―Postmodernity and ―contemporary. ―Age of Crises, ―Postmodernity, ―contemporary, and ―Feminism will be words haunted by the phármakon phenomenon, a key aspect for Derridian Deconstruction, which will be the gravitational force that approximates and separates, in an undecidable relation, those signs.

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Considering the hypothesis that Bakhtin and his Circle's reflections can help us think about issues involving the field of Language Acquisition, in addition to the fact that there are only a few works developed within this perspective in Brazil, in this article, we intend to discuss the notions of subject, subjectivity, individuality and singularity, drawing on Bakhtin's theory. Thus, in order to make this discussion clearer, we bring data from the speech of young children, from 1.8 to 3 years old, who were filmed in natural contexts interacting with their parents and relatives. From these data, we could verify, among other things, that children, as individuals who constitute themselves as subjects in and through language, bring marks to their discourse, revealing their subjectivity (through lexical, morphological, syntactic or genre choices).

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Is it possible to encapsulate in a pill the benefits of an analytical treatment? Quickly suspending the symptoms? Since the nineteenth century psychiatry has offered to the so called mentally ill "medieval forms" of treatment, as is the case of institutional admissions, the straightjacket, lobotomies, shock treatments, etc. What has changed since the mid-twentieth century advent of chlorpromazine, the first psychoactive drug, and the "psychopharmacological revolution"? Today with the Psychiatric Reform mental institutions admissions are being gradually abandoned, yet we see the rise of psychoactive drugs as protagonists in mental health treatment. This theoretical essay is an extension of a master's thesis in progress on the long-term use of psychotropic drugs. It falls within the field of mental health, specifically in the debate on the medicalization of society in contemporary processes of subjectivation of the psychiatric clinics and the treatment modalities currently offered to individuals in their suffering-existence. Thus, we seek to problematize this degrading psychiatric clinics, which produces what we call the pill-subject.

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This article aims to question the knowledge created with psychology, taking a quick passage through the discourses of this science since its birth and questioning what is the implication of this knowledge to the children constituition. Then, we will reassemble the context in which it was forged and what revolutions in the ways of conceiving life became possible after the psychology advent being estabilished as a field of autonomous knowledge. Furthermore, as a way to illustrate what we understand about the psychology constituition of childhood we will discuss some aspects of Jean Piaget's theory in an attempt to elucidate how this speach was (and is) widely applied and "naturalized" in such way, that nowadays it is common to speak of "stages of development" when referring to children. To realize that problem, we will support the studies of Michel Foucault about the production of knoledge and especially of knowledge “psy” and what is its importance for the children.

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This article is based on the author's clinical practice in the area of public health, and discusses depression as it is known today. Essentially, the author questions the practice of labeling depression as a psychopathological condition. The author also questions today’s trend of seeing a subject’s suffering as a "malaise," or a “disorder.” The possibility is brought up of understanding it as a "demand for analysis." Finally, the article is meant as a contribution to the ethics of psychoanalysis focused on the subject and the possibilities of psychoanalysis in subjectivating this "malaise."

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This is a critical and analytical study about some poems written by the Brazilian poet Fábio Weintraub concerning the construction of the poetic space as a critical and poetical view of the subject. The lyric aspect in the poet's work is objective and sensitive towards urban scenes in which all the objects play a role as images of the cities' routine, in which space is performed as the drama of the subject who sees the scene.

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Pós-graduação em Psicologia - FCLAS

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Pós-graduação em Letras - FCLAR