968 resultados para Photographic criticism
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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"CG 373-22."
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"October 1971."
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Rembrandt van Rijn; 6 7/64 in.x 7 29/32 in.; pen and brown ink corrected with white
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"Issued: July 31, 1963"--Cover ; "January 1963"--Title page.
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1st edition issued with title: Proposed national electrical safety code ...
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Mode of access: Internet.
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Mode of access: Internet.
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"In connection with a contract between: Amphibious Branch, Office of Naval Research [and] School of Civil Engineering, Cornell University; U. S. Naval Photographic Interpretation Center, monitor. Executed by the Cornell Center for Integrated Aerial Photographic Studies. Beach Accessibility and Trafficability, Project no. NR 257 001, Contract N6onr, Task order #11.
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On cover: Woolwich surveys.
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Mode of access: Internet.
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Cover title.
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Producers of online instructional videos about bokeh emphasize disks of light and out-of-focus backgrounds. They demonstrate how camera lenses and technical features can render bokeh, or unfocused areas. Photographic and video bokeh ordinarily appears away from the center of attention. The bokeh genre, in opposition to typical photography and video practices, foregrounds the peripheral and proposes aesthetics and ways of looking by seeing and not seeing objects. However, producers of online instructional videos about bokeh sometimes couple their sensual aestheticization of backgrounds to their stated attempts to satisfy viewers’ investments in filling foregrounds with images of objectified women. These producers emphasize unconventional aesthetics as a means of establishing their creative and technical expertise and obscuring their reproduction of traditional conceptions of women as viewable and controllable. Close textual analysis, literature on photography and transparency, and feminist considerations of representation allow me to consider the aesthetics and functions of this how-to form.