992 resultados para Italian literature


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Volume numbers irregular: "anno 3, v. 5" repeated.

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"Estrait des Annales de l'Université de Grenoble t. XXII, no. 2 ... 1910."

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From 1886 to 1900 the Bibliografia, being compiled at the Biblioteca nazionale centrale di Firenze, was issued by the library under the title Bollettino delle pubblicazioni italiane ricevute per diritto di stampa. Beginning with 1901, the Bibliografia was dissociated from the Bollettino and issued directly by the Associazione tipografico-libraria, with somewhat different arrangement and printed in larger format (29 cm.).

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I. Del manoscritto.--II. Il libro a stampa.--III. Le biblioteche.--IV. I libri di consultazione e i periodici.--V. La storia letteraria.--VI. Raccolte di scrittori e di rime.--VII. Vocabolarii, grammatiche, metriche.--VIII. Indicazioni bibliografiche sussidiarie.--Appendici.

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Title varies slightly

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Vol. 31, no. 1 (1920) p. 1-16 erroneously numbered v. 31, no. 5, p. [173̈-188

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Catalog compiled by Mary H. Rollins.

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Selections from four courses of lectures delivered at the University of Naples, 1872-76. Originally published, from summaries and shorthand reports made by Torraca and revised by De Sanctis, in the periodicals La Libertà and Il Pungolo, 1872, and after December 1872 continued for three years in the Journal Roma.

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Part 3 has title: Catalogo dei libri provenienti dalla biblioteca del Marchese Girolamo d'Adda.

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This thesis proposes to identify possible similarities and differences between the novels Memórias Póstumas de Brás Cubas (1981), by the Brazilian writer Machado de Assis, and Uno, Nessuno and Centomila (1926), by the Italian writer Luigi Pirandello. The two authors have prominent respective places in Brazilian and Italian literature, and both observed and experienced remarkable changes in their societies Brazil's imperial period, and Italy’s post-risorgimentale period. We will verify how each author composes a piece o literary art in which it is possible to achieve the authors’social and moral conscience. We will also attempt to achieve thefeelings of restlessness, anxiety, fear, doubt, interest, vanity, ambition: in summary, the desire of the characters to exist, which represents man at the end of the nineteenth century and commencement of thetwentieth century. The characters’ features point to fragmented identity, in search of a place in the world, even if he needs to renounce his essence and to adopt a corresponding appearance to all images that society assigns to him in order to achieve such a place. The protagonists, Brás Cubas and Vitangelo Moscarda, will lead us along the paths of consciousness of each, which demarcate the border between essence and appearance. Critics such as Roberto Schwarz, Alfredo Bosi, Leone Castris, among others, will give us the theoretical support necessary for a comparative study between the two authors, whom, like few others, knew how to express, through their characters, the difficult relationship of man with himself and with the universe at large.

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Eterio Pajares, Raquel Merino y José Miguel Santamaría (eds.)

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by Sabato Morais. Ed. by Julius H. Greenstone. With a foreword by Henry Morais

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Photocopy.