British mezzotinto portraits : being a descriptive catalogue of these engravings from the introduction of the art to the early part of the present century : arranged according to the engravers, the inscriptions given at full length, and the variations of state precisely set forth : accompanied by biographical notes, and appendix of a selection of the prices produced at public sales by some of the specimens, down to the present time /

Includes indexes.

An historical Greek grammar, chiefly of the Attic dialect as written and spoken from classical antiquity down to the present time : founded upon the ancient texts, inscriptions, papyri and present popular Greek /

"Principal modern works consulted": p. xxiii-xxxii.

Studies in Arabic literary papyri.

Bibliographical footnotes.

The Koran, commonly called the Alcoran of Mohammed : tr. into English immediately from the original Arabic; with explanatory notes ... To which is prefixed, a preliminary discours ... /

Mode of access: Internet.

The old Dutch burying ground of Sleepy Hollow in North Tarrytown, New York; a record of the early gravestones and their inscriptions.

"In 1926 the History Research Society of the Tappan Zee had published ... 'The old Dutch burying ground of Sleepy Hollow' ... a partial record."

The Capitol of the commonwealth of Virginia at Richmond : portraits, statuary, inscriptions, & biographical sketches, complimenting His Excellency Governor James Hubert Price /

"Errata and supplement as of August 15, 1956": [3] p. inserted at end.

A grammar of the Hindūstānī language, in the Oriental and roman character, with numerous copper-plate illustrations of the Persian and Devanāgarī systems of alphabetic writing. To which is added, a copious selection of easy extracts for reading, in the Persi-Arabic & Devanāgarī characters, forming a complete introduction to the Bagh-o-bahar; together with a vocabulary, and explanatory notes.

Mode of access: Internet.

A grammar of the Hindūstānī language, in the Oriental and roman character, with numerous copper-plate illustrations of the Persian and Devanāgarī systems of alphabetic writing. To which is added, a copious selection of easy extracts for reading, in the Persi-Arabic & Devanāgarī characters, forming a complete introduction to the Bagh-o-bahar; together with a vocabulary, and explanatory notes /

Mode of access: Internet.

Britanno-Roman inscriptions : with critical notes.

Mode of access: Internet.

De la saltation théatrale, ou, Recherches sur l'origine, les progrès, & les effets de la pantomime chez les anciens : avec neuf planches coloriées : dissertation qui a remporté le prix double à l'Académie des inscriptions & belles-lettres en novembre 1789 /

Engraved plates in Getty Research Institute copy are hand-colored.

A dictionary and glossary of the Kor-ân, with copious grammatical references and explanations of the text: Arabic-English.

Reprint of the ed. published in London, 1873.

Bibliotheca arabico-hispana escurialensis sive Librorum omnium MSS. quos arabic�� ab auctoribus magnam partem arabo-hispanis compositos bibliotheca coenobii escurialensis complectitur /

Mode of access: Internet.

Histoire de l'Académie royale des inscriptions et belles lettres.

T.1-t. 2 reissued in 1736; t. 3-t. 4 reissued in 1746.

Histoire de l'Academie Royale des Inscriptions et Belles-Lettres, depuis son establissement jusqu'à présent, avec les Mémoires de Littérature tires des registres de cette Académie, depuis son renouvellement jusqu'en MDCCX

Cont. CDU.: 008(38)"-11/-03"

Voyage litteraire de deux religieux benedictins de la Congregation de Saint Maur. : Où l'on trouvera I. Quantité de pieces, d'inscriptions & d'epitaphes, servantes à éclaircir l'histoir, & les genealogies des anciennes familles. II. Plusieurs usages des Eglises Cathedrales & des Monasteres, touchant la discipline & l'histoire des Eglises des Gaules. III. Les fondations des monasteres, & une infinité de recherches curieuses & interessantes qu'ils ont faites dans près de cent évêchez & huit cent abbayes qu'ils ont parcouru. Ouvrage enrichie de figures. Premiere partie.

Anónimo, por Edmond Martène y Ursin Durand.