Horas de invierno : Gozlan, Federico Soulié, Victor Hugo, Adisson, Washington Irving, Hoffmam [sic], la Duquesa de Abrantes, Alejandro Dumas, Walter Scott, Alfonso Brot, Julio Janin, Trueba, Alfonso Royer, Balzac, etc. /

Pie de imp. T. III: Madrid: Imprenta de T. Jordan.

Alma Murray in poetic drama and dramatic recitals from Shakespeare, Shelley, Robert Brownjing, Victor Hugo, and Richard Wagner.

Mode of access: Internet.

The contribution of Victor Hugo to the liberation, emancipation, and changing perceptions of women in 19th century French society

The over-riding perceptions of Victor Hugo’s attitudes towards women are intensely coloured by his deep-seated Romanticism and his well-testified, stifling and over-bearing treatment of women in his personal life. As such, Hugo’s contribution to the feminist struggle of his time has been woefully overlooked in the larger scheme of his social and political activism. Through a close examination of his largely unstudied public discourse on women’s rights, this thesis situates Hugo’s feminist views firmly in the context of Enlightenment feminism and 19th century feminism, while also drawing heavily on the illuminating principles of Enlightenment feminism. In particular, this thesis examines Hugo’s support for several of the most determining issues of 19th century French feminism, including women’s right to education, equal citizenship, universal suffrage rights, and the issue of regulated prostitution. Further, by examining the way in which Hugo’s views on women’s maternal role extended far beyond the limited vision of domesticity bolstered by the ideology of ‘republican motherhood’, this thesis engages in a re-appraisal of Hugo’s literary representation of maternity which identifies the maternal as a universal quality of devotion and self-sacrifice to which all humankind must aspire for the creation of a just, egalitarian, and democratic society. Though at times inevitably constrained by his Romanticism, this thesis demonstrates the extent to which Hugo’s feminism is grounded in his wider vision of social emancipation and is underpinned by a profound empathy, compassion, and moral conscience – qualities which are just as fundamental today, as they were for Hugo when participating in the fitful, though decisive, feminist struggle in 19th century France.

Les Tron?ons de la po?sie, V. Hugo, J-L. Parant, V. Novarina, E. Savitzkaya

Sibona, Bruno, 'Les Tron?ons de la po?sie, V. Hugo, J-L. Parant, V. Novarina, E. Savitzkaya', In: Ecrire l'Animal aujourd'hui, (ed.) Lucile Desblache, (Presses Universitaires Blaise Pascal/CRLMC), pp.163-175, 2006

Die Psychologie des Hugo von St. Viktor. Ein Beitrag zur Geschichte der Psychologie in der Frühscholastik,

Bibliographical footnotes.

Hugo Steiner-Prag giving the opening address at the International Book Arts Exhibition; Leipzig.

Verso: Internationale Buchkunstausstellung Leipzing 1927. Eroeffnungsfeier in der Aula der Universitaet Prof. Hugo Steiner-Prag, Praesident der Austellung und I. Vors. des Vereins "Deutsche Buchkuenstler" haelt die Festrede

Hugo Steiner-Prag section at the International Book Arts Exhibition; Leipzig.

Verso: Internationale Buchkunstausstellung1927. Abteilung Hugo Steiner-Prag

Hugo Steiner-Prag approaching speaker's lectern at the International Book Arts Exhibition; Leipzig.

Digital Image

Hugo Steiner-Prag seated in studio.

Digital Image

Portrait of Hugo Steiner-Prag.

Handwritten dedication signed Fuer E.F. dated 1930; Signed by photographer lower right

Hugo Steiner-Prag and unidentified man discussing blueprints; Leipzig.

Photographers imprint bottom left

Portrait of Hugo Pollak with wife Thekla Lichtenstadt Pollak and their children Hans Pollak and Zdenka (Mimi) Pollak seated outdoors Portraits Family

Digital Image

Studio portrait of Alice Burlin nee Molling, Hans Victor and Kaethe Molling with the three Pfluegner sisters.

The Pfluegner sisters were all at some time employed by the Gustav Molling family.