911 resultados para Geometric Tool Company (New Haven, Conn.)
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verso: (Mr. B. and family were well-known Ludington residents who left the city over forty years ago to go South, and finally West. He was the James St. jeweller and incidentally an outstanding humorist among his friends. He was a brother-in-law of the late Dr. Josiah Strong, formerly of Greenwich, Conn., sociologist and friend of Theo Roosevelt.) signed: B.M. Willson 389 Orange St. New Haven, Conn.
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Mode of access: Internet.
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Includes (p. 207-224): The farewell address of George Washington.
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Vol. II has also special t.-p. with imprint: Leipzig. J.C. Hinrichs; New Haven, Conn., Yale University Press, 1927.
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Mode of access: Internet.
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Mode of access: Internet.
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Revised 1920.
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Reprints
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Includes bibliographical references and indexes.
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Bibliography: p. [268]-276.
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Published on the Theodore L. Glasgow Memorial Publication Fund.
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Title from caption.
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Participation usually sets off from the bottom up, taking the form of more or less enduring forms of collective action with varying degrees of infl uence. However, a number of projects have been launched by political institutions in the last decades with a view to engaging citizens in public affairs and developing their democratic habits, as well as those of the administration. This paper analyses the political qualifying capacity of the said projects, i.e. whether participating in them qualifi es individuals to behave as active citizens; whether these projects foster greater orientation towards public matters, intensify (or create) political will, and provide the necessary skills and expertise to master this will. To answer these questions, data from the comparative analysis of fi ve participatory projects in France and Spain are used, shedding light on which features of these participatory projects contribute to the formation of political subjects and in which way. Finally, in order to better understand this formative dimension, the formative capacity of institutional projects is compared with the formative dimension of other forms of participation spontaneously developed by citizens.
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"Preface" signed: John W. Ford.
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[book] The potential of electric light as a new building “material” was recognized in the 1920s and became a useful design tool by the mid-century. Skillful lighting allowed for theatricality, narrative, and a new emphasis on structure and space. The Structure of Light tells the story of the career of Richard Kelly, the field’s most influential figure. Six historians, architects, and practitioners explore Kelly’s unparalleled influence on modern architecture and his lighting designs for some of the 20th century’s most iconic buildings: Philip Johnson’s Glass House; Louis Kahn’s Kimbell Art Museum; Eero Saarinen’s GM Technical Center; and Mies van der Rohe’s Seagram Building, among many others. This beautifully illustrated history demonstrates the range of applications, building types, and artistic solutions he employed to achieve a “nocturnal modernity” that would render buildings evocatively different at night. The survival of Kelly’s rich correspondence and extensive diaries allows an in-depth look at the triumphs and uncertainties of a young profession in the making. The first book to focus on the contributions of a master in the field of architectural lighting, this fascinating volume celebrates the practice’s significance in modern design.