The Modern standard drama; a collection of the most popular acting plays, with critical remarks, also the stage business, costumes, etc.

All vol. except v. 3, 11 lack t.p. Each play has separate t.p.

Hazel Kirke, a domestic comedy drama in four acts,

Mode of access: Internet.

Elizabethan drama : in two volumes ; with introductions and notes.

Series title on spine: Harvard classics : the five foot shelf of books.

Jephthah's daughter; a Biblical drama in one act,

Mode of access: Internet.

Miss Chester : drama in three acts /

Promptbook interleaved with unnumbered pages of manuscript notes.

Fiesko : or, The conspiracy of Genoa : an historical tragedy ;

Translation attributed to G. C. D'Aguilar in Nicoll, History of early nineteenth century drama.

The fatal glass, or, The curse of drink : a drama in three acts /

Mode of access: Internet.

The open gate An original domestic drama, in one act,

Mode of access: Internet.

Awaking; a drama in one act.

Mode of access: Internet.

Neck or nothing; a new and original drama, in three acts.

Two copies with slight variations in imprints and paper covers are bound together.

The staff of diamonds : a nautical drama in two acts /

Mode of access: Internet.

An old man, domestic drama.

Mode of access: Internet.

Doing Kyd: Essays on The Spanish Tragedy

Doing Kyd reads Thomas Kyd's The Spanish Tragedy, the box-office and print success of its time, as the play that established the revenge genre in England and served as a 'pattern and precedent' for the golden generation of early modern playwrights, from Marlowe and Shakespeare to Middleton, Webster and Ford. Interdisciplinary in approach and accessible in style, this collection is crucial in two respects: firstly, it has a wide spectrum, addressing readers with interests in the play from its early impact as the first sixteenth-century revenge tragedy, to its afterlife in print, on the stage, in screen adaptation and bibliographical studies. Secondly, the collection appears at a time when Kyd and his play are back in the spotlight, through renewed critical interest, several new stage productions between 2009 and 2013, and its firm presence in higher-education curriculum for English and drama.

A Electra euripidiana: um drama de matricídio

Com o grau de inovação que o género trágico consentia, Eurípides retomou em Electra o antigo tema de uma vingança patriarcal, salvaguardando os dados essenciais do mito e da lenda, através de uma original exploração dramática do matricídio, numa versão mais doméstica e humanizada, onde as personagens, o espaço e o tempo apareciam significativamente deslocados do enquadramento tradicional da história, motivando o questionamento dos princípios e valores de uma justiça retaliatória, de inspiração taliónica.

The Drama of History: Representation and Revolutionaries in Haitian Theater, 1818-1907

Since the beginning of the Haitian theatrical tradition there has been an ineluctable dedication to the representation of Haitian history on stage. Given the rich theatrical archive about Haiti throughout the world, this study considers operas and plays written solely by Haitian playwrights. By delving into the works of Juste Chanlatte, Massillon Coicou, and Vendenesse Ducasse this study proposes a re-reading of Haitian theater that considers the stage as an innovative site for contesting negative and clichéd representations of the Haitian Revolution and its revolutionary leadership. A genre long mired in accusations of mimicking European literary forms, this study proposes a reevaluation of Haitian theater and its literary origins.