?, UM Track, 1914, hurdles

[scanned from photo album loaned to library]

?, UM Track, 1914, race

[scanned from photo album loaned to library]

Miss Chester : drama in three acts /

Promptbook interleaved with unnumbered pages of manuscript notes.

King Arthur: stories from Sir Thomas Malory's Morte d'Arthur retold in modern English by Mary MacLeod.

Mode of access: Internet.

Life of Sir John Lubbock, Lord Avebury

"Bibliography of Lord Avebury's chief published works": v. 2, p. 321-322.

Forty days in 1914,

Mode of access: Internet.

Sir John Vanbrugh;

I. Introduction. The relapse; or, Virtue in danger. Aesop. The provok'd wife.--II. The false friend. The country house. The confederacy. The mistake. A journey to London. A short vindication of The relapse and The provok'd wife.

The health of nations. A review of the works of Edwin Chadwick.

I. Edwin Chadwick, C. B.,-a biographical dissertation. Introductory note. pt. I. Political and economical. pt. II. Educational and social.-II. Introductory note. pt. I. Sanitary and preventive of disease. pt. II. Prevention of pauperism and poverty. pt. III. Prevention of crime.

Sir Arthur Sullivan: life-story, letters, and reminiscences. With critique

"Appendix, comprising a complete list of Sir Arthur Sullivan's work, compiled by Wilfrid Bendall": p.[327]-339.

Sir Jasper's tenant /

Mode of access: Internet.

Sir George W. Ross : a biographical study /

Mode of access: Internet.

Writing disenchantment: British First World War Prose, 1914-30.

This book argues that disenchantment is not only a response to wartime experience, but a condition of modernity with a language that finds extreme expression in First World War literature. The objects of disenchantment are often the very same as the enchantments of scientific progress: bureaucracy, homogenisation and capitalism. Older beliefs such as religion, courage and honour are kept in view, and endure longer than often is realised. Social critics, theorists and commentators of the late nineteenth and early twentieth centuries provide a rich and previously unexplored context for wartime and post-war literature. The rise of the disenchanted narrative to its predominance in the War Books Boom of 1928 – 1930 is charted from the turn of the century in texts, archival material, sales and review data. Rarely-studied popular and middlebrow novels are analysed alongside well-known highbrow texts: D. H. Lawrence, Virginia Woolf, H. G. Wells and Rebecca West rub shoulders with forgotten figures such as Gilbert Frankau and Ernest Raymond. These sometimes jarring juxtapositions show the strained relationship between enchantment and disenchantment in the war and the post-war decade.