The treaty of peace between the crowns of France & Spain : concluded and signed by His Eminency Cardinal Mazarin and Dom Lewis Mendez de Haro, plenipotentiaries of their most Christian and Catholick Majesties, the seventh of November 1659 : printed in Paris by His Majesties command, and now faithfully rendred [sic] into English.

Signatures: A-E⁴, F².

Albert Einstein, Paul Langevin, Princesse de Noeille, and Paul Painleve; Paris Portraits Groups

Digital Image

How do you like America? 1800-1940

The memoirs were written in 2000 in California and contains some of the author's diary entries during the years of the family's emigration and reminiscences of the author's father. Detailed description of family history going back to the early 19th century. The author's grandfather Moses Stern had a rawproduct business in Gelsenkirchen, Westphalia. His father Max Stern took his graduate exam (Abitur) at the Jacobsohn boarding school in 1904 and was sent to a business school in Brussles, Belgium. Work in the family business M. Stern AG. World War One and rise of the family business with branches throughout Germany and offices in New York, London, Milan and Stockholm. Due to political unrest at the end of the war the business administration moved to Essen. Description of the family background of Beate Herzberg, the author's mother. Courtship of his parents and marriage in 1922. Birth of his sister Annelore in 1923. Martin Stern was born in 1924. Description of the family household and domestic life in a well-to-do family the 1920s. Friday visits to the synagogue and celebration of Jewish holidays. Vacations at the North sea and skiinig in the Alps. Martin attended a Jewish elementary school. Rising National Socialism. After Hitler came to power in 1933 the author's father immediately started preparations for the family's emigration, but was persuaded to stay by his family. Life under National Socialism. Martin attended Gymnasium and was one of only two Jewish students in his class. Antisemitic incidents. Private lessons in piano and Hebrew. Bar Mitzvah in 1937. Recollections of performances of the Kulturbund.

Ensaio sobre a theoria das torrentes, e rios : que contem os meios mais simples de obstar aos seus estragos, de estreitar o seu leito e facilitar a sua navegação, sirga, e fluctuação, acompanhado de huma discussão a respeito da navegação interior da França, e terminado pelo projeto de tornar Paris em Porto Maritimo, fazendo subir à véla pelo Seine as embarcações, que parão em Rouen

Seguido da Indagação da mais vantajosa construcção dos diques por Mrs. Bossut e Viallet ; e de hum extracto da architectura hydraulica de M. Belidor... ; terminado pelo tratado pratico da medida das aguas correntes, e uso da taboa parabolica do P. D. Francisco Maria de Regi ; de Ordem de Sua Alteza Real o Principe Regente Nosso Senhor traduzidos por Manoel Jacinto Nogueira da Gama.

The redemption of the gaze: the crisis of observation in the "fin de siècle" and the advent of cinema

The intention of this article is not to affirm, but rather to question wether it is possible to speak of a loss of the ability to gaze in the context of the nineteenth century and especially in the context of the fin de siècle, in the bosom of the epistemological crisis that beset the Turn of the Century. And very especially, this article tries to question about the impact this crisis had, perhaps, in the birth of cinema. Is in this context that arises the work of Marey and the advent of the cinematograph of the Lumière brothers in the fin de siècle Europe, both of them showing a deep faith in a mechanical apparatus that would allow the redemption of a battered gaze. And it seems to be a dream that continues over time through the tradition of shooting the everyday life.

Women artists of the international avant-garde: the case of "Abstraction-Création" (1931-1936)

Women’s contribution to abstract art in the interwar period is a subject that, to date, has received very little attention. In this article we deal with the untold story of the participation of women artists in Abstraction-Création, the foremost international group dedicated to abstract art in the 1930s. Founded in Paris in 1931, the group took on the work of two previous collectives to become a platform for the dissemination and promotion of abstract art and consisted of around a hundred members. Twelve of these were women, whose writings and works were published in the group’s annual magazine, abstraction creátion art non figuratif (1932-1936), and who participated in a number of the group’s exhibitions. Compared to what had occurred in previous groups, the participation of women, although reduced in number, was comparable to that of the male artists and being members of the group had a generally positive impact on the women’s careers. However, all this came at the expense of relinquishing any gender specificity in their work and the public presentation of it, and demonstrates that the normalization of women’s contributions to the avant-garde could only be brought about alongside a questioning of the more dogmatic views of modernity.

Ma république. Tome 10 / . Auteur, Platon. Éditeur, J. de Sales... Ouvrage destiné à être publié en 1800

[La république (français). 1791]

Stade Élisabeth, 21-3-20, [football] association, équipe [féminine] En Avant : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 58568

11/3/20, Parc des Princes, avant le match [de rugby], M. Deschanel devant l'équipe [de l']armée anglaise : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 58454

La vie de collège dans tous les pays. 2 / André Laurie

Collection : Collection Hetzel