The cloud chamber and CTR Wilson’s legacy to atmospheric science

2011 is the centenary year of the short paper (Wilson,1911) first describing the cloud chamber, the device for visualising high-energy charged particles which earned the Scottish physicist Charles Thomas Rees (‘CTR’) Wilson the 1927 Nobel Prize for physics. His many achievements in atmospheric science, some of which have current relevance, are briefly reviewed here. CTR Wilson’s lifetime of scientific research work was principally in atmospheric electricity at the Cavendish Laboratory, Cambridge; he was Reader in Electrical Meteorology from 1918 and Jacksonian Professor from 1925 to 1935. However, he is immortalised in physics for his invention of the cloud chamber, because of its great significance as an early visualisation tool for particles such as cosmic rays1 (Galison, 1997). Sir Lawrence Bragg summarised its importance:

Turing, Kasparov and the future

The 'Turing 100' Conference in Manchester was the main event of the Turing Centenary Year in 2012. This is a report and reflection on Kasparov's popular talk. Within it, he explained how Turing and influenced computer chess, his career and the chess community. Kasparov also played Chessbase's 'TURING' emulation of Turing's second paper chess engine, here labelled 'AT2'. Quasi Turing-tests, computer contributions to world championship chess, and suspected cheating in chess are also mentioned.

Bernard Spencer: essays on his poetry & life

15 chapters by separate hands, an introduction, and updated bibliography publishing proceedings from the 2009 Bernard Spencer Centenary Conference at the University of Reading, along with other related work.

The selected poetry and prose of Vittorio Sereni

2013 centenary corrected paperback edition of a 2006 publication, with introduction, co-translations, and notes

Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history

From 1991, when the Dublin Gate Theatre launched their Samuel Beckett Festival featuring nineteen of Beckett’s stage plays, to more recent years, the Gate dominated Irish productions of Beckett’s theater. The Gate Beckett Festival was remounted in 1996 at the Lincoln Center, New York, and at the Barbican Centre, London, in 1999, and individual or grouped productions have toured regularly since then in Ireland and internationally. However, since the Irish premiere of Waiting of Godot at the Pike Theatre in 1955, in addition to several Beckett plays mounted by the National Theatre, many independent Irish theater companies, such as Focus Theatre, Druid Theatre, and more recently Pan Pan Theatre, Blue Raincoat Theatre, The Corn Exchange, and Company SJ (under director Sarah Jane Scaife), have produced Beckett’s drama. While acknowledging earlier Irish productions, this essay will consider the role of the Dublin Gate Beckett Festival and the Beckett Centenary celebrations in Dublin in 2006 in greatly enhancing the marketability of Beckett’s work, and will discuss the proliferation of productions of Beckett’s stage plays (as opposed to stage adaptations of the prose work, which is a topic for another essay) in the independent theater sector in the Republic of Ireland since 2006. In addition to giving an overview of these recent productions, the essay will consider some issues at stake in creating or constructing performance histories

Toward a scholarly edition of Beckett's critical writings

This essay outlines the case for a new, scholarly edition of Beckett's critical writings, one that would be complete and with critical annotation. For the most part these texts (critical writings, tributes, in memoria and epigraphs) have been published in a range of places. As well as in the magazines, newspapers, books and special-issue publications in which pieces originally appeared, a number were collected in Disjecta (Calder 1983 & Grove 1984). This volume, however, is not exhaustive; it misses out a number of important texts (not least Proust) and contains some textual inaccuracies. Furthermore, Beckett's critical writings are currently not available from the UK publishers Faber and the Grove Press Centenary Edition of Beckett's works, the fourth volume of which contains a section entitled ‘Criticism’, presents only three works of criticism by Beckett (Proust, ‘Dante … Bruno . Vico . . Joyce’ and ‘Three Dialogues’). In this essay, we give a brief (and far from exhaustive) overview of the publication history of Beckett's non-fiction prose texts, before outlining some of the editorial challenges they pose. Although Beckett tended to be dismissive of these works, they form an integral part of his canon.

Governança corporativa: a formação de mecanismos por investidores institucionais, o caso PREVI

O objetivo geral deste trabalho de dissertação de mestrado é identificar e analisar os principais fatores históricos e institucionais que contribuíram para a formação dos atuais mecanismos de govemança corporativa adotados pela Caixa de Previdência dos Funcionários do Banco do Brasil (PREVI) em relação às empresas em que detém participação acionária relevante. Tendo como foco da investigação o centenário e maior fundo de pensão da América Latina, com investimentos totais da ordem de US$ 20 bilhões, o estudo visa a resgatar e registrar a evolução de processo extremamente importante no campo da govemança corporativa no Brasil e no próprio desenvolvimento do mercado de capitais no País. A identificação dos primeiros elementos característicos de atuação da Entidade, ou de sua manifesta influência no estabelecimento de políticas e estratégias de companhias em que participa, marca o começo da investigação, no início da década de 90 do século passado. Adotou-se como limite temporal do estudo o ano de 2003, na medida em que ali ocorre a efetiva implantação do Modelo Previ de Govemança Corporativa, concebido e desenvolvido ao longo dos três anos anteriores. A formação de mecanismos de govemança corporativa pela PREVI deu-se de maneira gradual, estimulada pelo aumento do volume de participações e pelo crescimento do número de assentos em conselhos de administração e fiscal que atingiria 367, entre titulares e suplentes, distribuídos em 95 empresas, em fins de 2003. o trabalho, enquadrado com base na taxonomia de Yin (2002) como um Estudo de Caso Único, adotou, como fonte de evidências, documentos, registros em arquivos e entrevistas, buscando conduzir pesquisa longitudinal com cortes transversais, captando a evolução do assunto ao longo do tempo por meio de recuperação de dados em momentos de significância destacada. O trabalho procura ainda alcançar aspectos motivacionais para a atuação da Instituição, buscando referência em estudos já desenvolvidos sobre o tema.

“Minha alma canta, vejo o Rio de Janeiro”: a zona sul carioca entre crônicas e canções

Esta tese aborda o processo de valorização da Zona Sul da cidade do Rio de Janeiro através de canções que enfocaram esse espaço e de crônicas, especialmente, publicadas no livro O Rio de Janeiro em prosa & verso, organizado por Manuel Bandeira e Carlos Drummond de Andrade. Para dar conta das complexas relações entre música e cidade, entre produção literária e cidade, este trabalho foi organizado em cinco capítulos. No primeiro capítulo, enfoquei as comemorações do IV Centenário da Cidade do Rio de Janeiro realizado em 1965, o carnaval desse ano dedicado à efeméride e algumas publicações motivadas pelo evento. No segundo, tratei da ocupação do espaço urbano carioca denominado Zona Sul, especialmente através das crônicas contidas no livro citado acima. O capítulo seguinte evidenciou a importância das boates, bares, cassinos e demais espaços de sociabilidade cultural na Zona Sul carioca, como lugares de formação e de vivência artística, onde eram tramadas importantes redes de solidariedade e filia. No quarto capítulo foram apresentadas algumas canções que priorizaram a cidade do Rio, as representações líteromusicais da Zona Sul, especialmente Copacabana como um dos bairros cariocas mais priorizados por esse acervo. Por fim, a Bossa Nova foi mostrada como momento indelével para o debate da identidade citadina carioca, sua projeção internacional e como o Rio foi apresentado pelas letras das canções.

(Por) entre pedra e tela: a construção de uma memória republicana (Natal - 1906-1919)

This work, from a perspective that thinks the space as a historical category, and especially as a relationship which stresses the role of objects, proposes an analysis of the construction of a Republican memory in the city of Natal in the early twentieth century. This research will focus mainly on two objects: the obelisk opened in 1917, and the Andre de Albuquerque Square on the occasion of the celebration of Frei Miguelinho´s death centenary and the paint Julgamento de Frei Miguelinho ordered by the State Government to the painter Antonio Parreiras, picture that was in the Salão Nobre do Palácio do Poder Executivo of that time. In a geral way this work intend to analyse the construction of this memory as well as the role of these objects in this process. To achieve that, we propose to trace ways and networks to follow the possible associations(between people, events, images, discourses, objects, institutios etc.) in the constitution of mutual belongings. Thus, our procedure was to follow these objects through the pathways in which they became possible, so that in the end we could defend the idea that they are active participants of the process that establish them.

Nos gramados do Sul: A seleção baiana de futebol e o torneio do Centenário da Independência em 1922

This article aims to understand how the participation and performance of the state of Bahia at the I Campeonato Brasileiro de Seleções (I Brazilian Soccer Championship), also known as the Torneio do Centenário (Centenary Championship) in 1922 represented an opportunity for the state to claim a centrality in the formation of a national identity associated with soccer. The tournament was conceived as a draft for the formation of a national soccer team that would participate in the VI Campeonato Sul Americano (VI South American Championship) in Brazil. In addition, the event also came to be regarded as a celebration of the fi rst centenary of the Independence, a date that has encouraged the country to refl ect upon its national identity, as well as to reconsider its insertion in modernity. Bahia did well in the tournament, ensuring the second position. As a result, the local press went on to claim the participation of their athletes in the national team and to criticize the disregard of the states of Rio de Janeiro and São Paulo towards the Northern region of the country. The local press would also challenge the policies of the Confederação Brasileira de Desportos (Brazilian Sports Confederation), the CBD, claiming that they favored the Southern states. Moreover, for the local elites the success of Bahia in the tournament represented the strength and greatness of the state, which gave them the right to claim a greater space and role in the destiny of the country. Finally, the performance of Bahia and its consequences have allowed us to question the limits and peculiarities of the formation of a national identity through the sport, at a moment when the country sought to rethink their identity historically marked by disputes and regional tensions.