983 resultados para Castellví, Juan Basilio de Conde de Cervelló, 1675-1754, Correspondencia
Resumo:
In this paper the claim for the market for a new business management to ensure the presence of women in decision -making to respond to new social needs addressed. Thus, this paper analyzes the influence of gender diversity of the directors on the profitability and the level of debt for a sample of 5,199 Spanish cooperatives. Unlike capitalist societies, these organizations have a number of peculiarities in their government, and that the partners are themselves major time, agents and customers. The study focuses on the Spanish context, where there is an open debate on the importance of women's business management, as in other countries, driven by the proliferation of legislation on gender equality, being, in addition, Spain, the pioneer in having specific legislation on Social Economy. The results show that cooperatives with greater female representation in theirs Boards have higher profitability. On the other hand, those Boards with a higher percentage of women show a lower level of indebtedness.
Resumo:
A long poem in ottava rima, based on Byron's Don Juan, concerning the Eurocrisis and the social consequences of an economic policy of austerity, particularly as it has impacted on Greece.
Resumo:
El conde Partinupls (first published 1653) is one of only two extant plays written by the Sevillan poet/dramatist Ana Caro Malln de Soto (la dcima musa sevillana). Despite McKendrick's dismissal of the play as extremely bad, it has been the object of substantial critical scrutiny since the 1970s, impelled in great part by the production of modern editions (Luna and Delgado) and by Kaminsky's bio-biographical study (1973). Two responses have dominated: analysis of the play's imaginative reconceptualization of source material (most notably the Classical myth of Cupid and Psyche as contained in Apuleius and transmitted via the anonymous French chivalric romance Portonopeus de Blois; and more contemporary models, such as Caldern's La vida es sueo); discussions of the play from a gender/feminist perspective. There is some inevitable entanglement in these approaches, areas of ideological concurrence, but also of contradiction. This article will offer a critical synthesis of these lines of enquiry around an analysis of the play's patterns of non-identical repetition and, following Hubert's theory of double movement, will move beyond these to consider the generative and potentially transcendent nature of the interplay of inscription (text) and transcription (interpretive performance). A subversive strategy of elusion underpins this interference, a dynamic, mobile frame within which envidia (celos) functions as a prominent dramatic catalyst, directed outwards, and mobilized both as a potent catalyst for the female dramatist's artistic creativity and as an antagonistic interrogation of broader socio-cultural forms of inequality. The play's (new) marvellous versions and inversions expand the functions of the sign beyond Renaissance resemblance and repetition, challenging its promotion of unity and stable identity, and opening up an interactive space between the represented (world/product) and the representing (stage/process). The power of authorities, as figured in/through the dramatic and rhetorical devices of the play, is self-consciously precarious, but it is this very anxious articulation that challenges the very authority of power.
Resumo:
Juan Mayorgas La Lengua en Pedazos (2010) strikes at the heart of the compositional circumstances of St Teresa's Libro de la Vida staging, and arguably heightening the origins of her rhetorical strategies, the sense of awareness of readership and potential censure we encounter within the Libro de la Vida. His inquisitor refuses to be complicit in the tacit agreement that the word spoken in the theatrical space can conjure new realities insistent on underscoring the textual origin of the visions painfully and partially offered up for his and our scrutiny. I will suggest that the persistent undertow towards a meta-commentary on the unmaking and remaking of the autobiographical text creates an unresolved tension between Teresas eloquent ability to take the spectator to a place beyond language, and our awareness that we are in the presence of a consummate performer, the textual source for the script itself produced with a supreme awareness of audience scrutiny. The play reflects ongoing lines of inquiry in our evolving understanding of the cultural production of Teresa and other holy women of the Early Modern period.
Resumo:
Esta investigacin se enfoca en encontrar datos histricos en cuanto a la gestin, uso y cobertura del suelo en el Bosque Protector Aguarongo, en lo que se refiere a tcnicas, tecnologas y tradiciones ancestrales de la gestin del suelo. Utilizando como metodologa la investigacin bibliogrfica, as como la observacin in situ, la ejecucin de encuestas a los usuarios del bosque y la aplicacin de sistemas de informacin geogrfica para la obtencin de mapas temticos.
Resumo:
La mana del biblifilo suele convertirse en un laberinto de ese tipo de encuentros fortuitos que los ingleses del siglo XVIII llamaron serendipity. En este ensayo, gracias a mis incursiones biblioflicas en el mbito de la literatura aurisecular, sali a flote un precedente muy probable del haik hispnico (aceptada la relatividad de su parentesco con el haik japons) en otras formas casi ideogrficas de la poesa que se cultiv siglos muy anteriores al modernismo. En este caso se trata de pequeas estrofas que acompaaban sendos grabados, cuyos motivos emblemticos obligaban a una expresin sinttica y profundamente visual, casi gestual. En un estudio paralelo, cotejo los Jeroglficos de Alonso de Ledesma con algunos hai-kai de Jos Juan Tablada, separados por una distancia de tres siglos, pero identificados en su bsqueda potica.
Resumo:
Sendo a tradio portuguesa particularmente frtil em verses contaminadas do romance Conde Claros em hbito de frade, e sabendo que o conjunto de temas contaminadores considervel num tema to abundantemente recolhido, tem como propsito o presente estudo descrever o comportamento das contaminaes no seio deste romance. Numa primeira instncia, e obedecendo a pressupostos diacrnicos de metodologia, observamos o traado fabular do romance no sculo XVI e confrontamo-lo com a fbula que a tradio portuguesa apresenta, da retirando algumas ilaes quanto posio das contaminaes. Estas esto concentradas, regularmente, no incio das verses, adquirindo o estatuto de enquadramento contextual da trama do Conde Claros em hbito de frade. Uma vez delimitada a lista de temas contaminadores, damos incio interpretao, do efeito potenciado pela presena de segmentos temticos pertencentes aos temas contaminadores sobre a fbula do romance principal. A contaminao pode, no raro, produzir resultados subversivos, nomeadamente no que respeita ao retrato da personagem principal, o conde Claros.
Resumo:
This study presents and discusses the tsunami hazard posed by an updated CSZ earthquake scenerio to the coastal communities of Port Angeles and Port Townsend, based on the results of a high resolution GeoClaw simulation with 2/3 arc second resolution (about 20.56 meters) surrounding these towns. In addition, we will also present the results of a coarse regional simulation of the Strait of Juan de Fuca. This coarse study encompasses 28 regions that span the Straits coast, including the communities of Anacortes, Bellingham, Friday Harbor, and Victoria, BC in addition to extended areas around Port Angeles and Port Townsend. The finest grid for these 28 regions where we collected results had 2 arc sec resolution (around 62 meters). Finally, we will discuss some inherent uncertainties in the specification of the earthquake scenario, the limitations of the GeoClaw model, and the associated uncertainites in the results.
Resumo:
Atravs da anlise comparativo/intertextual do conto Don Juan, de E.T.A. Hoffmann e do libreto da pera Don Giovanni, de Mozart, da autoria de Lorenzo da Ponte, o objectivo deste artigo foi pr em relevo a relao intrnseca, presente em muitas das obras de E.T.A. Hoffmann, entre a escrita e a msica, explicvel pela enorme sensibilidade musical deste autor, a que no s dedicou a sua vida, como tambm produziu vrias obras musicais. Tal como na pera Don Giovanni, de Mozart, a escrita de Hoffmann dirigida por uma batuta imaginria, apresentando o suspense prprio dos enigmas, cuja revelao suspensa por um entreacto neste caso, uma carta escrita a um amigo, em que nos apresentada uma reformulao do mito de Don Juan entreacto este que vem prolongar o mistrio e nos encaminha para um finale, em que a progresso da melodia e a sequncia narrativa se unem mais uma vez. Por seu turno, na anlise puramente intertextual, feita uma tentativa de estabelecer, de forma clara, os paralelismos existentes com o pr-texto, isto , com o libreto da autoria de Lorenzo da Ponte, bem como com outros pr-textos presentes no texto de forma mais esbatida, mas cujo peso , tambm ele, significativo para a criao do novo mito de Don Juan, um homem sempre consciente do absurdo da existncia, interpretao esta que abriu caminho para novas abordagens do mito, do heri e da histria. Tal como em muitas outras obras, o ps-texto procura, em geral, apropriar-se do texto pressuposto, tentando ultrapass-lo em mestria, o que acontece com este texto de Hoffmann, literria e semanticamente mais rico que o seu pr-texto.
Resumo:
Projeto apresentado ao Instituto Politcnico do Porto para obteno do Grau de Mestre em Gesto das Organizaes, Ramo de Gesto de Empresas Orientao Cientfica: Professor Doutor Eduardo de S e Silva | Doutora Ftima Monteiro Orientao Tcnica: Dr. Paulo Costa
