187 resultados para Bells
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Words also printed as text: p. [iii]-v.
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Albert Kahn, architect. Built 1936.
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Collection of 53 bells cast by the J.H. Taylor Bell Foundry of Loughborough, England. Largest or Bourdon bell weighs more than 12 tons and has the pitch of E-flat below middle C. The smallest weighs 12 pounds and sounds G-sharp, four and 1/2 octaves above the Bourdon. (source: Encyclopedic Survey, p.1123)
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Albert Kahn, architect. Built 1936.
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Albert Kahn, architect. Built 1936.
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Albert Kahn, architect. Built 1936.
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Albert Kahn, architect. Built 1936.
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Albert Kahn, architect. Built 1936.
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Albert Kahn, architect. Built 1936.
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Largest of 5 peal of bells presented to the university in 1883 by Andrew D. White, James J. Hagerman, and Edward C. Hegeler. From 1883 to 1936 the five bells were first in the Library Tower and then in the tower of the Old Engineering Building. In 1942 they were melted down for the war effort.
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Located in Ann Arbor, Michigan, this aerial view shows the Burton Memorial Tower, Michigan League and the Thomas M. Cooley fountain. The Burton Memorial Tower houses the Baird Carillon, 3rd largest musical instrument in the world. The bells range from 12 pounds to 12 tons.
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Bound in full contemporary calf with title in gilt on spine.
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Mode of access: Internet.
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The Einstein-Podolsky-Rosen paradox and quantum entanglement are at the heart of quantum mechanics. Here we show that single-pass traveling-wave second-harmonic generation can be used to demonstrate both entanglement and the paradox with continuous variables that are analogous to the position and momentum of the original proposal.
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Police-suspect interviews in England & Wales are a multi-audience, multi-purpose, transcontextual mode of discourse. They are conducted as part of the initial investigation into a crime, but are subsequently recontextualised through the judicial process, ultimately being presented in court as evidence against the interviewee. The communicative challenges posed by multiple future audiences are investigated by applying Bell’s (1984) audience design model to the police interview, and the resulting "poor fit" demonstrates why this context is discursively counter-intuitive to participants. Further, data analysis indicates that interviewer and interviewee, although ostensibly addressing each other, may orientate to different audiences, with potentially serious consequences. As well as providing new insight into police-suspect interview interaction, this article seeks to extend understanding of the influence of audience on interaction at the discourse level, and to contribute to the development of theoretical models for contexts with multiple or asynchronous audiences.