An ecclesiastical dictionary : containing definitions of terms, and explanations and illustrations of subjects pertaining to the history, ritual, discipline, worship, ceremonies, and usages of the Christian Church : with brief notices of ancient and modern sects, and biographical sketches of the early fathers and writers of the church /

Includes index.

The christian ecclesia : a course of lectures on the early church history and early conceptions of the ecclesia and four sermons /

Mode of access: Internet.

A handbook of Christian symbols : and stories of the saints as illustrated in art, /

Includes index.

The history, principles and practice of symbolism in Christian art,

Mode of access: Internet.

Christian Remick, an early Boston artist;

"One hundred copies of this book have been printed, of which this is no. 49."

Rudimentary dictionary of terms used in architecture, civil, architecture, naval, building and construction, early and ecclesiastical art, engineering, civil, engineering, mechanical, fine art, mining, surveying, etc., to which are added explanatory observations on numerous subjects connected with practical art and science.

Issued in four parts.

The religion of ancient Britain, or, A succinct account of the several religious systems which have obtained in this island from the earliest times to the Norman conquest. Including an investigation into the early progress of error in the Christian church, the introduction of the gospel into Britain, and the state of religion in England till popery had gained the ascendancy.

Mode of access: Internet.

Catalogue of the private library of the late Mr. A.A. Smets, Savannah, Ga. : comprising one of the most valuable and extensive collections of books ever offered to the American public : containing very rare and elegant editions of early printed works, ranging from the XV. century : also, many early manuscripts and missals, with gorgeous illuminations : a large assortment of modern illustrated works, standard biographies, travels, histories, etc., etc., of the best editions : the whole to be sold by auction, at the Clinton Hall Book Salerooms and Art Galleries, Leavitt, Strebeigh & Co., auctioneers, Monday, May 25th, and following days, commencing at 4 o'clock P.M. each day.

"A southern library. A statement read before the New England historical and genealogical society ... Oct. 5, 1859" (4 p., bound at end of copy 1) relates to the present library.

The Christian ecclesia; a course of lectures on the early history and early conceptions of the ecclesia and four sermons.

Mode of access: Internet.

Randolph Caldecott: a personal memoir of his early art career.

Pages [211]-216, advertising matter.

Christian art in Spain ...

Thesis--Univ. de Lille.

The arts in early England,

The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to complete the subject-matter. The work was to have been concluded with a 7th volume discussing the illuminated manuscripts of the period.

Ontological Presentation of East-Christian Iconographical Art Domain

In the recent years the East-Christian iconographical art works have been digitized providing a large volume of data. The need for effective classification, indexing and retrieval of iconography repositories was the motivation of the design and development of a systemized ontological structure for description of iconographical art objects. This paper presents the ontology of the East-Christian iconographical art, developed to provide content annotation in the Virtual encyclopedia of Bulgarian iconography multimedia digital library. The ontology’s main classes, relations, facts, rules, and problems appearing during the design and development are described. The paper also presents an application of the ontology for learning analysis on an iconography domain implemented during the SINUS project “Semantic Technologies for Web Services and Technology Enhanced Learning”.

On medium specificity and discipline crossovers in modern art : An interview with Jacques Ranciére on Medium-Specificity and Discipline Crossovers in Modern Art

Jacques Ranciere's work on aesthetics has received a great deal of attention recently. Given his work has enormous range – taking in art and literature, political theory, historiography, pedagogy and worker's history – Andrew McNamara and Toni Ross (UNSW) seek to explore his wider project in this interview, while showing how it leads to his alternative insights into aesthetics. Rancière sets aside the core suppositions linking the medium to aesthetic judgment, which has informed many definitions of modernism. Rancière is emphatic in freeing aesthetic judgment from issues of medium-specificity. He argues that the idea of autonomy associated with medium-specificity – or 'truth to the medium' – was 'a very late one' in modernism, and that post-medium trends were already evident in early modernism. While not stressing a simple continuity between early modernism and contemporary art, Ranciere nonetheless emphasizes the ethical and political ramifications of maintaining an a-disciplinary stance.