O mito das quatro idades e as concepções especulativas da história nas tradições clássicas e judaico-helenísticas

Este trabalho analisa o mito das quatro idades na cultura judaico-helenística, Josefo, Daniel, 2 Baruch e 4 Esdras e nos historiadores helenísticos Políbio, Apiano e Dionísio de Halicarnasso, no período entre os séculos 3 a.C. e 1 d.C. O principal objetivo com essa análise foi identificar como o mito das quatro idades comportou-se nas tradições helenísticas e Judaicas, mostrando os seus pontos em comum e as suas diferenças em relação aos seus padrões de historicidade.

Regulação e concorrência no transporte ferroviário: um estudo das experiências brasileira e alemã

Este estudo aborda, à luz da teoria econômica e jurídica, o modelo institucional do transporte ferroviário de cargas no Brasil, no que concerne às formas de concorrência intramodal adotadas pela regulação setorial. Atualmente prima-se pelo tráfego mútuo como regra e o direito de passagem de forma subsidiária, entretanto, há um movimento em direção à desverticalização do sistema. Dessa forma, o trabalho recorre à experiência alemã de desverticalização do setor ferroviário, para fins de aprendizado. Discute, ainda, o atual estágio do modelo de segmentação setorial proposto pelo governo federal brasileiro, delineando algumas considerações críticas.

Regulação e concorrência no transporte ferroviário brasileiro: o novo modelo para o setor

Escola de Direito do Rio de Janeiro

Regulação e concorrência intramodal no transporte ferroviário de carga sob a perspectiva comparada Brasil-Alemanha

A concorrência intramodal é uma forma de mitigação dos problemas derivados de um monopólio natural. Os setores assim estruturados caracterizam-se por elevados custos fixo e a fundo perdido, com grandes economias de escala e necessidade de elevada escala mínima de eficiência para viabilização da atividade. Essas circunstâncias impedem que a concorrência, em seu sentido mais óbvio, seja ali instaurada. Esse é o caso do setor ferroviário, onde se verifica a inviabilidade econômica de duplicação da infraestrutura. Entretanto, a depender da política regulatória adotada pelo Estado, um ambiente mais competitivo pode ser instaurado. O trabalho propõe uma análise comparada entre o modelo regulatório implementado na Alemanha, a partir das reformas ferroviárias propostas pela União Europeia, buscando extrair da experiência estrangeira aprendizados quanto aos dilemas enfrentados e características desejadas ao modelo institucional brasileiro para as novas concessões ferroviárias nacionais previstas no Plano Nacional de Investimento em Logística (PIL). O objetivo da análise consiste em verificar qual foi o modelo regulatório aplicado pela Alemanha para garantir parâmetros satisfatórios de concorrência intramodal e o modelo proposto pelo Governo Federal, com o objetivo de incentivar a ampliação do uso desse modal na cadeia logística brasileira, assim como aumentar a densidade da malha. Para permitir uma efetiva comparação dos modelos, faz-se necessário proceder preliminarmente a um breve entendimento sobre os arranjos regulatórios existentes que objetivam garantir o acesso à malha ferroviária: o tráfego mútuo, o direito de passagem e as formas de unbundling. A hipótese de investigação consiste em observar que as mudanças na regulação setorial que estão sendo consideradas pelo governo brasileiro se distanciam tanto do modelo que foi utilizado para a desestatização do setor, nos anos 90, quanto da experiência alemã de unbundling.

Adam Smith visto por Roberto Campos: a (re)criação do mito e as necessidades do capitalismo

This work aims at analyzing how Adam Smith, one of the founders of the liberal regime was seen by Roberto Campos, one of the patriarchs of Brazilian liberalism. In this sense, it will be shown how and why the legacy of Scotland was used to legitimize the new pattern of accumulation necessary to capitalism from the second half of the twentieth century on. So, it is the intention to make explicit that the changes in Campos discursive form are consistent with the requirements of capitalism in crisis and were fundamental in the creation of another common sense. To achieve these goals it will be assessed in what way the liberal rhetoric of the Brazilian, harmonized with foreign authors with the same vision, has become an important weapon to transform Smith into a myth in contrast to the political and economic criteria advocated by the same, but valuable to what Roberto Campos intended

Lévi-Strauss Mitológicas: Mito e música entre o largo e o prestíssimo

This study was elaborated based on our research of the work Mithologiques by the anthropologist Claude Lévi-Strauss (1908-2009), which affirms that languages, indigenous myths and music are related. He proposes that the understanding of myths occurs in a similar manner as with an orchestral score. In the course of his tetralogy we investigated the musical terms used in the analysis and in the division of the chapters, especially in the first volume of his work. Several compositional procedures and forms are named. Composers in pairs are categorized: Sebastian Bach for the code, Ludwig van Beethoven for the message, and Richard Wagner for the myths. In this deduction, we structured in parts: theme and variations, sonata and fugue with the aforementioned composers. Within the greatness of anthropological study, from among over 800 myths, we selected the first five of the indigenous tribe Bororo to discuss within the Theme and Variation segment. In the Sonata part there are two myths with the same theme: The wife of the jaguar which relates to the compositional structure, and four myths about The origin of women. Finally, in the segment related to the Fugue, we collected four myths that address The shortness of life. Honoring the many terms expressed in opposition, contrast, or symmetry under consideration in Levi-Strauss work, we entitled this thesis emphasizing the migration between the tempos Largo and Prestíssimo as these are oppositional presentations in music. Fifteen musical myths accompany the work supported by selected narratives. In light of this we questioned, we questioned: how are incest, murder and other events part of a society that elevates nature as an extension of life itself? And how did Lévi-Strauss think that anthropology harmonized with music? In the preparation of this study, philosophers like Peter Sloterdijk discuss the circular territory of Mythology

Tramas da (ir)racionalidade contemporânea para a composição do mito-tecno-lógico

The plot myth-techno-logic, contemporary, was developed starting from the dualism myth-reason. In this study, we deepened the alluded dualism taking as reference the historical contexts of the Renaissance and of the Enlightenment, emphasizing the discussion of the economical rationalization as conductive thread of the western development, in which we identified the game of the rational and of the irrational, for assure the superiority of the reason. In the context of that game, we analyzed the implications of the modernization, for the education, in function of the instrumental rationality, responsible for the environment of adaptation of the technological instruments to the scenery of the contemporary modernization. The new context is constituted by points of union and of ruptures among the technique, the science and the myth. Through our analysis, we noticed that the basic needs for the contemporary society were linked to the changes in the production means, for which the machine determine the rhythm of the work and the quality of the product. However, the changes in the productive processes promoted the appearance of the commercial marks that, as we see it, they represented the synthesis of the perfect harmony of the myth, of the technique, of the science and of the technology, in the conduction of the economical rationalization to the contemporary modernization. Thus, the contemporary modernization it arrives us for the economical rationalization, developed with the support of the technician-scientific knowledge and communicated by the articulations of the myth-techno-logical

A Poética do corpo no mito e na dança butô: por uma educação sensível

The thesis presents the body poetry and its inscribing in the myth and Butô dance. The argumentation highlights the sensitive dimension present in these itineraries, as a possibility to operate the emergency of knowing inscribed in the body, bringing a kind of rationality that links the fragments, that allows the knowing to break through the barriers of disciplinary isolation, that abandons the certainties and goes through the ways of creation and that gives the body new space and time, featuring epistemological elements, ethical and esthetical, that can permit a sensitive education. All along the way, we comprehend by sensitive education, a education that considers the relinking of logical, analogical, symbolic and artistic knowledge and therefore reconsiders the own act of knowing as a continuous and inconcluded process. That sensitive education is also understood as retaking the body experience, its sensitive nature, as well as being meaningful to reading the world. It includes the body memory, its history and creativity, opening it to innovation, change, sense amplification and dialogue with other bodies and world, because it is within them. It is about an investigation of phenomenologic nature, that dialogues philosophy and art, pointing breakdowns of this reflection foe the body and education studies. We find it necessary to notice the body language, that allows one to think through movements, articulate a thought that is risen from articulations, guts and all the body. This incarnated reason starts the expressive body action, that makes us move to mean, communicate, inaugurate senses. Among these senses, we present a possibility of approach of the elements of Butô dance teaching and physical education, as ways of sensitive education showings of body poetry