Kinder- und hausmärchen der gebrüder Grimm;

Contains Schillers "Der tacuher ... " [with notes] 24 p.

Le cabinet des fées,

Mode of access: Internet.

Fables and folk stories,

Prepared for the use of schools and drawn from the author's "The book of fables" and "The book of folkstories".

The book of fables and folk stories,

Illustrated lining papers.

Starlight stories : told to bright eyes and listening ears /

Publisher's ads 31, [1] p. at end.

Chinesische volksmärchen.

Mode of access: Internet.

Oeuvres choisies de Ch. Perrault ... : avec les mémoires de l'auteur, et des recherches sur les contes des fées /

Mode of access: Internet.

Grundformen volkstümlicher Erzählerkunst in den Kinder- und Hausmärchen der Brüder Grimm : ein stilkritischer Versuch /

Scholarly work on the transmission of the Kinder- und Hausmärchen from spoken tale to literary tale.

On My Mind

Thesis (Master's)--University of Washington, 2016-06

Towards the Noosphere of Intangible (Esotericism from Materialistic Viewpoint)

Exploration of intangible world is under the serious influence of esotericism. Mystics, religions, unrestrained use of metaphors, fairy tales, gossips, unverified and uncertified “facts” – all this needs accurate well-disposed, but sound scientific consideration. Our society really needs new ideas, new approaches and new paradigms. Technological civilization becomes more and more complicated, risky and ecologically critical. The current level of AI research cannot guarantee successful solution of societal control and management. Besides, the human being itself practically did not change its mental and psychological abilities for many thousands years. We can lose control over our society and its technology, if we do not change cardinally ourselves. In this text, I tried to approach this problem – the problem of our noosphere from materialistic viewpoint.

Effect of reading sport chronicles on the perception of justice and the predisposition to protest actions in soccer

In this study three chronicles from national newspapers (one generalist and two sport press) were analyzed. The chronicles belong to Spain’s soccer final of the King’s Cup in 2014. The aim of the study was to know if there was any influence on the readers’ perception of justice and consequently if this influence could cause a particular predisposition to participate in acts of protest. 462 university students participated. The results showed that different chronicles caused differences in the perception of justice depending on the chronicle read. However, a clear influence on the willingness to participate in acts of protest was not obtained. These results should make us think about the impact of sport press and its influence, and to be aware of the indirect responsibility of every sector on the antisocial behaviors generated by soccer in our country.

Die Grausamkeit des Märchens -Historische Hintergründe und Entwicklung von Basile, über Perrault bis zu den Gebrüdern Grimmanhand ausgesuchter Märchen

The topic of the following thesis is cruelty in fairy tales. For the work on hand the following fairy tales were used to examine the historical roots of the topic as well as pedagogical background: Red Riding Hood from the Brothers Grimm and Perrault as well as Han-sel and Gretel another tale of the Grimm Collection, the Tom Thumb-Version of Perrault and Ninillo und Nennella from Basile. Af-ter a short introduction to the meaning of fairy tales, the stories are retold and analyzed as well as compared to their most probable historical background and it shows that what seems to be cruel to-day had a very different meaning in the past.

De bestias, monstruos y príncipes encantados: Una mirada cultural a la adaptación cinematográfica del cuento de la Bella y la Bestia

Esta investigación ofrecerá una reflexión sobre el uso de los cuentos de hadas como fuente para el historiador, mostrando de esa forma la aproximación que tiene el cuento de la Bella y la Bestia, con los conceptos de la belleza/fealdad y la civilización/barbarie.Así, el análisis se basará, en la relación que tienen las adaptaciones cinematográficas con dicho cuento; también, podemos observar aquella dicotomía con el lenguaje cinematográfico, donde Bella un personaje civilizador, intenta domar a aquel monstruo (La Bestia).No obstante, se tomará como base el cuento escrito por Jeanne- Marie LePrince de Beaumont, para mirar cuáles son las características de estas dos dualidades antes mencionadas y, de esa manera, analizar en las adaptaciones cinematográficas que se realizaron en Estados Unidos entre 1960 hasta el 1991, las transformaciones que ha tenido esta historia, para comprender la forma en que la sociedad destaca, en las representaciones de los personajes, las virtudes o los defectos.

RACHMANINOFF AND MEDTNER: SELECTED WORKS FROM THE SOLO AND COLLABORATIVE PIANO REPERTOIRE

Sergei Rachmaninoff and Nikolai Medtner occupy a special place in the history of Russian music. Both composers were exceptional pianists and left us some of the greatest works in the piano repertoire. Although these composers shared many similarities, and were often compared, their musical languages and views on composition were very different. Unfortunately, Medtner’s music, which Rachmaninoff admired greatly, has remained neglected for several generations of performers and listeners. In my dissertation I will explore the similarities and contrasts in Rachmaninoff’s and Medtner’s music. Through these performances, I hope to encourage other musicians to discover the imaginative power of Medtner’s music. Of course, no such encouragement is needed for Rachmaninoff’s extremely popular music; however, the technical and musical challenges of performing that repertoire are an invaluable part of every pianist’s education. This dissertation project was presented in three recitals which were performed in Gildenhorn Recital Hall at the Clarice Smith Performing Arts Center of the University of Maryland on May 8, 2014, December 5, 2014 and March 21, 2016. The following pieces comprised the survey of Rachmaninoff music: Vocalise Op. 34, Variations on a Theme of Corelli Op. 42, Piano Concerto No 2 Op. 18, Selected Songs Opp. 4 and 8, and two Moments Musicaux Op. 16 - Nos 3 and 4. The following pieces were included to represent Medtner: Sonata for Violin and Piano Op. 57 in E minor “Epica”, Fairy Tales for solo piano Op. 20 No 1, Op. 26 No 3 and Op. 51 No 1, and Selected Songs Op. 6 and 15. My partners in this project were Lilly Ahn, soprano, Jennifer Lee, violin and Nadezhda Christova, piano. All three recitals can be found in the Digital Repository at the University of Maryland (DRUM).

Era uma vez... Branca de Neve e a representação feminina no conto clássico e no filme espelho, espelho meu

Esta dissertação tem por objetivo analisar as mudanças ocorridas na representação feminina, ao longo do tempo, em contos de fadas e suas adaptações, através de um viés comparativo. Para esta pesquisa, selecionamos como corpus as duas versões do conto “Branca de Neve”, dos Irmãos Grimm – uma publicada entre os anos de 1812 e 1815 e a outra publicada em 1822 –, e o filme Espelho, espelho meu (2012), dirigido por Tarsem Singh com história de Melissa Wallack e roteiro de Jason Keller e Marc Klein. Nossa análise pauta-se nas informações obtidas em História da vida privada, organizada por Georges Duby e Philiphe Ariès (1991) e Minha história das mulheres, de Michelle Perrot (2008). Como principal fundamentação teórica, utilizamos as concepções de Linda Hutcheon, em especial aquelas constantes em seu livro Uma teoria da adaptação (2013). Além disso, durante a escrita desta dissertação, também fizemos uso dos estudos de Bruno Bettelheim (2007), Tomás Enrique Creus (2006) e Carl Gustav Jung (2000). Ao longo deste estudo, procuramos ainda compreender as mudanças na representação feminina nos contos de fadas clássicos, comparando-se as adaptações referidas, relacionando-as com as alterações sociais acontecidas ao longo do tempo.