O Guesa em New York: republicanismo e americanismo em Sousândrade

Esta tese analisa a poesia de Joaquim de Sousa Andrade (1832-1902), ou Sousândrade, e tem por objetivo discutir o imaginário político republicano como elo de ligação entre os poemas O Guesa, especialmente o Canto Décimo (1877), Novo Éden: Poemeto da adolescência, 1888-1889 (1893), Harpa de Ouro (189?) e a continuação O Guesa, o Zac (1902). A cronologia dessas obras indica que é a partir dos anos vividos por Sousândrade nos Estados Unidos que as figurações da República passam a permear os seus escritos. No Canto Décimo, gestado em Nova York, Sousândrade traça um panorama da sociedade estadunidense na década de 1870 e, embora haja críticas à certas práticas econômicas nesse canto, conforme discutiremos com vagar, destaca-se a emulação do poeta em exaltar aquele modelo sociopolítico. Essa atitude do escritor maranhense afinava-se com a visão de brasileiros imigrados nos Estados Unidos naquele mesmo período, os quais formavam uma rede de pensadores liberais comprometidos com a modernização do Brasil. Esse diálogo transatlântico que começa a ser traçado entre Estados Unidos e Brasil caracteriza uma alternativa ao modelo de civilização europeu até então em voga, tema ainda pouco explorado pela historiografia literária. De volta a pátria, Sousândrade dá prosseguimento ao seu fazer poético e, além do seu engajamento na nova conjuntura política do país, dedica-se à construção do mito fundador da República brasileira nos poemas concebidos desde 1893. A trajetória do poeta republicano foi marcada pelo seu anseio de progresso e modernização do Brasil, tarefa na qual ele empenhou-se política e literariamente.

Academie to atelier : the artistic education of American women in nineteenth-century Paris

This paper puts forth an alternate reading of the artistic climate in late nineteenth-century Paris than that which has traditionally been suggested. I propose that the expansion of creative opportunity during this time reveals a climate of communal support, consent, and progressive reform for women artists, rather than a struggle to undermine central (masculine) control, as many scholars have claimed. Specifically, I explore the work of American expatriates living in Paris, including but not limited to Cecilia Beaux, Anna Klumpke, Alice Kellogg, and Ellen Day Hale. The birth of the private academy in Paris offered women the chance to develop their artistic ability and assert their independence. The Académie Julian in particular provided a comparatively accepting and progressive environment where American women studying abroad could study from the nude model, receive proper training, and explore their full creative potential. Through an examination of a) these women’s self-portraits, and b) depictions of them painted by their contemporaries – both male and female – I further investigate the artistic education of American women in the highly-gendered cultural milieu of late nineteenth-century France.

Sites of Chemistry in the Nineteenth Century

The three articles in this special issue of Ambix were among the twenty-one papers presented at the conference “Sites of Chemistry in the Nineteenth Century,” held in Valencia at the Institute for the History of Medicine and Science ‘López Piñero’ in July 2012. This meeting was the second of the series of conferences organised as part of the project Sites of Chemistry, 1600–2000, the aim of which was to investigate the wide and diverse range of physical spaces and places where chemistry has been practised from the early modern period to the twentieth century.

Valedictory poem delivered in the Chapel of Harvard University on the 21 June 1796: in the presence of the President Proffers & Tutors & the four classes of understudents at the request of the class who completed their college studies on that day

Handwritten draft of the Charles P. Sumner’s valedictory poem to the Harvard class of 1796, in a 19th century hardcover binding beginning “The youth by adverse fortune forced to roam…”. The poem mentions John Russell, a member of the Class of 1796 who died in November 1795. The copy includes edits and struck-out words.

Miss Rebecca Story's book : manuscript, 1796-[ca. 1803]

Commonplace book of poetry some by Porter; with a list of names of female students at Mr. Woodbridge Academy, 1796. Also includes a poem by Porter concerning the death of her brother, Isaac Story (A. B. 1793).

Memalik-i Osmaniye-ye mahsus coǧrafya-yi askeri

eser-i Ahmet Cemal.

Şerh-i kasaid-i Mevlânâ Şevket

Commentary by Mehmed Murad Nakşbendi. Cf. İstanbul Üniversitesi Kütüphanesi Türkçe basmalar alfabe kataloğu, v. 2 (1956), p. 772.

Netâicü'l-fünûn / li-Nev'î Efendi : manuscript, undated

Concise encyclopedia on twelve sciences: 1. history; 2. philosophy; 3. astronomy; 4. theology; 5. principles of law; 6. controverted points; 7. exegesis; 8. mysticism; 9. interpretation of dreams; 10. magic, charm, and medecine; 11. agriculture; 12. astrology and divination.

[ Book of predictions] : manuscript, 1785-1812

Book of yearly predictions about the sultan, his family, ministers, grand mufti, etc. Records for years 1199-1227 AH [1785-1812 AD]. Year run from nevrūz to nevrūz (beginning of spring). Predictions concern political affairs and state of health of various individuals. Predictions about weather conditions and the eclipses also included. Separate section at end of each year's entry breaks down predictions into months. Manuscript apparently the author's working copy and probably the sole copy.

Particulars of the trial and execution of George Partridge, aged 21: who was executed at Bury-St.-Edmund's, on Monday last, for the wilful murder of George Ansell, aged 9 years, within a few miles of Polstead, the late scene of Maria Martin's murder. Also, the prisoner's confession

Date of imprint from execution date, April 13, 1829 -- Capital Punishment UK site via WWW, viewed December 14, 2007.

The shepheardes calender : conteining twelue aeglogues proportionable to the twelue monethes : Entitled to the noble and vertuous gentleman most worthie of all titles, both of learning and chiualry, Maister Philip Sidney.

Label inside front board.

La rapinéide, ou, L'atelier : poème burlesco-comico-tragique en 7 chants /

Advertisements: 2 unnumbered pages at end.

Arco trionfale eretto alle glorie dell'eminentiss.mo e rev.mo prencipe il sig.re cardinale Gio. Stefano Donghi : ossequio poetico /

Signatures: pi² A-C⁴.

Marigold garden : pictures and rhymes /

Colophon: Engraved and printed by Edmund Evans Ltd., at the Racquet Court Press, London.