Paysages d'amour. IV. No. 2 en Sol. Parmi les meules

Augusta Holmès.

3 Lieder für eine tiefere Stimme mit Begleitung des Pianoforte

Die Diebin mit der Rosenwange / Gedicht von G.E. Lessing - Vor dem Feinde / Gedicht von Adolf Gad -- Wie ist diese Welt doch so schön / Gedicht von L.R.

Selected songs of Eliakum Zunser

arr. for voice with piano accompaniment by William Fichandler ...

Three songs.

v. 1. Dearie / words by Robert Burns (medium voice in F#) -- v. 2. A hush song / words by Lillian C. Pitcher (low voice in F) -- v. 3. Transit / words by Anna McClure Sholl (low voice in Cm).

Folk-songs, chanteys and singing games /

For medium voice and piano.

Le quinte musiche : da cantar e sonar nel chitarone, arpicordo, arpa doppia & simili instromenti /

For voice and continuo (unfigured bass)

Le seste musiche : da cantar e sonar nel chitarone, arpicordo, arpa doppia, & simili instromenti /

For voice and continuo (unfigured bass)

Le musiche del caualier Sigismondo d'India ... : da cantarsi nel chitarrone, clauicembalo, arpa doppia, & altri stromenti da corpo : con alcune arie, con l'alfabetto per la chitarra alla spagnola.

For voice and continuo (figured bass).

Songs from the North : representative songs of Norway, Sweden, and Denmark, /

The volume includes songs by Niels Gade, Edvard Grieg, Agathe Gröndahl, Halfdan Kjerulf, Christian Sinding and others.

A set of six songs ; A set of six ancient Spanish ballads ; A set of six songs [third set] /

Three sets of songs bound together : a set of six songs.

Songs of the Zeta Psi Fraternity of North America.

"Published by the direction of the Grand Chapter."

Institute songs /

"Standard musical library."

Bear With Me

This project investigates musicalisation and intermediality in the writing and devising of composed theatre. Its research question asks “How does the narrative of a musical play differ when it emerges from a setlist of original songs?”, the aim being to create performance event that is neither music nor theatre. This involves composition of lyrics, music, action and spoken text, projected image: gathered in a script and presented in performance. Scholars such as Kulezic-Wilson(in Kendrick, L and Roesner, D 2011:34) outline the acoustic dimension to the ‘performative turn’ (Mungen, Ernst and Bentzweizer, 2012) as heralding “…a shift of emphasis on how meaning is created (and veiled) and how the spectrum of theatrical creation and reception is widened.” Rebstock and Roesner (2012) capture approaches similar to this, building on Lehmann’s work in the post-dramatic under the new term ‘composed theatre’. This practice led research draws influence from these new theoretical frames, pushing beyond ‘the musical’. Springing from a set of original songs in dialogue with performed narrative, Bear with Me is a 45 minute music driven work for children, involving projected image and participatory action. Bear with Me’s intermedial hybrid of theatrical, screen and concert presentations shows that a simple setlist of original songs can be the starting point for the structure of a complex intermedial performance. Bear with Me was programmed into the Queensland Performing Arts Centre’s Out of the Box Festival. It was first performed in the Tony Gould Gallery at the Queensland in June 2012. The season sold out. A masterclass on my playwriting methodology was presented at the Connecting The Dots Symposium which ran alongside the festival.

It started with a KISS

This is the essay prepared for the exhibition titled 'Hot Chocolate' held at the SASA Gallery, Adelaide, South Australia, 24 October - 29 November, 2012. Below are the words that start the essay and which provide a glimpse of the artworks in the exhibition. By agreeing to work together in this exhibition, the artists in Hot Chocolate delivered across an eclectic assortment of academic enquiry: • the politics of identity • the politics of desire • fetishisation of racial and othered bodies • origin and place • the politics of skin • events, moments, and ephemerality • need We too, talked, laughed, cried and worked through these issues in relation to the artworks submitted, including Pamela’s work, and to the theory and literature we have read and utilised in our words with each other and communities. We begin this piece by reflecting on the writings of bell hooks, whose words kissed us awake and stirred us at the start of our respective formal research journeys. We align her words with some of our activism, advocacy, academic and community work. We will weave the magical lyrics from the 1970s iconic band Hot Chocolate throughout this essay.

Mixed convection in non-Newtonian fluids along a vertical plate in a porous medium

The problem of mixed convection from vertical surfaces in a porous medium saturated with a power-law type non-Newtonian fluid is investigated. The transformed conservation laws are solved numerically for the case of variable wall temperature conditions. Results for the details of the velocity and temperature fields as well as the Nusselt number have been presented. The viscosity index ranged from 0.5-2.0.