Poetry of heroism,

Running title: Poetry of empire.

Sketches of places and people abroad

Mode of access: Internet.

The Cuban Poetry of Alfonso Camín, Father of Afro-Cuban Poetry : Lecture by Victor Puertodan

This flyer promotes the event "The Cuban Poetry of Alfonso Camín, Father of Afro-Cuban Poetry : Lecture by Victor Puertodan" cosponsored by the FlU Initiative for Spanish and Mediterranean Studies.

Evolution and Permanence in Cuban Poetry- The Poetry of Lazaro Castillo

This flyer promotes the lecture "Evolution and Permanence in Cuban Poetry- The Poetry of Lazaro Castillo" by Lazaro Castillo, a leading young poet in Cuba. His texts are characterized by his interest in daily life, a collection of itinerant anecdotes, and the amorous vocation that precedes pain. This lecture is cosponsored by the Department of Modern Languages and was conducted in Spanish. It was held on November 20,2015 at FIU Modesto A. Maidique Campus, CBC254.

THE POETRY OF HELENA KOLODY IN THE PARANÁ LITERATURE CONTEXT

Helena Kolody is a Brazilian poet, daughter of Ukrainian emigrants and was born on October 12th, 1912, in Cruz Machado, state of Paraná. Died on 14th February, 2004, in Curitiba, PR. With twelve published books, a lot of anthologies and complete works, Kolody while realizes a poetic “doing”, looks for the synthesis of her production. She chooses synthetic form poems such as: distiches, tercets, quartets, ephigrams, “tankas and haicais” (Japanese poetry). The recurrent themes into the Kolody’s lyric are: the time; the loneliness; the memory; the transitority; the permanency; the double; the travel among others. The “kolodiana’s work” shows themes and images that contribute to propose (re) significations in Paraná Literature context.

RÔMULO QUIROGA IN THE GALLERY OF MODERN PAINTERS: CONJUNCTION BETWEEN POETRY AND PAINTING IN THE POETRY OF MANOEL DE BARROS

ABSTRACT: This article discusses the poetic creation in the poem “As lições de R. Q.” of the poet Manoel de Barros, and in the note that precedes it, identifying possibilities for interpretation of the poem in relation to the proposed questions, namely: the question of influence in the arts, the question of the interpenetration of technical and glances between poetry and painting, also addressing the issues of primitivism and colonialism.  KEYWORDS: Manoel de Barros. Poetry. Painting.

THE POETRY OF CONVERGENCE AND THE MIRROR IMAGE IN GUIMARÃES ROSA

Affiliated with a literary context in which the poet seeks reconciliation between the self and the universe without rejecting the consciousness of the poetic process and the renovation of language, the poems of Guimarães Rosa in his book Ave, Palavra, are close to what Octavio Paz called "poetry of convergence." Such analogical point of view turns into metaphor in the poems through the myth of Narcissus and images that associate a reflexion and the meeting with the Other as a way to know yourself. This work presents a reading of these poetic compositions by examining how the analogy is established, relating those poems to his other works, identifying them, not as an accident in his trajetory, but as a work that carries Guimarães Rosa’s concerns explored in his literary career.

Panama patchwork; poems,

Mode of access: Internet.

Moskva v rodnoĭ poėzīi : sbornik /

Bibliography: p. 1-9 (2d group).

Canterbury sonnets,

Mode of access: Internet.

Rheinlieder; aus dem munde der dichter ...

Words only.