Operator's manual : camera set, still picture KS-4A(2).

"10 May 1963."

Operator and organizational maintenance manual including repair parts and special tools list : camera set, still picture KS-15(4), (NSN 6220-00-935-7701).

Includes index.

Operators, organizational, DS, GS, and depot maintenance manual, including repair parts and special tools lists : camera set, still picture KS-99B.

Includes index.

Operator's manual for camera set, still picture KS-99C, NSN 6720-00-602-5099.

"June 1975."

Operator and organizational maintenance manual including repair parts and special tool lists : camera set, still picture KS-101A.

"April 1969."

Operator and organizational maintenance manual : camera, still picture KA-76A (NSN 6720-00-087-3151) and lens cones, camera, aerial reconnaissance LA-370A (NSN 6760-00-087-3736) ...

"June 1968."

Operator and organizational maintenance manual including repair parts and special tools list : camera set, still picture, KS-19A4 and KS-19B.

"January 1970."

Still picture camera set KS-15(1) and camera equipment AN/GFQ-2 : operation and maintenance.

"October 1958."

Operator's manual : camera set, still picture KS-7A.

"August 1961."

Operator's manual, camera set, still picture KS-19A3.

"16 December 1963."

Quantization of the Inhomogeneous Bianchi I model:quasi-Heisenberg picture

The quantization scheme is suggested for a spatially inhomogeneous 1+1 Bianchi I model. The scheme consists in quantization of the equations of motion and gives the operator (so called quasi-Heisenberg) equations describing explicit evolution of a system. Some particular gauge suitable for quantization is proposed. The Wheeler-DeWitt equation is considered in the vicinity of zero scale factor and it is used to construct a space where the quasi-Heisenberg operators act. Spatial discretization as a UV regularization procedure is suggested for the equations of motion.

LARGE MOTION VISUALIZATION AND ESTIMATION FOR FLAPPING WING SYSTEMS

Studies of fluid-structure interactions associated with flexible structures such as flapping wings require the capture and quantification of large motions of bodies that may be opaque. Motion capture of a free flying insect is considered by using three synchronized high-speed cameras. A solid finite element representation is used as a reference body and successive snapshots in time of the displacement fields are reconstructed via an optimization procedure. An objective function is formulated, and various shape difference definitions are considered. The proposed methodology is first studied for a synthetic case of a flexible cantilever structure undergoing large deformations, and then applied to a Manduca Sexta (hawkmoth) in free flight. The three-dimensional motions of this flapping system are reconstructed from image date collected by using three cameras. The complete deformation geometry of this system is analyzed. Finally, a computational investigation is carried out to understand the flow physics and aerodynamic performance by prescribing the body and wing motions in a fluid-body code. This thesis work contains one of the first set of such motion visualization and deformation analyses carried out for a hawkmoth in free flight. The tools and procedures used in this work are widely applicable to the studies of other flying animals with flexible wings as well as synthetic systems with flexible body elements.

Disorderly categories in picture postcards from colonial Papua and New Guinea

At the turn of the century in Melbourne, a notice typed on the verso of a postcard stated that the South Yarra Baptist Young Men's class was meeting on the following Sunday at 2.45 p.m. The card, published in the United Kingdom, was numbered 51828 in the Valentine series of Papuan postcards.1 The image, a photograph of Hanuabada village taken in the early 1880s, and the text, written early in 1900, are contradictory and constitute separate realms of evidence that invite a renegotiation of meaning, analysis, and interpretation of the relationships between images, tourism, colonial rule, and ethnographic knowing. The visual evidence suggests the postcard may have played an ethnographic, educative role in the public understanding of Papua, which had just become an Australian Territory and was not yet well known. It is also suggestive of educative roles related to mission endeavours, subimperialist ambitions and the new tourist traffic through the ports of Port Moresby, Samarai, and Rabaul.