As deusas Inanna e Ištar: semânticas de poder com traços de amor e guerra

A presente dissertação de mestrado centra-se na divindade suméria Inanna e na sua homóloga semita Ištar. Recolhemos e analisamos conjuntos de mitos, narrativas, hinos, oráculos, canções e orações, de proveniências e cronologias distintas, para compor um retrato cuja complexidade ultrapassa as questões do género e apela a sentimentos transversais ao ser humano. Num panteão com uma miríade de divindades altamente especializadas, Inanna/Ištar destaca-se pelo facto de acumular funções. Deusa trifuncional, regente do Amor e da Guerra, era igualmente a representação divina do planeta Vénus. Numa primeira abordagem, essa singularidade é um factor desconcertante para a sua compreensão. Pelo seu carácter problemático, foi o principal incentivo para o nosso estudo. Examinando as suas diferentes manifestações, propomos um eixo comum para a sua aparente ambivalência, interpretando o amor e a guerra como metáforas com um mesmo significado: poder. Vemos assim como a guerreira e a noiva se complementam em vez de se contradizerem. Ao lado do rei, no leito sagrado ou no campo de batalha, exprimem sempre a bênção divina assegurando a legitimidade dos seus actos enquanto representante dos deuses na Terra e, por conseguinte, garante da ordem. A permanência no tempo do sistema de crenças originalmente fixado por mão suméria, resistindo a conquistas e mudanças dinásticas, e a sua difusão no espaço, transpondo fronteiras naturais e artificiais, demonstram que os povos do Crescente Fértil o partilharam, não obstante algumas alterações semânticas. Na perspectiva da história das religiões, este olhar projetado sobre o passado permite ainda entender melhor a mente do homem mesopotâmico e acompanhar as consequências das alterações culturais no tecido sociopolítico da época. Afloramos também alguns aspectos de continuidade, manifestados através da presença de influências mesopotâmicas na literatura e religião gregas, mais especificamente em Afrodite e Deméter, deusas do amor e da fertilidade, respectivamente. Por fim, sugerimos a permanência de categorias mentais que transportam o passado até aos dias de hoje, ligando a Antiguidade à Actualidade.

Imperial legacy? The EU's Developmental Model and the Crisis of the European Periphery. CES Papers - Open Forum #19, 2013-2014

The high hopes for rapid convergence of Eastern and Southern EU member states are increasingly being disappointed. With the onset of the Eurocrisis convergence has given way to divergence in the southern members, and many Eastern members have made little headway in closing the development gap. The EU´s performance compares unfavourably with East Asian success cases as well as with Western Europe´s own rapid catch-up to the USA after 1945. Historical experience indicates that successful catch up requires that less-developed economies to some extent are allowed to free-ride on an open international economic order. However, the EU´s model is based on the principle of a level-playing field, which militates against such a form of economic integration. The EU´s developmental model thus contrasts with the various strategies that have enabled successful catch up of industrial latecomers. Instead the EU´s current approach is more and more reminiscent of the relations between the pre-1945 European empires and their dependent territories. One reason for this unfortunate historical continuity is that the EU appears to have become entangled in its own myths. In the EU´s own interpretation, European integration is a peace project designed to overcome the almost continuous warfare that characterised the Westphalian system. As the sovereign state is identified as the root cause of all evil, any project to curtail its room of manoeuvre must ultimately benefit the common good. Yet, the existence of a Westphalian system of nation states is a myth. Empires and not states were the dominant actors in the international system for at least the last three centuries. If anything, the dawn of the age of the sovereign state in Western Europe occurred after 1945 with the disintegration of the colonial empires and thus historically coincided with the birth of European integration.

A revolução capitalista

The Capitalist Revolution was the period of the transition from the ancient societies to capitalism; it was a long transition that began in North Italy, in the 14th century, and for the first time got completed in England, in the second part of the 18th century, with the formation of the nation state and the Industrial Revolution; it is a major rupture, which divided the history of mankind between a period where empires or civilizations prospered and fell into decadence and disappeared, to a period of ingrained economic development and long-term improvement of standards of living. Since then the different peoples are engaged in the social construction of their nations and their states; since then, they are experiencing economic development, because capitalism is essentially dynamic; since then they are struggling for the political objectives that they historically defined for themselves since that revolution: security, freedom, economic well-being, social justice, and protection of the environment.

Greek, Roman and Egyptian antiquities ... /

"Pubic auction sale."

The great cultural traditions: the foundations of civilization /

1. The ancient cities.--2. The classical empires.

The historians' history of the world; a comprehensive narrative of the rise and development of nations as recorded by over two thousand of the great writers of all ages:

Contains bibliographies.

Histoire ancienne des peuples de l'Orient classique

At head of title: G. Maspero.

The historians' history of the world.

Contains bibliographies.

A revealed knowledge of the prophecies & times : it being the first sign of warning for the benefit of all nations, containing ... the restoration of the Hebrews to Jerusalem by the year of 1798 under the their revealed prince and prophet /

Signed: Richard Brothers

History of Egypt, Chaldea, Syria, Babylonia and Assyria /

Contains the text originally published in 3 vols.: 1. The dawn of civilization: Egypt and Chaldaea; 2. The struggle of the nations: Egypt, Syria and Assyria; 3. The passing of the empires, 850 B.C. to 330 B.C.

Discours sur l'histoire universelle /

Avant-propos.--1. ptie. Les époques, ou la suite des temps.--2. ptie. La suite de la religion.--3. ptie. Les empires.

Jihad and Islam in World War I : Studies on the Ottoman Jihad at the Centenary of Snouck Hurgronje's "Holy War Made in Germany" /

This books investigates the background and nature of the Ottoman Jihad proclamation, but also its effects in the wider Middle East. It looks at the German hopes and British fears of a worldwide rising of Muslims in the colonial empires. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

Democratic ideals and reality; a study in the politics of reconstruction,

Perspective.--Social momentum.---The seaman's point of view.--The rivalry of empires.--The freedom of nations.--The freedom of men.--Postscript.--Appendices.

European Elites and the Idea of Europe after the End of Empire /

A study of the genesis of ‘European civilisation’ as a concept of 20th-C EU political practice & as a specific project of a transnational network of EU elites, examining how they sought to rehabilitate EU identity as a response to a crisis of belonging following the 1917-1920 revolutions & the collapse of the Hohenzollern, Habsburg & RU Empires.

Illuminating Inner Life : A Comparison of Virginia Woolf's To the Lighthouse and Arthur Schnitzler's Fräulein Else

In the early 20th century, authors increasingly experimented with literary techniques striving towards two common aims: to illumine the inner life of their protagonists and to diverge from conventional forms of literary representations of reality. This shared endeavour was sparked by changes in society: industrialisation, developments in psychology, and the gradual decay of empires, such as the Victorian (1837–1901) and the Austro-Hungarian (1867–1918). Those developments yielded a sense of uncertainty and disorientation, which led to a so-called “turn [inwards]” in the arts (Micale 2). In this context, this essay examines Virginia Woolf’s (1882–1941) development of her literary technique by comparing To the Lighthouse (1927), written in free indirect discourse, with Arthur Schnitzler’s (1862–1932) Fräulein Else (1924), written in interior monologue. Instead of applying Freud’s theories of consciousness, I will demonstrate how empiricist psychology informed and partly helped shape the two narrative techniques by referring to Ernst Mach’s (1838–1916) idea of the unstable self, and William James’ (1842–1910) concept of the stream of consciousness. Furthermore, I will show that there is a continuous progression of literary ideas from Schnitzler’s Viennese fin-de-siècle connected to impressionism, towards Woolf’s Bloomsbury aesthetics connected to Paul Cézanne’s post-impressionist logic of sensations. In addition to that, I address how the women’s movement, starting in the end of the 19th century, inspired Woolf and Schnitzler to utilise their techniques as a means of revealing women’s restricted position in society. Methodologically, I will analyse the two novels’ narrative techniques applying close reading and by that point out their differences and similarities in connection to the above-mentioned theories as well as the two author’s literary approaches. I argue that this comparison demonstrates that modernist literary techniques of representing interiority evolved from interior monologue towards free indirect discourse. This progression also implicates that modernism can be seen as a continuum reaching back to the fin-de-siècle and culminating in the 1920s.