998 resultados para Merikanto, Oskar
Resumo:
Signatur des Originals: S 36/F11293
Resumo:
Signatur des Originals: S 36/G00518
Resumo:
Signatur des Originals: S 36/G01862
Resumo:
Verein für Sächsische Volkskunde
Resumo:
Reconocimiento, homenaje y propuesta de investigación sobre dos autores de gran importancia en el estudio y la difusión de nuiestro patrimonio arquitectónico y urbano
Resumo:
3, pt. 3
Resumo:
3, pt. 2
Resumo:
2, pt. 2
Resumo:
2, pt. 3
Resumo:
1, pt. 1
Resumo:
2, pt. 1
Resumo:
1, pt. 2
Resumo:
Based on Hansjürgen Linke’s study about the history of the reception of religious and secular medieval plays in twentieth-century Germany, the paper examines the respective situation in Switzerland. It focusses on the Bruderklausenspiel (1929), written and staged by Oskar Eberle. The director and scholar Oskar Eberle, and the Schweizerische Gesellschaft für Theaterkultur (SGTK) were the most influential supporters of the reception of religious plays in twentieth-century Switzerland. While in Germany the revival of medieval theatre emphasized a Renaissance of a former national importance, in Switzerland, the situation was very different. The revival of religious plays had a certain confessional background, and the political idea was to strengthen national self-confidence, and to confirm the nation’s historical neutrality concerning foreign affairs.
Resumo:
Mode of access: Internet.
Resumo:
At head of title: Den Bühnen gegenüber Manuskript.