Note on Eighth Annual Meeting Board of Governors Caribbean Investment Corporation (CIC)

Nota sobre la Octava Reunion Anual de la Junta de Gobernadores de la Corporacion de Inversiones del Caribe (Caribbean Investment Corporation, CIC) realizada en Sta. Lucia, el 14 de mayo de 1982. Durante la reunion las discusiones se centraron fundamentalmente sobre el futuro de la CIC.

Note on Caribbean Development Bank Eighth Annual Meeting of the Board of Governors, Georgetown, Guyana, 26-27 April 1978

Nota sobre la Octava Reunion Anual de la Junta de Gobernadores del Banco de Desarrollo del Caribe, en la que el enfasis estuvo principalmente en el proceso de integracion.

Note on Caribbean Investment Corporation Fourth Annual Meeting of the Board of Governors, Guyana, 28 April 1978

Nota sobre la Cuarta Reunion Anual de la Junta de Gobernadores de la CIC (Caribbean Investment Corporation). En ella se analizan los antecedentes de la CIC, las conclusiones de la reunion anterior, y algunos pormenores de la presente reunion.

O governo Bernardes e a Liga das Nações

Pós-graduação em História - FCHS

Poema of Lieutenant Schmidt’s End: Pasternak’s Dialogue with Tsvetaeva through the Prism of Genre.

Boris Pasternak’s poemy are acutely self-conscious of their place in the epic tradition. Lieutenant Schmidt (LS) represents one attempt at exploring the parameters of the poema itself as the poet makes a “difficult” transition from “lyric thinking” to “the epic.” In this article I examine this transition against a contemporaneous example in the genre, Tsvetaeva’s Poema of the End (PE). In LS, structural elements of the poema are counterposed to those of PE. While PE amplifies the individual voice, LS muffles what is personal for the sake of the public voice. While PE is atemporal, LS is historical. While PE unfolds on symbolic planes, with elements of plot kept to a bare minimum (a single moment of separation), LS is a plot-driven account based on concrete, documentary material. Finally, while PE is an “overgrown lyric”—representing the “lyric thinking” that Pasternak hopes to transcend— LS is an exploration of the possibilities that a more traditional model of the poema can offer. Although in the present analysis I draw on several theories of poetic genres, this is by no means an exhaustive study of epic versus lyric forms of poetry. Instead, my analysis focuses on those structural and thematic features of the poema that the poets themselves perceived as central to their texts. Pasternak, for his part, develops the structure and thematics of his poema in ways that are inspired by PE, but also, as we will see, in more significant ways, contrast with it.