1911 UM Track Team

Back Row: Benjamin Reck, ? Smith, George Lawton, Robert Hammond, H.C. Smith, Cole

3rd Row: st. mngr. Herbert Goetz, John Otte, XX Elliott, Roger Waring, Louis Haller, ? Crossman, James Angell McLaughlin, XX White, Ath. Dir. Philip Bartelme

2nd Row: Charles Hall. Edmond Hanavan, Raymond Haimbaugh, Ralph Craig, Carroll Haff, Hugh Gamble, Fred Ross

Front Row (on floor): Charles Kime, Frederick(?) Beardsley, Walter Willits, Cleon Spangler, XX Pierce,

Two speeches, by Frederick Douglass; : one on West India emancipation, delivered at Canandaigua, Aug. 4th, and the other on the Dred Scott decision, delivered in New York, on the occasion of the anniversary of the American Abolition Society, May, 1857.

"The Dred Scott decision: speech, delivered, in part, at the anniversary of the American Abolition Society, held in New York, May 14th, 1857" on pages [25]-46, with half title page.

Pepero, the boy-artist : a brief memoir of James Jackson Jarves, Jr. /

Mode of access: Internet.

The works of Flavius Josephus : To which are added three dissertations concerning Jesus Christ, John the Baptist, James the Just, God's command to Abraham, etc /

Includes index.

Standardization in the Pre-Columbian Pottery from El Caño, Panama: Specialization, Productivity and Consumption

The pottery found in the burials of El Cano is uniform in style to these made in the coclesanos valleys between 700 and 1000 AD. The coefficient of variability of the different pottery forms, evidence diverse standardizations values for polychrome and non-polychrome ceramics. Moreover, data of funerary contexts from the Cano recently excavated, suggest that elite has controlled ceramic production. This control over the production of certain goods reveals that these were important in the support or proper operational of the chiefdoms in Panama and mark the phase of splendour of this culture.

The 1969 Edition of Ulysses: the making of a Penguin Classic.

The status of Ulysses as a classic in the United Kingdom, and, more specifically, its adoption within the academic canon, resulted from its first publication as a paperback by the Penguin Press in 1969. The decisions that Penguin made about price, size, design, additional matter, and marketing were directed towards enhancing that status. This represented an abandonment of the previous markets for the novel: the avant-garde (and its two subsidiaries—the aspirant high-culture consumer and the fine-book collector) and the pornographic. A discussion of the nature of these markets is integrated with evidence drawn from archival sources.