Letter and Recollections of Alexander Agassiz: The 1891 Albatross Expedition

Presented here is another in the list of historic accounts of iconic research cruises of the USFC Steamer Albatross, this a reminiscence of the renowned scientist Alexander Agassiz edited by his son G. R. Agassiz, a chapter from the volume “Letters and Recollections of Alexander Agassiz,” published in 1913. Agassiz made three major cruises in the Albatross in 1891, 1899–1900, and 1904–05, adding greatly to the world’s store of specimens and knowledge of thalasography, his favored term for oceangraphy, and specifically of the Pacific Ocean. Having made important cruises and studies with the Blake in the Caribbean, he sought to do comparable research in the Pacific. His opportunity came in 1890, and with the consent of President Benjamin Harrison, he took charge of this Albatross research cruise, paying much of the expense himself. In contrast with the other ships he had been on, he found the laboratories, equipment, and furnishings to be comparatively luxurious and extremely well appointed for his work. Further, the Albatross was then captained by Lieutenant Commander Zera Luther Tanner who seemed to take as much interest in the oceanographic research as did the scientists, and Agassiz appreciated working with him, too. Little of the original text has been altered, and readers are cautioned that some of the views expressed may reflect unfortunate prejudices of that era toward individuals, nationalities, etc.

Um Gavroche entre a política e a sociedade: teatro de Arthur Azevedo (1891-1898)

Arthur Azevedo viveu uma época de mudanças. Nascido em São Luís do Maranhão, em 7 de julho de 1855, na Corte, como tantos outros jovens provincianos daquela época. No Rio de Janeiro, foi jornalista, escritor, funcionário público e destacado autor teatral. Testemunhou a passagem do Império à República, fazendo desse conjunto de acontecimentos, matéria e cenário para suas crônicas, contos e peças teatrais, em especial, em suas Revistas de Ano. Partindo do conceito de cultura política, tal como foi formulado por Serge Bernstein, pretende-se analisar a produção de Arthur nos anos subseqüentes à mudança do regime, à luz do contexto social e teatral experimentado pelo autor, articulando suas escolhas políticas e a cultura da época à obra por ele deixada.

Dinâmica populacional e caracterização conquiliomorfológica de Diplodon ellipticus Spix in Wagner, 1827 (Bivalvia: Unionoida: Hyriidae) da lagoa dos Caiçaras (Piraí, Rio de Janeiro, Brasil)

No presente estudo monitoramos uma população de Diplodon ellipticus Spix in Wagner, 1827 da lagoa dos Caiçaras, Piraí, Rio de Janeiro, e avaliamos alguns aspectos conquiliomorfológicos da larva e do adulto, a relação peso-comprimento, os padrões populacionais tais como crescimento, mortalidade e expectativa de vida, e o ciclo larval. Amostragens mensais foram realizadas de novembro/2012 a novembro/2013 em três pontos da lagoa. Em cada ponto, definimos uma area de 15 m2, que foi subdividida em 15 quadrados de 1m2 cada. Os bivalves foram procurados por três coletores, usando mãos e pés, totalizando 45 minutos de coleta/área. Posteriormente, foram medidos com um paquímetro em relação ao comprimento total, marcados e devolvidos a lagoa. Quinze bivalves foram coletados e analisados em laboratório durante dois anos. Os fatores abióticos (condutividade, temperatura da água, temperatura do ambiente, umidade, pH e oxigênio dissolvido) foram mensurados e amostragens do sedimento e da água foram realizados em cada ponto. Os indivíduos foram agrupados em classes de comprimento com intervalo de 2,0 mm para análise da estrutura de comprimento da população. Os parâmetros de curva de crescimento foram estimados pela rotina ELEFAN (distribuição de frequência) e pelo método de Gulland-Holt (marcação e recaptura), ambos no programa FISAT. A mortalidade foi calculada pelo método da curva de captura convertida em comprimento e a expectativa de vida foi calculada pela equação invertida de von Bertalanffy. Ao todo, 3474 bivalves foram marcados e 1849 recapturados, alguns deles mais de uma vez. O menor bivalve recapturado mediu 23,58 mm e foi recapturado 127 dias depois com 25,50 mm e o maior bivalve recapturado mediu 62,14 mm e foi recapturado 31 dias depois com 62,20 mm. Pelo método indireto analizamos 6922 bivalves com comprimentos variando de 11,37 a 62,49 mm. A maior frequência de comprimento foi encontrada em tamanhos intermediários de 44-46 mm, como foi observado em outras populações de Diplodon. A análise do crescimento, mortalidade e expectativa de vida foram similares em ambos os métodos, por isso, utilizamos em conjunto para ajustar a curva de crescimento da população. A relação peso-comprimento foi alta (r = 0,7-0,8). A avaliação do ciclo reprodutivo indica uma continuidade no desenvolvimento larval ao longo dos meses, à exceção de janeiro/2014. Contabilizamos um total de 54.617 gloquídios, havendo mais indivíduos grávidos com gloquídios (n=5) nos meses de julho e setembro de 2014. Padrão similar foi encontrado em outras espécies de bivalves de água doce, inclusive em Diplodon ellipticus no estado do Paraná. Os gloquídios maduros foram encontrados em amplitudes de temperaturas de 20,1-25,27C e acreditamos que a temperatura pode influenciar na liberação dos mesmos. Os bivalves com o maior e o menor número de gloquídios foram encontrados em novembro/2013 (n= 4759) e setembro/2014 (n= 212), respectivamente. A correlação entre o comprimento do marsúpio e o tamanho da ninhada foi testada pela primeira vez nesse gênero e foi significativa (r= 0,303 , p<0,05). As informações deste estudo são relevantes ao conhecimento da espécie e às futuras ações de gestão que tenham como objetivo preservar as espécies de Diplodon

亚洲南部球果蝠Sphaerias blanfordi(Thomas,1891)的亚种分化

球果蝠Sphaerias blanfordi(Thomas,1891)是亚洲南部喜马拉雅-印度支那地区的特有种,甚为罕见而少有报道.曾被认为是单型种,几乎无雄性特征的描述.蔡桂全和张遁治(1980)根据采自西藏东南部墨脱的2只雄性标本订了一亚种一墨脱亚种Sphaerias blanfordi motuoensis,其主要特征是颈下侧有一对灰黄色的圆形毛斑.中国科学院昆明动物研究所先后在云南西北部高黎贡山地区采获25号标本(9♂♂,16♀♀),发现球果蝠两性在外形上有明显的性别差异,雄性的颈下侧有一对圆形、灰黄色的刷状毛斑,但雌性均无;对比墨脱标本,认为墨脱亚种的鉴别特征不可靠,亚种不能成立.Lunde(2003)曾报道采自越南北部Mt.Tay Con Linh Ⅱ地区的43号标本,其前臂长和上犬齿外宽明显与印度、缅甸和云南西北部高黎贡山地区的标本不同,可能是真正的地理亚种.

Scanning electron microscopy of Aspidogaster ijimai Kawamura, 1913 and A-conchicola Baer, 1827 (Aspidogastrea, Aspidogastridae) with reference to their fish definitive-host specificity

Two species of aspidogastreans, namely Aspidogaster ijimai and A. conchicola, were studied by scanning electron microscopy. In nine lakes and an old river course, the Tian'ezhou oxbow, investigated in the flood plain of the Yangtze River, A. ijimai was obtained from the common carp (Cyprinus carpio) in three lakes, and A. conchicola from the black carp Mylopharyngodon piceus in three lakes and the oxbow. In none of the localities, however, were the two species found together. It is suggested that A. ijimai may be considered as a specialist parasite for the common carp, at least in the flood-plain lakes of the Yangtze River. The two parasites were similar in many aspects of their morphology. Their bodies can both be separated into a dorsal part and a ventral disc, with the body surface of the dorsal part elevated by transverse folds, and the disc subdivided into alveoli by transverse and longitudinal septa, although the number of alveoli was different in the two species. The depression on the ventral surface of the neck region was prominent for both species, and their ventral disc was covered densely with non-ciliated bulbous papillae. The position of mouth, osmo-regulatory pore and marginal organ was also similar for A. ijimai and A. conchicola. However, microridges in the trough of the folds in the neck region and numerous small pits on the upper part of the septa were found exclusively in A. ijimai, but uniciliated sensory papillae in A. conchicola.

Meibion Afradlon a Chymeriadau Eraill: Golwg ar y Dymer Delynegol, 1891-1940

Chapman, T. (2004). Meibion Afradlon a Chymeriadau Eraill: Golwg ar y Dymer Delynegol, 1891-1940. Caerdydd: Gwasg Prifysgol Cymru.

The Jesus Chapel in St Paul's Cathedral, London: a reconstruction of its appearance before the Reformation

New, Elizabeth, 'The Jesus Chapel in St Paul's Cathedral, London: a reconstruction of its appearance before the Reformation', Antiquaries Journal (2005) 85, pp.103-124 RAE2008

Indian and white in the Northwest : a history of Catholicity in Montana, 1831-1891 / by L.B. Palladino ; with an introduction by John B. Brondel.

http://www.archive.org/details/indianandwhite00palliala

John Ludwig Krapf : the explorer-missionary of northeastern Africa / by Paul E. Kretzmann.

http://www.archive.org/details/johnludwigkrapfe00kretiala

Life of St. Vincent of Paul, founder of the Congregation of the Mission and of the Sisters of Charity / M. Collet... ; translated from the French by a Catholic clergyman.

http://www.archive.org/details/lifeofstvincento00colluoft

Peace and Peacemaking in Paul Against the Backdrop of Greco-Roman Conceptions of Peace

Peace in the ancient world has been studied primarily from the perspective of pacifism and questions related to war and peace. This study employs a socio-historical method to determine how peace was understood in itself, not just with respect to war. It demonstrates that the Greco-Roman world viewed peace as brief periods of tranquility in an existence where conflict was the norm, while Paul regarded peace as the norm and conflict as an intrusive aberration. Through a historical and literary survey of Greco-Roman thought and culture, this study shows that myth, legend, religion, education, philosophy, and science created and perpetuated the idea that conflict was necessary for existence. Wars were fought to attain peace, which meant periods of calm, quiet, and security with respect to the gods, one's inner self, nature, others who are insiders, and others who are outsiders. Despite the desirability of peace, genuine peace was seldom experienced, and even then, only briefly, as underlying enmity persisted without resolution. While Paul supports the prevailing conception of peace as tranquility and felicity in relation to God, self, nature, and others, he differs as to the origin, attainment, and maintenance of peace. In Paul, peace originates in God and is graciously given to those who are justified and reconciled to God through Jesus Christ. God removes the enmity caused by sin and provides the indwelling Spirit to empower believers to think and behave in ways that promote and maintain peace. This study also examines how three social dynamics (honor-shame, patron-client, friendship-enmity) affect Paul's approach to conflict resolution with Philemon and Onesimus, Euodia and Syntyche, believers who are prosecuting one another in civil courts, and Peter. Rather than giving specific procedures for resolving conflict, Paul reinforces the believer's new identity in Christ and the implications of God's grace, love, and peace upon their thoughts, words, and behavior toward one another. Paul uses these three social dynamics to encourage believers in the right direction, but their ultimate accountability is to God. The study concludes with four strategic principles for educating the church and developing an atmosphere and attitude within the church for peacemaking.

The architecture of influence: Paul Rudolph's Art and Architecture Building at Yale

Focussing on Paul Rudolph’s Art & Architecture Building at Yale, this thesis demonstrates how the building synthesises the architect’s attitude to architectural education, urbanism and materiality. It tracks the evolution of the building from its origins – which bear a relationship to Rudolph’s pedagogical ideas – to later moments when its occupants and others reacted to it in a series of ways that could never have been foreseen. The A&A became the epicentre of the university’s counter culture movement before it was ravaged by a fire of undetermined origins. Arguably, it represents the last of its kind in American architecture, a turning point at the threshold of postmodernism. Using an archive that was only made available to researchers in 2009, this is the first study to draw extensively on the research files of the late architectural writer and educator, C. Ray Smith. Smith’s 1981 manuscript about the A&A entitled “The Biography of a Building,” was never published. The associated research files and transcripts of discussions with some thirty interviewees, including Rudolph, provide a previously unavailable wealth of information. Following Smith’s methodology, meetings were recorded with those involved in the A&A including, where possible, some of Smith’s original interviewees. When placed within other significant contexts – the physicality of the building itself as well as the literature which surrounds it – these previously untold accounts provide new perspectives and details, which deepen the understanding of the building and its place within architectural discourse. Issues revealed include the importance of the influence of Louis Kahn’s Yale Art Gallery and Yale’s Collegiate Gothic Campus on the building’s design. Following a tumultuous first fifty years, the A&A remains an integral part of the architectural education of Yale students and, furthermore, constitutes an important didactic tool for all students of architecture.

Corporeal prisons: dynamics of body and mise-en-scène in three films by Paul Schrader

This thesis focuses on the complex relationship between representations of the human body and the formal processes of mise-en-scène in three consecutive films by the writer-director Paul Schrader: American Gigolo (1980), Cat People (1982) and Mishima: A Life in Four Chapters (1985). While Schrader’s work has typically been critiqued under the broad category of masculinity in crisis (and often as a subset of the films of his more famous long-time collaborator, Martin Scorsese), I focus on a fiveyear early period of his filmography when he sought to explore his key themes of bodily crisis, fragmentation and alienation through an unusually intense focus upon the expressive potential of film form, specifically via the combined elements of colour, lighting, camerawork and production design. By approaching these three films as corporeal character studies of troubled figures whose emotional and psychosexual neurosis is experienced in and through the body, I will locate Schrader’s filmmaking process and style within the thematic and aesthetic contexts of both his own early film criticism and the European and Japanese art cinemas that he claims as his primary influence. In doing so, I will establish Schrader’s position as a director whose literary and theological background differentiated him from his peers of the postclassical Hollywood generation, and who thus continually sought to develop his own visual literacy through his relationship with the camera and his collaborations with more overtly style-oriented film artists. But instead of merely focusing on mise-en-scène to gain a formalist appreciation of these films, I mobilise stylistic analysis as a new critical approach towards the problematic discourses of identity and embodiment that have haunted Schrader’s career from the beginning. In particular, I argue that paying closer attention to Schrader’s formal choices sheds new light on how these films – which he approached as exercises in style – repeatedly deal with the volatile and unavoidably body-oriented categories of race, gender and sexuality. In the process, I argue that a formalist attentiveness to mise-en-scène can also provide valuable cultural insights into Schrader’s oeuvre.