997 resultados para Julkaise tai tuhoudu : johdatus tieteelliseen viestintään
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Par Luo Mu tang (alias deng), surnom Er nan li ren, avec préface de l'auteur (1597). Récit des expéditions maritimes de Zheng He, surnom San bao tai jian († 1431). Portraits au début de chaque livre. Gravé au pavillon Bu yue.20 livres (100 hui).
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Pièce rituelle composée par son fils Xu Yu.12 feuillets (incomplet).
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Sans nom d'auteur ; postface de Li Jiu piao (1636).
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Recueil de 13 pièces officielles de la rébellion, datées de 1851, 1852, 1853, avec une table.
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Contenant : 1° la table des décrets et pièces diverses comme dans le recueil précédent ; 2° un fragment de la Bible en Chinois 2e livre seulement, de Jacob jusqu'à (Moïse) publié par les Tai ping.
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20 scènes populaires, parlées et chantées ; édition de la salie Yu de.
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Même ouvrage ; manuscrit d'une écriture plus soignée ; manquent les figures et la table.
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Même ouvrage, sans figures ni table.
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Resumen basado en el que aporta la revista
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Este artículo tiene su origen en una solicitud de acercamiento del Tai-Chi al profesorado de Torrejón de Ardoz. A principios de primavera, durante varios días, tuvo lugar un encuentro para que el profesorado pudiera acercarse a este tema y practicar sus primeros elementos. El artículo expone en qué consiste este método, su historia, la práctica, su uso en China y la enseñanza del método.
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Although research in the field of performing arts has substantially advanced over the last century, the actor, in general, still needs a repertoire of specific references to guide or support his practice. But how the actor must work the material foundation of his art that is his own body? Starting from a prerogative of a idiosyncrasy that is part of theater, this study intend, from the description and reflection about one physical experience with the Tai Chi, to weave relations between this experience and the possible developments of acting preparation. This research is also aimed to highlight the elements of connection between the principles that rules Tai Chi and the body without organs, idealized by Artaud, with the perspective of pointing possible contributions for actors work. The work presented here refers to a qualitative study that considers the body experience in practice of Tai Chi as a reference to dialogue and reflect about the acting preparation. The process of acting preparation presupposes a constant redoing of the body by certain practices. My experience with Tai Chi within this research allowed me verify that the work from established body techniques could be a way of technical preparation for the actor. As the body conscience expands, Tai Chi promotes a greater freedom of creation and expression, giving the actor the possibility of experience the body without organs, the artistic equivalent of the daily body, present, conscious, the organic foundation of emotions, in wich it is possible the materiality of ideas
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Conselho Nacional de Desenvolvimento Científico e Tecnológico
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Introduction: The growth of the aged population in developing countries is fast. Cognitive, motion, metabolic and social injuries are associated to aging, which are potentially able to impair the quality of life of the elder population. A physical activity that provides a mental and physical welfare besides its importance to the good aging, therefore, the Tai Chi Chuan is considered an effi cient and cheap way to improve the quality of life and to reduce the physical alterations unchained by aging. Objective: To verify the effect of the Tai Chi Chuan of the quality of life, fl exibility and balance in elderly. Methods: Nine volunteers, three men (66.33 ± 13.32 years) and six women (68.67 ± 11.34 years) participated in the study. They performed the training of Tai Chi Chuan during 12 weeks, two times per week, with duration of one hour each session. The volunteers were evaluated at the beginning of the study and after the 12 weeks of training by means of the application of the questionnaire of quality of life SF-36, a scale of balance and the test to seat and to reach was applied to evaluate the fl exibility. Results: It was observed in the Tai Chi Chuan training improvement of the balance and fl exibility; however, the quality of life did not present signifi cant difference. Conclusion: These fi ndings allow us to conclude that the Tai Chi Chuan was effi cient in the improvement of the equilibrium and the fl exibility of elder people; however, it did not modify the Quality of Life of the studied population.