The Power of the Placement of Public Sculpture

The Power of the Placement of Public Sculpture explores the aesthetic effects public sculpture has on the environment around it. The work presented includes a discussion of case studies in select American and international communities. Relevance is brought to the topic through the documentation of the placement of a fabricated eight-foot avocado sculpture displayed on the University of Denver campus. Reflection on the experience exposes additional questions and demonstrates the importance of the placement of a public sculpture.

RELIGIOUS SCULPTURE OF THE CHILOÉ ARCHIPELAGO, FROM THE 17TH TO THE 21ST CENTURY

Despite its central role in religious life of the region, the sculptural tradition of the Southern Chilean Chiloé Archipelago, ranging from the 17th century to the present day, has been vastly understudied. Isidoro Vázquez de Acuña’s 1994 volume Santeria de Chiloe: ensayo y catastro remains the only catalogue of Chilote sculpture. Though the author includes photographs of a vast array of works, he does not attempt to place the sculptures within a chronology, or consider their place within the greater Latin American context. My thesis will place this group of works within a chronological and geographical context that reaches from the 16th century to the present day, connected to the artistic traditions of regions as far afield as Paraguay and Lima. I will first consider the works brought to the Archipelago by religious orders – the Jesuits and Franciscans – as well as influences on artistic style and religious culture throughout the 17th, 18th and 19th centuries. I will focus in particular on three works generally considered to be from the 17th and 18th centuries – the Virgin of Loreto at Achao, the Saint Michael at Castro, and the Jesus Nazareno of Caguach – using visual analysis and sifting through generations of primary and secondary sources to determine from where and when these sculptures came. With this investigation as a foundation, I will consider how they inspired vernacular sculptural expression and trace ‘family trees’ of vernacular works based on these precedents. Vernacular artistic traditions are often viewed as derivative and lacking in skill, but Chilote sculptors in fact engaged with a variety of outside influences and experimented with different sculptural styles. I will conclude by considering which aspects of these styles Chilote artists chose to incorporate into their own work, alter or exclude, artistic decisions that shed light on the Archipelago’s religious and cultural fabric.

Meštrović and Serbian sculpture /

Mode of access: Internet.

Poetry" sculpture on base of front facade flanking step

Albert Kahn, architect. Building completed 1924. Named James Burrill Angell Hall. Sometimes called Literary College. Interior ceiling decorations: Di Lorenzo Studios, N.Y. On verso: University of Michigan News Service

History" sculpture on base of front facade flanking step

Albert Kahn, architect. Building completed 1924. Named James Burrill Angell Hall. Sometimes called Literary College. Interior ceiling decorations: Di Lorenzo Studios, N.Y. On verso: University of Michigan News Service

Arts" sculpture on base of front facade flanking step

Albert Kahn, architect. Building completed 1924. Named James Burrill Angell Hall. Sometimes called Literary College. Interior ceiling decorations: Di Lorenzo Studios, N.Y. On verso: University of Michigan News Service

World War II Memorial Dedication June, 1950, eagle sculpture by Marshall Fredericks at Michigan Stadium

President Alexander Ruthven speaking at dedication ceremony.

Ann Arbor artist Catherine Spurr tests her "wind sculpture" for the UM Arts andCraftsmen Guild Fall Air Fair, Sept. 30 and Oct. 1 in and around the Michigan Union

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Dictionnaire des arts du dessin, la peinture, la sculpture, la gravure et l'architecture /

Mode of access: Internet.

Dix années du salon de peinture et de sculpture, 1879-1888 /

"Tirage à petit nombre, plus vingt-cinq exemplaires sur papier de hollande"--Half-title verso.

La sculpture florentine /

[v. 1] Les prédécesseurs de l'école florentine et la sculpture florentine au XIV siècle -- [v. 2] Première moitié du XVe siècle -- [v. 3] Seconde moitié du XVe siècle -- [v. 4] Le XVIe siècle et les successeurs de l'école florentine.

Grammaire des arts du dessin : architecture, sculpture, peinture /

Mode of access: Internet.

Deux musées de sculpture franc̜aise à l'époque de la Révolution.

"Addenda et corrigenda" tipped in.