[Archives de la Parole]. , Parable of the prodigal son : in mixed Baghelkhandi (C.P.) [i.e. Central Provinces], from Murwara / [Sir George Grierson], éd. ; Linguistic survey of India ; [Rai Bahadur Hiralal], voix

[Traditions. Asie. Inde. Madhya Pradesh. Baghelkhand]

[Archives de la Parole]. , Parable of the prodigal son in Chhattīsgaṛhī Hindī / [Sir George Grierson], éd. ; Linguistic survey of India ; [Mr. Ramanand, B.A., LL.B], voix

[Traditions. Asie. Inde. Madhya Pradesh. Chhattisgarh]

Translating from India and the Moving Space of Translation (Illustrated by the Works of Ajñeya)

The inadequacies and obsolescence of Eurocentric theories based on a binaryand static worldview have become a staple topic of postcolonial studies, and tosome extent also of translation studies. Nonetheless, the literary texts that arecalled upon in order to show the dynamism and hybridity of (post)modern worksbelong for the most part to the languages of the former colonial powers, especiallyEnglish, and remain inserted in a system that construes literatures interms of opposition. As a consequence, there is outside India a doubly misleadingunderstanding of Indian literatures other than those written in English:firstly, that translations of works in Hindi and in the Indian bhāṣā seem to belacking, if not inexistent, and secondly, that these "minor" literatures - as theyare regularly termed - are still often viewed as being highly dependent on theidea of "tradition," in opposition to the "postmodern" hybridity of the literatureswritten in the "dominant" languages, such as English or French. Againstthese views and supported by the analysis of Ajñeya's works in Hindi togetherwith their English translations, this paper aims to show: 1) that translationsfrom Hindi, which are not in fact non-existent, are mainly carried out in India,and 2) that Ajñeya's works, while representing a significant instance of the effectivehybridity present in Indian literatures, help to illustrate the moving spaceof translation. This demonstration effectively invalidates the above-mentionedoppositional standpoint.

[Archives de la Parole]. , Jhijit khambag (Hindustani Song) / William Sinkler Darby, collecteur ; Dijendra Nath Bagchi [i.e. Babu Dejendra Nath Bagchi], chant ; accompagnement instrumental (tablâ, flûte et harmonium indien)

[Traditions. Asie. Inde]

[Archives de la Parole]. , Bhairobi (Hindustani Song) / William Sinkler Darby, collecteur ; Abdool Gafoor [i.e. Ustad Abdul Gafur], chant ; accompagnement instrumental (tabla, flûte et harmonium?)

[Traditions. Asie. Inde]

Apprentissage du français comme langue étrangère (L3+) par des étudiants indiens

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal.

RAJBHASHA KARYANVAYAN AUR RAJBHASHA PRABANDHAN

Department of Hindi, Cochin University of Science and Technology

Samakaleen Narivadi Upanyas : Ek adhyayan

Department of Hindi, Cochin University of Science and Technology

Samakaleen Kahani Ka Samajsastreeya Adhyayan

Department of Hindi, Cochin University of Science and Technology

Azgar Vajahat ki rachanaom mein samajik chetana : Ek vishleshanatmak Adhyayan

Department of Hindi, Cochin University of Science and Technology