Memoirs relative to Egypt : written in that country during the campaigns of General Bonaparte, in the years 1798 and 1799, by the learned and scientific men who accompanied the French Expedition : published in Paris by authority.

Signatures: [A]⁴ B-2F⁸ 2G⁶ [2H]².

Memoirs of Count Lally, from his embarking for the East Indies, as Commander in Chief of the French forces in that country, to his being sent prisoner of war to England, after the surrender of Pondichery : consisting of pieces written by himself and addressed to his judges, in answer to the charges brought against him by the attorney general of his Most Christian Majesty ... to which are added accounts of the prior part of his life, his condemnation, and execution; with such other pieces, (most of them produced on his trial) as were thought most necessary to illustrate his civil and military character.

Mode of access: Internet.

Letters written in France, in the summer 1790, to a friend in England: containing various anecdotes relative to the French Revolution; and Memoirs of Mons. and Madame Du F------.

Mode of access: Internet.

The south-sea sisters : a lyric masque, written for the opening of the Inter-colonial Exhibition of Australasia, 1866 : With translations into French and German verse /

Without the music.

The life of Lady Guion / written in French, by herself, now abridged, and translated into English. Exhibiting her eminent piety, charity, meekness, resignation, fortitude and stability; her labours, travels, sufferings and services, for the conversion of souls to God; and her great success, in some places, in that best of all employments on the earth. To which are added, accounts of the lives of worthy persons, whose memories were dear to Lady Guion.

"From an English edition, published at Bristol: with a few abridgements, etc."

An introduction to the reading of the Holy Scriptures : intended chiefly for young students in divinity ; written originally in French /

In introduction to the New Testament.

A tragedie of Abraham's sacrifice written in French

Mode of access: Internet.

Light on masonry : a collection of all the most important documents on the subject of speculative free masonry : embracing the reports of the Western committees in relation to the abduction of William Morgan : proceedings of conventions, orations, essays, &c &c : with all the degrees of the order conferred in a master's lodge, as written by Captain William Morgan ... : also, a revelation of all the degrees conferred in the lodge of perfecton and fifteen degrees of a still higher order with seven French degrees making forty-eight degrees of Free Masonry with notes and critical remarks /

Mode of access: Internet.

Bridge-street banditti, versus the press : report of the trial of Mary-Anne Carlile, for publishing A New-year's address to the reformers of Great Britain written by Richard Carlile; at the instance of the Constitutional Association, before Mr. Justice Best, and a special jury at the Court of King's Bench, Guildhall, London, July 24, 1821. With the nobel and effectual speech of Mr. Cooper, in defence, at large.

In: The Trials with the defences at large of Mrs. Jane Carlile. London : R. Carlile, 1825.

McKinney, Mark. Redrawing French Empire Comics. Columbus, The Ohio State University Press, 2013. 304 pages. 9780814212202

The history of France and its empires is one that has been well trodden, particularly the French occupation, and subsequent war, in Algeria. In this companion to his earlier work, 2011’s The Colonial Heritage of French Comics,McKinney attempts to examine the reconstruction of French national identity in the wake of decolonisation through the medium of Francophonecomics. He endeavours to study the colonial affrontier (3), the space in which France and its colonies are connected and divided, where they seek to confront each other, or to seek peace and the removal of the division. McKinney argues this affrontier can be found most strongly in the Francophone comics produced dealing with the French colonial experience in Algeria, as well as that of Indochina,and does so from both sides of each conflict. McKinney examines in detail the French colonisation of Algeria (1830sonwards), the French war in Indochina (1946–54) and the Algerian war (1954–62), and his work is the first to approach these well-covered areas of research through the medium of comics. The resulting work takes the form of an investigation into the five forms of genealogical inquiry utilised in comics regarding these conflicts. His approach investigates the familial, ethnic, national, artistic and critical forms of genealogy relating to colonialism and imperialism from a variety of viewpoints, including the previously overlooked perspective of the pieds noirs. He aims to highlight both those cartoonists that critique the colonial ideology, as well as those cartoonists who to some extent attempt to gloss over or even romanticise the French empire, strengthening the affrontier. He positions himself alongside Foucault in seeing genealogy as a useful means of establishing ‘historical knowledge of struggles’ (Foucault1980, 85), but McKinney looks at the colonial representation in a popular medium,including the recent increase in comics produced which consider the French colonial experience. He argues that this consideration of the present, as well as European imperialism, is absent in the work of Foucault. The text is accompanied by a number of black and white facsimiles of pages from the comics he analyses to illustrate the different and often conflicting positions of cartoonists on these issues. Overall, McKinney’s work is a welcome addition to the study of the French colonial experience, which separates its elf from the rest by using Francophonecomics as lenses through which to look at these already well-trodden areas of study. He succeeds in determining if and how cartoonists critique colonial ideology and representations on both sides of the conflicts, a task in which he is unarguably successful. McKinney’s work, however, is unfortunately let down by typo graphicerrors, which occur throughout the text.Nevertheless, McKinney’s work is another important work in the field of Bande Dessine ́e scholarship, and useful for anyone interested in the representations of colonialism and imperialism in French comics, accompanied by anencyclopaedic bibliography of comics produced on this topic.

Conjuring Canadas: Historians and the Quest to Define a Canadian Nation and its Past, 1920-1967

This dissertation examines the various ways in which Canadian historical researchers confronted the “Canada question,” namely the challenge of defining the basis of a unified national community. In doing so, it follows the scholarship and activities of a network of historians and intellectuals centred on the Canadian Historical Review, a quarterly publication founded in 1920. This study examines their scholarship with the aim of identifying not only the various solutions they posed to the problem, but also the philosophical undercurrents that informed their reasoning in the process. It also traces the rise of a rival network in the Revue d’histoire de l’Amérique française, a French-language historical publication founded in 1947 that by its very existence posed a significant challenge to the definition of the nation at the core of the Canadian Historical Review. This dissertation argues that the network bound together by the Review was engaged in a hegemonic project, one that sought to present a particular definition of Canada through a historical narrative that rested upon a liberal logic. Yet the greatest sustained challenge they faced in this endeavour emerged from Francophone historical scholars, who, although proposing vastly different Canadas to those imagined at the Canadian Historical Review, came under the sway of a number of liberal currents of thought as well. A detailed summary of the key traits of these liberal Canadas is found in the conclusion.

A look into diversity in the radio and music industry in Spain

UNESCO’s approval of the Convention on the Protection and Promotion of the Diversity of Cultural Expressions (UNESCO, 2005) has been an important element in catalyzing any attempt to measure the diversity of cultural industries (UIS, 2011). Within this framework, this article analyzes the relations between the music and radio industries in Spain from a critical perspective through the analysis of available data on recorded music offer and consumption (sales lists, radio-formula lists, the characteristics of the phonographic and radio markets) in different key moments due to the emergence of new formats and devices (CDS, Mp3, Internet).The main goal of this work is to study the evolution of the Spanish record market in terms of diversity from the end of the 1970s to the present, through the study of radio music hits lists and, the business structure of the phonographic and radio sectors, and phonograms top sales

Crisis Económica en África Occidental: el caso de Dakar, 1929-1939

En este artículo se explora el impacto socio-económico de la crisis internacional de 1929 en Senegal y más concretamente en la ciudad-puerto de Dakar. Se analizan las consecuencias de la dependencia externa y la extroversión económica que caracterizaba a las estructuras productivas coloniales, destacando también la respuesta organizada de los movimientos sociales africanos. Por otra parte, se estudia la evolución de las infraestructuras y actividad portuaria, observando la metropolización regional de Dakar durante este periodo.

The intertextual pilgrimage to Compostela in the Spanish nineteenth-century travel narratives written in French

Pilgrimage to Compostela was decreasing in the nineteenth century. This situation was still worse in France, where the number of pilgrims dwindled dramatically. In fact, there are not many travel narratives in this period, as no relevant French author showed any interest in this religious event. An analysis of these works reveals that the worship to Santiago was somehow considered by these authors a mere historical remnant with an aura of prestige. They allow almost no space for factual descriptions, and therefore used documentary sources to discuss the topic in their own texts. As a consequence, their knowledge of this universe became indirect and intertextual.