Quantização de partículas com spin

Pós-graduação em Física - IFT

Segmentação interativa de imagens utilizando competição e cooperação entre partículas

Pós-graduação em Ciência da Computação - IBILCE

A teoria da intencionalidade nas obras de Husserl e de Gurwitsch: entre fenomenologia transcendental e psicologia da Gestalt

Pós-graduação em Psicologia - FCLAS

A teoria da intencionalidade nas obras de Husserl e de Gurwitsch: entre fenomenologia transcendental e psicologia da Gestalt

Pós-graduação em Psicologia - FCLAS

Estimativas de taxas de sedimentação utilizando as partículas esferoidais carbonosas(SCPS) e eventos de ocupação humana na região da zona costeira Amazônica, Brasil

A queima de combustíveis fósseis é uma das atividades antrópicas mais importantes desde períodos remotos até os dias atuais. Assim, o estudo de indicadores de processos de combustão, em colunas sedimentares, possibilita estabelecer o histórico dos eventos de ocupação humana em uma região. As partículas esferoidais carbonosas (do inglês, Spheroidal Carbonaceous Particles, SCPs) são formadas de carbono elementar e geradas nos processos de queima de combustíveis fósseis. São partículas quimicamente estáveis e resistentes, não susceptíveis a alterações pósdeposicionais e degradação. Devido à ausência de fontes naturais, são associadas à deposição atmosférica de material antrópico. Assim, os registros dessas partículas possibilitam a associação com os principais eventos antrópicos. As principais variações na concentração das SCPs ao longo de um perfil vertical em conjunto com a data de ocorrência dos eventos de ocupação humana e industrial numa região podem ser utilizadas para estimar as taxas de sedimentação, servindo de subsidio para a obtenção um modelo geocronológico local.

Selección de sustrato de la Holothuria tubulosa en función del tamaño de las partículas

Holothuria tubulosa, cuando la concentración de materia orgánica es constante en el sedimento, muestra una clara preferencia por ambientes con arenas conformadas mayoritariamente por partículas gruesas. Esta tendencia a permanecer más tiempo en estos ambientes se corresponde igualmente con la composición granulométrica de sus excrementos, principalmente conformados por partículas propias de arenas gruesas o medias. Este patrón de selección positiva hacia un determinado grosor de sedimentos contrasta con la composición de las excreciones cuando estos animales se han alimentado en su medio natural. ABSTRACT: Holothuria tubulosa, when the rate of organic matter in the sediments is a constant, shows a clear preference to stay in sandy environments conformed by thick particles. This tendency to pass more time in these environments is also corresponded with the granulometric composition of its excrements, mainly constituted by particles of thick or medium sized sands. This positive selection pattern toward a specific size of the sediment grains contrast with the size composition of the excretions when this animals feed at their natural habitat.

"Narrativa di frontiera". Fenomenologia di una forma aperta.

«Fiction of frontier». Phenomenology of an open form/voice. Francesco Giustini’s PhD dissertation fits into a genre of research usually neglected by the literary criticism which nevertheless is arousing much interest in recent years: the relationship between Literature and Space. In this context, the specific issue of his work consists in the category of the Frontier including its several implications for the XX century fiction. The preliminary step, at the beginning of the first section of the dissertation, is a semantic analysis: with precision, Giustini describes the meaning of the word “frontier” here declined in a multiplicity of cultural, political and geographical contexts, starting from the American frontier of the pioneers who headed for the West, to the exotic frontiers of the world, with whose the imperialistic colonization has come into contact; from the semi-uninhabited areas like deserts, highlands and virgin forests, to the ethnic frontiers between Indian and white people in South America, since the internal frontiers of the Countries like those ones between the District and the Capital City, the Centre and the Outskirts. In the next step, Giustini wants to focus on a real “ myth of the frontier”, able to nourish cultural and literary imagination. Indeed, the literature has told and chosen the frontier as the scenery for many stories; especially in the 20th Century it made the frontier a problematic space in the light of events and changes that have transformed the perception of space and our relationship with it. Therefore, the dissertation proposes a critical category, it traces the hallmarks of a specific literary phenomenon defined “ Fiction of the frontier” ,present in many literary traditions during the 20th Century. The term “Fiction” (not “Literature” or “Poetics”) does not define a genre but rather a “procedure”, focusing on a constant issue pointed out from the texts examined in this work : the strong call to the act of narration and to its oral traditions. The “Fiction of the Frontier” is perceived as an approach to the world, a way of watching and feeling the objects, an emotion that is lived and told through the story- a story where the narrator ,through his body and his voice, takes the rule of the witness. The following parts, that have an analytic style, are constructed on the basis of this theoretical and methodological reflection. The second section gives a wide range of examples into we can find the figure and the myth of the frontier through the textual analysis which range over several literary traditions. Starting from monographic chapters (Garcia Marquez, Callado, McCarthy), to the comparative reading of couples of texts (Calvino and Verga Llosa, Buzzati and Coetzee, Arguedas and Rulfo). The selection of texts is introduced so as to underline a particular aspect or a form of the frontier at every reading. This section is articulated into thematic voices which recall some actions that can be taken into the ambiguous and liminal space of the frontier (to communicate, to wait, to “trans-culturate”, to imagine, to live in, to not-live in). In this phenomenology, the frontier comes to the light as a physical and concrete element or as a cultural, imaginary, linguistic, ethnic and existential category. In the end, the third section is centered on a more defined and elaborated analysis of two authors, considered as fundamental for the comprehension of the “Fiction of the frontier”: Joseph Conrad and João Guimarães Rosa. Even if they are very different, being part of unlike literary traditions, these two authors show many connections which are pointed by the comparative analysis. Maybe Conrad is the first author that understand the feeling of the frontier , freeing himself from the adventure romance and from the exotic nineteenthcentury tradition. João Guimarães Rosa, in his turn, is the great narrator of Brazilian and South American frontier, he is the man of sertão and of endless spaces of the Centre of Brazil. His production is strongly linked to that one belonged to the author of Heart of Darkness.