Los Martires de Toledo y Texedor Palomeque [Texto impreso] : comedia famosa

Subtít. precede al tít

La Toma de San Felipe por las armas españolas [Texto impreso] : comedia nueva de theatro que se represento por las dos compañias de comicos de ... Madrid ... el dia quatro de agosto de 1782 en obsequio del ... Conde de Artois ...

Sign. : []4, B-F4

El asombro de Xerez, Juana la Rabicortona [Texto impreso] : segunda parte : comedia famosa

"Comedia famosa" precede al tit

El mejor alcalde el rey [Texto impreso] : comedia

Subtít. precede al tít

El Negro del cuerpo blanco y el Esclavo de su honra [Texto impreso]

Subtit. precede a tít

Glorias de Jesus cautivo y prodigios del rescate [Texto impreso] : historia de la ... de Acevedo ..

Hay un ejemplar encuadernado con: Breve descripcion de las fiestas que hizo el Real Convento de Predicadores de Valencia en la beatificacion del B. Juan de Ribera. Y sermón que predicó ... Luis Ballester, prior del mismo convento. (XVIII/4277).

Terentij Christiani pars secunda : qua continentur sacrae comoediae sex Susanna, Daniel, Triumphus Christi, Typhlus, Pentecoste, Ananias /

Mode of access: Internet.

De l'art de la comédie, ou Détail raisonné des diverses parties de la comédie, et de ses différents genres : suivi d'un traité de l'imitation où l'on compare à leurs originaux les imitations de Moliere & celles des Modernes ... /

Mode of access: Internet.

De l'art de la comédie, ou Détail raisonné des diverses parties de la comédie, et de ses différents genres : suivi d'un traité de l'imitation où l'on compare à leurs originaux les imitations de Moliere & celles des Modernes ... /

Mode of access: Internet.

Early mysteries, and other Latin poems of the twelfth and thirteenth centuries /

Latin text and notes.

Early mysteries, and other Latin poems of the twelfth and thirteenth centuries: ed. from the original manuscripts in the British Museum, and the libraries of Oxford, Cambridge, Paris, and Vienna.

A cancel of p. [29]-30, "Interfectio puerorum," is inserted after the table of contents.

Le Théâtre.

Jan. 1898 to June 1914 called [1]-17. année. no. 1-372.

Aspectos pedagógicos do desenho animado infantil Bob esponja

Este estudo teve como objetivo refletir sobre a importância de se entender o desenho animado para publico infantil para além do entretenimento, como rica fonte de apreensão de significados. O desenho animado escolhido para análise foi o infantil "Bob esponja", que apresenta elementos típicos da comédia como simplicidade, exagero, inconveniência e irreverência. O trabalho foi construído pela escolha de quatro episódios, selecionados por apresentarem enredos que tratavam dos temas família (Beijos da vovó); mentira (Chocolate com nozes); doença (Espuma) e disputa (Jogos do mestre-cuca) e sua intersecção com a fundamentação teórica oferecida pela análise do discurso; aspectos da linguagem audiovisual e considerações sobre as relações existentes entre o público infantil e a TV. Através da leitura do discurso dos episódios selecionados foi possível a verificação da presença de traços de um discurso pedagógico fundido no macro discurso do entretenimento.(AU)

O figurino na narrativa dos filmes de Guel Arraes: O Auto da Compadecida (2000) e O Bem Amado (2010)

This research focuses on the course of Guel Arraes, moviemaker, and picks two movies for analysis: O Auto da Compadecida (2000) and O Bem Amado (2010), as well as their costumes. The focus on the costume is based on Semiology and aims to decode the meanings that stem out of the clothes. Three of the movies characters will have their costumes analyzed based on Roland Barthes’ theory, mainly considering semiology elements (language and speech), (significant and meaning) and (system and syntagma). The influence of the Armorial movement into the movie O Auto da Compadecida and the Kitsch aesthetic in O Bem Amado deserve consideration, aside from the study on costumes function within narrative, supported by Roland Barthes’ structural analysis of the narrative. We sought to highlight the balance between characters’ lines and the image of the costumes in the movies. Adding to the study on how costumes strongly accounts to narrative, we observed characteristic traits of director and scriptwriter Guel Arraes present in his works, which are the northeastern man identity, a presentation of the Northeast and popular comedy. We believe that his choices when creating and his life influences are not separate from one another. Our research was movie-appraisal centered and had a thorough investigation all over language. The main considerations are supported by the following theories: Barthes (2007), Figueirôa and Fechine (2008), Moles (2001), Stuart Hall (2005) and Mikhail Bakhtin (2013).

O teatro de Elias Canetti em diálogo com a pós-modernidade

The purpose of this dissertation is to analyse the dramaturgic work of the Bulgarian author Elias Canetti, composed by the plays The Wedding, Comedy of Vanity and Their Days are Numbered, seeking to comprehend how the contemporary critic theories act on his trilogy, making a dialogue with theoretical references which may justify its approaching to the postmodernism. In this perspective, the theories by Jean-François Lyotard, Fredric Jameson and Jürgen Habermas contribute for a better comprehension of the postmodernity phenomenon. Undertaking Canetti’s notes and theatre with the philosophical concepts of Adorno’s negative aesthetics, we realise there is a space to reflect upon the theories which befell, like Foucault’s power relations in Micro-physics of Power and the discourses of resistance and deterritorialisation developed by Deleuze and Guattari in A Thousand Plateau and Anti-Oedipus. Even though Canetti’s plays were written between 1932 and 1956, all of them show a strong critic against modernism, and their characteristics did not help their recognition by the critics, which resulted in a rediscovery of Canetti’s plays after the author won the Nobel Prize in 1981.