989 resultados para Carter, Jimmy , American president, born 1924


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La tesis se centra en el análisis de 356 números de la revista El Arquitecto Peruano publicados entre 1937 y 1977. La revista fue fundada en agosto de 1937 por Fernando Belaúnde Terry, arquitecto graduado en la University of Texas at Austin en 1935 quien la dirigió por 25 años hasta marzo de 1963. Desde abril de 1963 la dirige Miguel Cruchaga Belaunde. Durante esta última etapa la revista deja de ser regular, publicándose intermitentemente con varios años sin editarse, hasta desaparecer finalmente en 1977. La revista es la publicación periódica de arquitectura más importante del siglo XX en el Perú. La investigación ubica a la revista en el contexto nacional donde se desarrolló vinculando además los diversos eventos de la arquitectura y el urbanismo del panorama internacional sucedidos durante las tres décadas de estudio. El trabajo empieza por establecer una secuencia de periodos. Esta se basa en la identificación de una estructura fija existente en la revista conformada por las secciones permanentes. Una paulatina inserción de secciones temporales fue complementando y detallando nuevas temáticas y contenidos generando variantes de la estructura fija a lo largo del tiempo. Como resultado de este proceso se reconocen 5 periodos vinculados a una serie de temas vertebrales durante la dirección de Fernando Belaunde: Periodo 1 (Agosto de 1937 a marzo de 1942). Vivienda Unifamiliar. Periodo 2 (Abril de 1942 a mayo de 1944). Urbanismo moderno. Periodo 3 (Junio de 1944 a diciembre de 1949). Vivienda Colectiva. Periodo 4 (Enero-febrero de 1950 a enero-febrero de 1956). Proyectos y obras. Periodo 5 (Marzo-abril de 1956 a enero-febrero-marzo de 1963). Territorio. Los años finales bajo la dirección de Miguel Cruchaga conforman el último Periodo. En la década de los treinta, durante el primer periodo se analiza el rol que un grupo de revistas de arquitectura europeas y norteamericanas tuvieron en la construcción formal y temática de El Arquitecto Peruano. En sus inicios existen influencias de The Architectural Forum, The American Architect, Architecture, California Arts and Architecture y Architectural Digest . Y junto a estas, las revistas alemanas Moderne Bauformen e Innen Dekoration. A raíz de la Segunda Guerra Mundial, las referencias a las revistas alemanas desaparecen y las relaciones con Estados Unidos se intensifican por la posición del Perú dentro del área de influencia norteamericana. El canal de las revistas no fue el único medio de influencia, durante los años cuarenta hubo un marco de apertura hacia Latinoamérica que incluyó viajes de cooperación de arquitectos norteamericanos por el sur del continente. Como parte de estos vínculos, en 1945 Paul Lester Wiener de Town Planning Associates y Richard Neutra, - ambos miembros del CIAM y el segundo Presidente del CIAM USA- prestaron asistencia a la iniciativa más importante promovida por la revista peruana, un proyecto de vivienda popular para obreros y empleados llamado el Plan Peruano. La revista tuvo siempre una fuerte actitud de cambio de la realidad existente en el medio peruano. Para modelar su nueva versión de la realidad instrumentó una serie de campañas de prensa. En la más importante utilizó las ideas del urbanismo moderno que circulaban durante la guerra nacidas en los CIAM de entreguerras. El Arquitecto Peruano aprovecha la coyuntura de los primeros años de la posguerra para canalizar sus iniciativas, tomando como modelo de su propuesta la idea de la Neighborhood Unit, convirtiéndolo en proyecto y finalmente construyendo la Unidad Vecinal N°3, el proyecto de mayor escala asociado con la revista. A esta perspectiva favorable para las ideas vertidas por la publicación se une el hecho de que su Director, es elegido Diputado por Lima y es un miembro muy cercano al gobierno de turno que dio la cobertura legal y de gestión para cristalizar los proyectos desde 1945 hasta 1948. Durante este periodo se producen las propuestas de mayor alcance promovidas por Fernando Belaunde y difundidas por la revista, como el propio Plan Peruano de Vivienda, los Centros Climáticos de Invierno, el Plan Piloto de Lima y los Concursos de Vivienda popular. Existe un trabajo anterior sobre la revista, restringido al campo del urbanismo realizado en 1992 por el historiador Antonio Zapata y titulado El joven Belaunde: Historia de la revista El Arquitecto Peruano en donde se inclina el peso de la revista hacia la Vivienda Social y se señala a Walter Gropius como el arquitecto más influyente en la publicación. La presente tesis plantea que el Plan Peruano es la punta del iceberg, pero que todos estos proyectos relacionados con la revista, conforman un conjunto indisoluble y que el paquete completo tiene una directa influencia de proyectos, ideas y labor editorial de José Luis Sert desarrollada desde finales de los años veinte hasta los años cincuenta. Sus libros Can Our Cities Survive? , The Heart of the City y la revista del GATEPAC AC Documentos de Actividad Contemporánea tienen improntas claras en la revista peruana que atraviesan tres de los periodos propuestos. Durante la década de los cuarenta cuando Sert junto a Wiener fueron socios en Town Plannning Associates y tuvieron contacto directo con el director de la revista así como con los principales colaboradores, y durante la década posterior. A la luz de las evidencias analizadas, la figura de José Luis Sert emerge como la del arquitecto más influyente para la revista El Arquitecto Peruano a lo largo de todo su recorrido. ABSTRACT The thesis focuses on the analysis of 356 issues of the magazine El Arquitecto Peruano published between 1937 and 1977. The magazine was founded in august 1937 by Fernando Belaunde Terry, graduated from the University of Texas at Austin in 1935 who leaded it 25 years until March 1963. Since April 1963 was leaded by Miguel Cruchaga Belaunde. During this last stage the magazine ceases to be published on regular times, being published intermittently, unreleased several years, and finally disappear in 1977. El Arquitecto Peruano is the most important magazine of architecture of the twentieth century in Peru. The research located the magazine in the national context where was developed further by linking the various events of architecture and urbanism of the international scene occurred during the three decades of study. The research begins to establish a sequence of periods. This identification is based on a fixed structure existing in the journal formed by the permanent sections. A gradual insertion of temporary sections was complementing and detailing new themes and contents generating variants of the fixed structure over time. As a result of this process we recognize five periods linked to a series of central themes developed under the lead of Fernando Belaunde: Period 1 (September 1937 to March 1942): The Small House. Period 2 (April 1942 to May 1944). Modern urbanism. Period 3 (June 1944 to December 1949). Housing. Period 4 (January-February 1950 January-February 1956). Projects and Buildings. Period 5 (March-April 1956 January-February-March 1963). Territory. The final years under the direction of Miguel Cruchaga make the last Period. In the thirties, during the first period, is analyzed the role that a group of European and American magazines in architecture had in formal construction and thematic of the magazine. In the beginning there are influences of The Architectural Forum, The American Architect, Architecture, California Arts and Architecture and Architectural Digest. And along with these, the german magazine Moderne Bauformen and Innen Dekoration. Following World War II, the references to german magazines disappear and US relations are intensified by the position of Peru in the area of US influence. The magazines was not the only ways of influence, during the forties there was an open framework with Latin America that included cooperation trips of american architects on the south of the continent. As part of these links, in 1945 Paul Lester Wiener of Town Planning Associates and Richard Neutra, -both members of CIAM and the second President of the CIAM USAassisted the most important initiative promoted by the peruvian magazine, a popular housing project for workers and employees called El Plan Peruano. The magazine always has a strong attitude of change of the reality in the peruvian scene. To model the new version of reality created a series of media campaigns. In the biggest it used the ideas of modern urbanism that circulated during the war born in the CIAM of twenties and thirties. El Arquitecto Peruano take advantage of the situation of the early postwar years to direct their initiatives, modeled his proposal with the idea of Neighborhood Unit, making project and finally building the Unidad Vecinal N° 3, the larger scale project linked with the magazine. This favorable outlook for the ideas expressed by the publication joins the fact that its Director is elected deputy for Lima and is very close member to the current government who gave legal instruments and management to crystallize projects from 1945 to 1948. During this period of far-reaching proposals promoted by Fernando Belaunde and diffused by the magazine, as El Plan Peruano itself, the Centros Climaticos de Invierno, the Plan Piloto for Lima and the Concusos de Vivienda Popular. There is an earlier work on the magazine, restricted to the field of urbanism in 1992 by historian Antonio Zapata, entitled El Joven Belaunde: Historia de la revista El Arquitecto Peruano where the weight of the magazine leans Social Housing and notes Walter Gropius as the most influential architect in the publication. This thesis suggests that El Plan Peruano is the end of the iceberg, but these related projects to the magazine, form an inseparable whole and that the whole package has a direct influence of projects, ideas and editorial work of José Luis Sert developed from late twenties to the fifties. His book Can Our Cities Survive? , The Heart of the City and the magazine of GATEPAC AC Documentos de Actividad Contemporanea have clear signs in the peruvian magazine cross three of the proposed periods. During the forties when Sert and Wiener were partners in Town Plannning Associates and had direct contact with the director of the magazine as well as with key colaborators, and during the following decade. In light of the evidence examined, the shape of José Luis Sert emerges as the most influential architect to the peruvian magazine along its entire route.

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Gregory, Richard Claxton “Dick” (Born, October 12, 1932, St. Louis, Mo.), African American comedian and civil rights activist whose social satire changed the way white Americans perceived African American comedians since he first performed in public. Gregory’s autobiography, Nigger, was published in 1963 prior to The assassination of President Kennedy, and became the number one best-selling book in America. Over the decades it has sold in excess of seven million copies. His choice for the title was explained in the forward, where Dick Gregory wrote a note to his mother. “Whenever you hear the word ‘Nigger’,” he said, “you’ll know their advertising my book.” In 1984 he founded Health Enterprises, Inc., a company that distributed weight loss products. In 1987 Gregory introduced the Slim-Safe Bahamian Diet, a powdered diet mix, which was immensely profitable. Economic losses caused in part by conflicts with his business partners led to his eviction from his home in 1992. Gregory remained active, however, and in 1996 returned to the stage in his critically acclaimed one-man show, Dick Gregory Live! The reviews of Gregory’s show compared him to the greatest stand-ups in the history of Broadway.

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Yearbook of Lincoln Institute and its later name Lincoln University (Jefferson City, Mo.) for the academic year 1923-1924.

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v.28-30 (1922-1924)

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Artemas Ward wrote this letter to Benjamin Stone on July 18, 1787, expressing his concern about the expense of his son, Henry Dana Ward's, imminent studies at Harvard. Ward complains to Stone about his own debts and the failure of the government to honor their financial obligations to him, and he also expresses hope that the President of Harvard will allow his son to spend part of his time "keeping a school" during his freshman and sophomore years, thus earning an income sufficient to pay for his studies. Ward also suggests that it might be preferable that his son board with a respectable family, rather than live at the College.

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Hector Orr began recording entries in this commonplace book during his first year as a student at Harvard and continued writing in the volume sporadically until 1804. The entries written while he was a student, from 1789 to 1792, include themes written on the following topics: Time, Discontent, Patriotism, Virtue, Conscience, Patience, Avarice, Compassion, Mortality, Self-knowledge, Benevolence, Morning, Anger, Profanity, Bribery, Autumn and Winter, Hermitage, Conscience and Anticipation. He also wrote detailed entries about the forensic disputations in which he and his classmates participated, explaining both the affirmative and negative positions. One of these disputations involved discussion of the Stamp Act, which was then quite recent history. Orr's entries about the disputations list the names of students involved and specify their position in the argument.

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The pamphlet-sized manuscript includes "The Book of Harvard" signed "Joseph Cummings, scriptis, Janr 7th 1767," an untitled two-page essay beginning, "Wisdom is ye Crown of life" and ending "Draught of Knowledge, let us with a laudable ambition, strive to excel each other in an ardent pursuit of Learning, then shall we raise to ourselves a monument of honest fame, which shall perish only in ye general wreak of nature," and on the last page, "An Accrostick" beginning "Jangling & Discord are thy Souls delight" and spelling out JAMES MITCHEL VARNUM dated July 3, 1767 and signed "The 3d edition revised & improved by Gove & Fogg."

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The diary and commonplace book of Perez Fobes is written on unlined pages in a notebook with a sewn binding at the top of the pages; only the edge of the original leather softcover remain. The volume holds handwritten entries added irregularly from August 23, 1759 until December 1760 while Fobes was a student at Harvard College. The topics range from the irreverent, to the mundane, to the theological and scientific. The notebook serves to chronicle both his daily activities, such as books he read, lectures he attended, and travel, as well as a place to note humorous sayings, transcribe book passages, or ponder religious ideas such as original sin. In the volume, Fobes devotes considerable space to the subject of astronomy, and drew a picture of the "The Solar System Serundum Coper[nici] with the Or[bit] of 5 Remarkable Comets." At the back of the book, on unattached pages is a short personal dictionary for the letters A-K kept by Fobes.

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The bound volume contains excerpts copied by Benjamin Wadsworth from books he read as a student at Harvard in the late 1760s. The volume includes almost no personal commentary on the readings. The excerpts are arranged by year of study for the academic years 1766-1769, beginning when Wadsworth was a sophomore. Each entry begins with a title indicating the book title and author for the passage, and there is an alphabetical index at the end of the volume. Wadsworth selected “extracts” from both religious and secular texts including several histories of England, American histories (with a focus on Puritans), the Bible, and in his senior year, “the Koran of Mohammed.” He also read several books on the art of speech and the art of preaching. There are few science texts included, though the final five-page entry is titled, “What I thought fit to note down from Mr. Winthrop’s experimental Lectures” and contains notes both on the content of Professor John Winthrop’s lectures as well as the types of experiments being performed in class. Wadsworth’s commonplace book offers a window on the state of higher education in the eighteenth century and offers a firsthand account of academic life at Harvard College.

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These two handwritten letters by Timothy Pickering were written on February 14, 1797 and June 14, 1798 to his brother John Pickering and his father Timothy Pickering, respectively. The letter to his brother, John, discusses mutual friends, classmate Thomas Lee, and John’s recent attendance at a sermon by Dr. Joseph Priestley. The letter from Timothy to his father includes a discussion of Timothy’s expenses and the amount of money needed to pay his debts, a request for new shoes for commencement, the news of Timothy’s invitation to join honor society Phi Beta Kappa, and a few comments on his forensics course at Harvard.

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The purpose of this study was to examine the birthplace and relative age effects in National Football League (NFL) players. The place and date of birth of NFL players in the United States were analyzed with Monte Carlo simulations to determine if either factor was predictive of the probability of reaching the elite level in this sport. Consistent with previous findings on professional North American athletes in baseball, ice hockey, basketball, and golf, players born in cities with populations of less than 500,000 were significantly over-represented in the NFL, whereas players born in cities with populations over 500,000 were significantly under-represented. Unlike many other sports, no relative age effects were found for the NFL. Small cities, in particular, appeared to possess characteristics that facilitate the development and/or emergence of athletic talent in American football. Possible psychosocial factors mediating the birthplace effect are discussed as are implications for the development of sporting expertise.

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14x10 cm. engraving. Engraved for Bernard's American journal of education/

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Title from cover.