997 resultados para Barnes, Martha.
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Los últimos textos de Martha Nussbaum representan un esfuerzo por presentar una versión del enfoque de las capacidades que se enmarque dentro del liberalismo político rawlsiano. El objetivo de este artículo es mostrar que esta vinculación es defectuosa porque, en primer lugar, los desacuerdos morales profundos entre los ciudadanos son disueltos por medio de una petición de principio y porque, en segundo término, la estabilidad política no se halla suficientemente garantizada.
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Fil: Girbal Blacha, Noemí María. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.
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Handwritten order to John Sale to pay scholarship funds to Martha Thayer for use by her son Andrew Eliot Thayer (Harvard AB 1803), signed by William Emerson, David Tilden, and James Morrill.
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Handwritten order to John Sale to pay scholarship funds to Martha Thayer for use by her son Andrew Eliot Thayer (Harvard AB 1803), signed by William Emerson, David Tilden, and James Morrill.
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This layer is a georeferenced raster image of the untitled, historic nautical chart: [Nantucket Island and the eastern end of Martha's Vineyard] (sheet originally published in 1776). The map is [sheet 14] from the Atlantic Neptune atlas Vol. 3 : Charts of the coast and harbors of New England, from surveys taken by Samuel Holland and published by J.F.W. Des Barres, 1781. Scale [ca. 1:54,000]. This layer is image 2 of 2 total images of the two sheet source map, representing the western portion of the map. Covers the eastern portion of Martha's Vineyard and a portion of Nantucket Sound. The image is georeferenced to the surface of the earth and fit to the 'World Mercator' (WGS 84) projected coordinate system. All map collar information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, or other information associated with the principal map. This map shows coastal features such as harbors, inlets, rocks, channels, points, coves, shoals, islands, and more. Includes also selected land features such as cities and towns. Relief is shown by hachures; depths by soundings and shading. Includes sailing notes. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection. The entire Atlantic Neptune atlas Vol. 3 : Charts of the coast and harbors of New England has been scanned and georeferenced as part of this selection.
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This layer is a georeferenced raster image of the untitled, historic nautical chart: [Nantucket Island and the eastern end of Martha's Vineyard] (sheet originally published in 1776). The map is [sheet 13] from the Atlantic Neptune atlas Vol. 3 : Charts of the coast and harbors of New England, from surveys taken by Samuel Holland and published by J.F.W. Des Barres, 1781. Scale [ca. 1:54,000]. This layer is image 1 of 2 total images of the two sheet source map, representing the eastern portion of the map. Cover Nantucket Island, Massachusetts and surroundings. The image is georeferenced to the surface of the earth and fit to the 'World Mercator' (WGS 84) projected coordinate system. All map collar information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, or other information associated with the principal map. This map shows coastal features such as harbors, inlets, rocks, channels, points, coves, shoals, islands, and more. Includes also selected land features such as cities and towns. Relief is shown by hachures; depths by soundings and shading. Includes sailing notes. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection. The entire Atlantic Neptune atlas Vol. 3 : Charts of the coast and harbors of New England has been scanned and georeferenced as part of this selection.
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This layer is a digital raster graphic of the historic 15-minute USGS topographic map of the Martha's Vineyard, Massachusetts quadrangle. The survey date (ground condition) of the original paper map is 1887, the edition date is 1894 and this map has a reprint date of January, 1898. A digital raster graphic (DRG) is a scanned image of a U.S. Geological Survey (USGS) standard series topographic map, including all map collar information. The image inside the map neatline is geo-referenced to the surface of the earth and fit to the Universal Transverse Mercator projection. The horizontal positional accuracy and datum of the DRG matches the accuracy and datum of the source map.
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Julian Barnes, Pat Barker, and Hanif Kureishi are all canonical authors whose fictions are widely believed to reflect the cultural and political state of a nation that is post-war, post-imperial and post-modern. While much has been written on how Barker’s and Kureishi’s early works in particular respond to and intervene in the presiding political narrative of the 1980s – Thatcherism – treatment of how revenants of Thatcherism have shaped these writers’ works from 1990 on has remained cursory. Thatcherism is more than an obvious historical reference point for Barker, Barnes, and Kureishi; their works demonstrate a sophisticated understanding of how Thatcher’s reworkings of the repertoires of Englishness – a representational as well as political and cultural endeavour – persist beyond her time in office. Barnes, Barker, and Kureishi seem to have reached the same conclusion as political and cultural critics: Thatcher and Thatcherism have remade not only the contemporary political and cultural landscapes but also the electorate and consequently the English themselves. Tony Blair’s conception of the New Britain proved less than satisfactory because contemporary repertoires of Englishness repeat and rework historical and not incidentally imperial formulations of England and Englishness rather than envision civic and populist formulations of renewal. Barnes’s England, England and Arthur & George confront the discourse of inevitability that has come to be attached to contemporary formulations of both political and cultural Englishness – both in terms of its predictable demise and its belated celebration. Kureishi’s The Buddha of Suburbia and “The Body” speak to an alteration that has taken place in which historical Englishness and Thatcherism have become complementary rather than contrasting discourses. What Barker’s Border Crossing and Double Vision offer against this backdrop is a subtle interrogation of how renewal itself comes to be a presiding mode of cultural reflection that absorbs revolutionary possibility.