San Nicolas el Magno arçobispo de Mira y patron de ciudad de Bari ... : flores historiales y panegiricas de su vida virtudes y milagros ... : sacadas de lo que dexaron escrito mas de quinientos autores ... de la historia que escrivió en lengua toscana, el Padre Antonio Beatillo de la Compañía de Iesus /

Jose Lucas de Lario tiene poder de imprimir y vender, según consta en privilegio.

Portraits et souvenirs littéraires /

Gérard de Nerval.-- Madame Émile de Girardin.-- Henri Heine.-- Charles Baudelaire.-- Achim d'Arnim.

Causeries du lundi, Portraits de femmes, et Portraits littéraires,

Madame Tatsu [par Sainte-Beuve]--Jugements et témolgnages sur Le Sage et sur Gill Blas [par Sainte-Beuve]--Notes et remarques [par Sainte-Beuve]--Lettre à Sainte-Beuve [par Prevost-Paradol]--Table des articles par ordre chronologique.--Table générale et analytique.

Le diable à Paris. Paris et les Parisiens. Mœurs et coutumes, caractères et portraits des habitants de Paris ... etc., etc.

"Le second volume de l'ouvrage, qui s'était vendu moins bien que le premier, a été remis en vente par les éditeurs sous le titre suivant: Le tiroir du diable."--Vicaire, Manuel.

Conjuration de Nicolas Gabrini dit De Rienzi, tyran de Rome en MCCCXLVII : ouvrage postume /

"Les incommodités de la grandeur, comédie héroïque": p. [377]-475.

Mantissa in volumen primum-[tertium] systematis vegetabilium Caroli a Linné : ex editione Joan. Jac. Roemer ... et Jos. Aug. Schultes /

Vol. 3: curantibus Jos. Aug. Schultes et Jul. Herm. Schultes.

Curso chimico del doctor Nicolas Lemery, en el qual se enseña el modo de hazer las operaciones mas usuales de la medicina ... /

Florilegio theorico-practico segundo curso quimico, con portadilla propia, [14], 477-632 p.

Curso chimico del doctor Nicolas Lemery, en el qual se enseña el modo de hazer las operaciones mas usuales de la medicina ... /

Florilegio theorico-practico segundo curso quimico, con portadilla propia, [14], 477-632 p.

Opere di Antonio Raffaello Mengs ... /

Includes index.

Conclusões de filosofia natural, sendo Presidente o P. Theodoro d'Almeida, da Congregação do Oratorio, e defendente José Marcellino, da mesma congregação, na Casa do Espirito Santo em Lisboa.

Mode of access: Internet.

Correspondance sur l'École impériale Polytechnique. Avril 1804-janvier 1816.

Mode of access: Internet.

Portraits des financiers ...

Includes bibliographical references.

Portraits littéraires /

--III. Théocrite. Virgile et Constantin le Grand, par m. J.-P. Rossignol. Francois Ier poëte. Le chevalier de Méré, ou De l'hommête homme au XVIIe siècle. Mademoiselle Aïssé. Benjamin Constant et madame de Charrière. Madame de Krüdner et ce qu'en aurait dit Saint-Évremond. M. de Rémusat. Charles Labitte. Réception de m. le comte Alfred de Vigny à lA̓cadémie française. M. Étienne. Réception de m. Vitet à lA̓cadeémie française. Lettres de Rancé. Mémoires de madame Staal-Delaunay. La̓bbé Prevost et les Bénédictins. M. Victor Cousin: Cours de lh̓istoire de la philosophie moderne. Sur lÉ̓cole françoise dA̓thènes. M. Rodolphe Topffer. Mort de m. Vinet. Études sur Pascal, par m. Vinet. Relation inédite de la dernière maladie de Louis XV. Pensées.

El conocimiento geopolítico de José Marini e a geopolítica clássica revisitada : o conceito de geopolítica, o seu objeto e método de estudo

Este artigo apresenta uma reflexão sobre os capítulos três e quatro da obra El Conocimiento Geopolítico do argentino José Felipe Marini “O objeto de estudo da geopolítica: o espaço geopolítico” e “O método geopolítico”. A geopolítica clássica e alguns dos seus autores – tais como Rudolf Kjéllen (1864-1922), Halford John Mackinder (1861-1947), Karl Haushofer (1869- 1946) e Friedrich Ratzel (1804-1904) – é igualmente revisitada e contextualizada quanto à origem e evolução da geopolítica, seu objeto e método.

Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’

In this paper I analyse UK artist Alison Jones’ sonic interventions Portrait of the Artist by Proxy (2008), Voyeurism by Proxy (2008) and Art, Lies and Audio Tapes (2009). In Portrait of the Artist by Proxy, Jones – who, due to deteriorating vision, has not seen her reflection in a mirror in years – asks and trusts participants to audio-describe her own image back to her. In Voyeurism by Proxy, Jones asks participants to audio-describe erotic drawings by Gustav Klimt. In Art, Lies and Audio Tapes, Jones asks participants to audio-describe other artworks, such as W.F. Yeames’ And When Did You Last see Your Father?. In these portraits by proxy, Jones opens her image, and other images, to interpretation. In doing so, Jones draws attention to the way sight is privileged as a mode of access to fixed, fundamental truths in Western culture – a mode assumed to be untainted by filters that skew perception of the object. “In a culture where vision is by far the dominant sense,” Jones says, “and as a visual artist with a visual impairment, I am reliant on audio-description …Inevitably, there are limitations imposed by language, time and the interpreter’s background knowledge of the subject viewed, as well as their personal bias of what is deemed important to impart in their description” . In these works, Jones strips these background knowledges, biases and assumptions bare. She reveals different perceptions, as well as tendencies or censor, edit or exaggerate descriptions. In this paper, I investigate how, by revealing unconscious biases, Jones’ works renders herself and her participants vulnerable to a change of perception. I also examine how Jones’ later editing of the audio-descriptions allows her to show the instabilities of sight, and, in Portrait of the Artist by Proxy, to reclaim authorship of her own image.