172 resultados para Antwerp
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No more Published.
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Mode of access: Internet.
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Photocopy.
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Mode of access: Internet.
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Signatures: *-**⁴ A-C⁴. *2 signed A2.
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Includes index.
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Mode of access: Internet.
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"The siege of Antwerp by the Prince of Parma": p. 95-135.
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1. Rapports.--2. Discussions.
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Includes indexes.
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None published 1914-18
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Vol.21-30 also called 2. ser., t.1-10; v.31-40, 3. ser., t.1-10; v.41-50, 4. ser., t.1-10; v.51-60, 5. ser., t.1-10; v.61-70, 6. ser., t.1-10; v.71-77, 7. ser., t.1-7
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E.F. Schumacher was one of the first scholars who recognized the crucial role of metaeconomics. In his "Small is beautiful" he writes: "The science of economics is 'so prone to usurp the rest' … because it relates to certain very strong drives of human nature, such as envy and greed. All the greater is the duty of its experts, the economists, to understand and clarify its limitations, that is to say, to understand meta-economics." (Schumacher, E. F. 1973: p. 38) Meta-economics is the basic assumptions about the subject-matter, value-orientation and methodology of economics. (Zsolnai, L. 1991) The paper attempts to reconstruct the metaeconomic foundation of mainstream economics and that of alternative economics initiated by Schumacher. It shows how the emerging alternative economics transcends the erroneous metaeconomic assumptions of mainstream economics by considering the total economic process, choosing sustainable livelihood as basic value-orientation, and employing a constructive methodology.
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An exhibition in the Dyson gallery with Tina O'Connell and Neal White, in association with Objectif Exhibitions, Antwerp. Tina O'Connell and Neal White present 9 Events, a series of experiments and observations, talks and films drawn from their on-going artistic interest in the raw resources that are a key index of wealth in a market based society - from oil to diamonds and gold. The work is made in the context of emerging ideas of environmental and geological change within the flood of unchecked global capital. As with other works and projects undertaken by the artists, the space is used as a platform through which temporality can be explored. In this sense, the use of the RCA's Dyson exhibition space and its wider context for the presentation on objects or artefacts is reconfigured through perspectives of energy, action and reaction, collapse and control, via simulation, derivation, extraction and exchange.
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For his first solo show in Belgium, British artist Neal White presents a range of recent and new work – some of them in collaboration with artist Tina O’Connell – that reflect his ongoing preoccupations with deep time and the spaces of art. OBJECTIF EXHIBITIONS is a not-for-profit institution devoted to the presentation of contemporary art, supported by the Flemish Community. Curated by Antony Hudek