[Portrait du boxeur Ercole de] Balzac : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60706

[Portrait du boxeur Ercole de] Balzac : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60707

[Portrait du boxeur Ercole de] Balzac : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60708

Mr Redmond-Howard [Louis George] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60795

De la literatura y la estadística a la apropiación territorial: análisis de la narración geográfica sobre las provincias del norte neogranadinas en la segunda mitad del siglo XIX

Las obras geográficas de Manuel Ancízar y Felipe Pérez dan cuenta de la manera en la que la élite intelectual neogranadina se apropió y representó el aspecto físico y humano de la nación al inicio y final de la Comisión Corográfica (1850-1859). Un análisis comparativo de las obras mostrará la manera en la que la narración literaria y la geográfica influyen en la elaboración de imaginarios territoriales para unificar la nación y consolidar la identidad nacional a partir de la apropiación territorial en la segunda mitad del siglo XIX

Níveis de proteína bruta e de energia metabolizável para frangas de postura semipesadas de 1 a 18 semanas de idade

The aim of this experiment was to evaluate the performance of commercial layers between 1 and 18 weeks of age submitted to different crude protein (CP) and metabolizable energy (ME) levels. The trial was carried out at the poultry sector of the Department of Animal Science, of the Centro de Ciencias Agrarias, Universidade Federal of Paraiba, Areia-PB, Brazil. Four hundred and thirty-two Lohmann Brown chicks were used at 3 days of age according to a completely randomized design in a 3 x 3 factorial scheme, with three CP levels and three ME levels. In the first phase (1-6 wk), the birds were fed with diets containing three levels of CP: 21, 22 or 23% CP and three levels of ME: 2,900, 3,000 and 3,100 kcal/kg diet. In the second phase (7-12 wk) and in the third phases (13-18 wk), CP levels of feeding were 18, 19 or 20%, and 16, 17 or 18%, respectively, and three ME levels being 2,700, 2,800 or 2,900 kcal ME/kg diet in these two phases. It was not found interaction between CP and ME levels. Based on the results obtained one recommends for the phases from 1 to 6, 7 to 12 and 13 to 18 weeks of age the levels of 21 % of CP and 2900 kcal of ME/kg diets, 20% of CP and 2700 kcal of ME/kg diets and 16% of CP and 2700 kcal of ME/kg diets respectively.

Evaluation of an inventory for the assessment of critical incidents involving football fans

Introduction: Fan violence is a frequent occurrence in Swiss football (Bundesamt für Polizei, 2015) leading to high costs for prevention and control (Mensch & Maurer, 2014). Various theories put forward an explanation of fan violence, such as the Elaborated Social Identity Model (Drury & Reicher, 2000)and the Aggravation Mitigation Model (Hylander & Guvå, 2010). Important observations from these theories are the multi-dimensional understanding of fan violence and the Dynamics occurring in the fan group. Nevertheless, none of them deal with critical incidents (CIs) which involve a tense atmosphere combined with a higher risk of fan violence. Schumacher Dimech, Brechbühl and Seiler (2015) tackled this gap in research and explored CIs where 43 defining criteria were identified and compiled in an integrated model of CIs. The defining criteria were categorised in four higher-order themes “antecedents” (e.g. a documented history of fan rivalry), “triggers” (e.g. the arrest of a fan), “reactions” (e.g. fans masking themselves) and “consequences” (e.g. fans avoiding communication with fan social workers). Methods: An inventory based on this model is being developed including these 43 criteria. In an exploratory phase, this inventory was presented as an online questionnaire and was completed by 143 individuals. Three main questions are examined: Firstly, the individual items are tested using descriptive analyses. An item analysis is conducted to test reliability, item difficulty and discriminatory power. Secondly, the model’s four higher-order themes are tested using exploratory factor analysis (EFA). Thirdly, differences between sub -groups are explored, such as gender and age-related differences. Results: Respondents rated the items’ importance as high and the quota of incomplete responses was not systematic. Two items were removed from the inventory because of low mean or a high rate of “don’t know”-responses. EFA produced a six-factor solution grouping items into match-related factors, repressive measures, fans’ delinquent behaviour, intra-group behaviour, communication and control and inter-group factors. The item “fans consume alcohol” could not be ordered into any category but was retained since literature accentuates this factor’s influence on fan violence. Analyses examining possible differences between groups are underway. Discussion: Results exploring the adequacy of this inventory assessing defining criteria of CIs in football are promising and thus further evaluative investigation is recommended. This inventory can be used in two ways: as a standardised instrument of assessment for experts evaluating specific CIs and as an instrument for exploring differences in perception and assessment of a CI e.g. gender and age differences, differences between interest groups and stakeholders.

Evaluation of an inventory for the assessment of critical incidents involving football fans

Introduction: Fan violence is a frequent occurrence in Swiss football (Bundesamt für Polizei, 2015) leading to high costs for prevention and control (Mensch & Maurer, 2014). Various theories put forward an explanation of fan violence, such as the Elaborated Social Identity Model (Drury & Reicher, 2000) and the Aggravation Mitigation Model (Hylander & Guvå, 2010). Important observations from these theories are the multi-dimensional understanding of fan violence and the dynamics occurring in the fan group. Nevertheless, none of them deal with critical incidents (CIs) which involve a tense atmosphere combined with a higher risk of fan violence. Schumacher Dimech, Brechbühl and Seiler (2015) tackled this gap in research and explored CIs where 43 defining criteria were identified and compiled in an integrated model of CIs. The defining criteria were categorised in four higher-order themes “antecedents” (e.g. a documented history of fan rivalry), “triggers” (e.g. the arrest of a fan), “reactions” (e.g. fans masking themselves) and “consequences” (e.g. fans avoiding communication with fan social workers). Methods: An inventory based on this model is being developed including these 43 criteria. In an exploratory phase, this inventory was presented as an online questionnaire and was completed by 143 individuals. Three main questions are examined: Firstly, the individual items are tested using descriptive analyses. An item analysis is conducted to test reliability, item difficulty and discriminatory power. Secondly, the model’s four higher-order themes are tested using exploratory factor analysis (EFA). Thirdly, differences between sub-groups are explored, such as gender and agerelated differences. Results: Respondents rated the items’ importance as high and the quota of incomplete responses was not systematic. Two items were removed from the inventory because of low mean or a high rate of “don’t know”-responses. EFA produced a six-factor solution grouping items into match-related factors, repressive measures, fans’ delinquent behaviour, intra-group behaviour, communication and control and inter-group factors. The item “fans consume alcohol” could not be ordered into any category but was retained since literature accentuates this factor’s influence on fan violence. Analyses examining possible differences between groups are underway. Discussion: Results exploring the adequacy of this inventory assessing defining criteria of CIs in football are promising and thus further evaluative investigation is recommended. This inventory can be used in two ways: as a standardised instrument of assessment for experts evaluating specific CIs and as an instrument for exploring differences in perception and assessment of a CI e.g. gender and age differences, differences between interest groups and stakeholders. References: Bundesamt für Polizei. (2015). Jahresbericht 2014. Kriminalitätsbekämpfung Bund. Lage, Massnahmen und Mittel [Electronic Version]. Drury, J., & Reicher, S. (2000). Collective action and psychological change. The emergence of new social identities. British Journal of Social Psychology, 39, 579-604. Hylander, I., & Guvå, G. (2010). Misunderstanding of out-group behaviour: Different interpretations of the same crowd events among police officers and demonstrators. Nordic Psychology, 62, 25-47. Schumacher-Dimech, A., Brechbühl, A. &, Seiler, R. (2016). Dynamics of critical incidents with potentially violent outcomes involving ultra fans: an explorative study. Sport in Society. Advance online publication. doi: 10.1080/17430437.2015.1133597

Estudio acústico y electroacústico de la sala 18 de Kinépolis (Madrid)

El objetivo de este proyecto se materializa en el diseño acústico y electroacústico de las salas de cine con número 18, 19, 20 y 21 del centro de cines Kinépolis situado en la Ciudad de la Imagen. Dichas salas son idénticas por lo que con el estudio y análisis de una se podrán extrapolar los resultados a las demás, por tanto a partir de ahora se realizará el diseño acústico y electroacústico centrado en la sala 18. Así pues se procederá a certificar que dicha sala cumple la norma THX. En dicho recinto se habrán aplicando con anterioridad diferentes técnicas de acondicionamiento sonoro (insonorización mediante el uso de materiales tanto absorbentes como reflectantes, arquitectura de la sala ), así como todos los acondicionamientos propios de un espacio de uso público cumpliendo las consiguientes normativas de seguridad. Se analizará la sala en su estado de partida mediante medidas acústicas in-situ tanto del tiempo de reverberación como del ruido de fondo, así como medidas espaciales con un medidor de alta precisión (láser); para posteriormente realizar las simulaciones en el programa EASE 4.01 de manera que la simulación sea lo más fidedigna posible. Estas medidas se realizarán de acuerdo a lo especificado en la norma UNE-EN ISO 3382. Cuando el comportamiento acústico del modelado de la sala sea el mismo que el de la sala real (respondan con el mismo Tiempo de Reverberación), mediante la introducción de los materiales adecuados y del ruido de fondo; se procederá al diseño electroacústico del equipo necesario para implementar el sistema de sonido multicanal Dolby (R). En el estudio electroacústico se distribuirán los diferentes altavoces que correctamente insertados ajustados sus niveles y retardos cubrirán con su señal uniformemente la sala cumpliendo los requisitos de la norma Dolby (R). Y finalmente una vez propuesto el sistema electroacústico y comprobado su correcto funcionamiento y por tanto el cumplimiento de la norma THX se propondrán mejoras en el sistema. Hay que señalar que aunque las recomendaciones THX son conocidas como norma THX no es una norma como tal, sino un conjunto de recomendaciones, que aconsejan utilizar una norma u otra para cada requisito. De ahora en adelante se referirá en este documento como norma THX. Se recuerda una vez más que dado que las salas son idénticas, y que las medidas realizadas en cada una de ellas son similares, se procederá en adelante al estudio de la sala única sala, la sala 18, siendo todos los estudios, análisis, comentarios y conclusiones aplicables a las otras 3 salas. Abstract The aim of this Project is the acoustic and electroacoustic design of the projection rooms 18th, 19th, 20th and 21st of the theater kinépolis, which is located at “Ciudad de la imagen”. These rooms are equal so with the studing and analazing of one of them , the results can be extrapolted from this one to the others, therefore as from now the and electroacoustic design will focus on the 18th room. As result the room will be certified that it comply with the standard THX. The starting point of the room will be analized such on-spot acoustical measures as the reverberation time and the noise level, in the same way the spatial measurements will be make with a precise laser meter, in order to perform simulations with the data obtained with the EASE 4.01 program. These mesurements should be made in accordance with the standard UNE-EN ISO 3382. Once the acoustical behavior of the simulated room became the same as the real room (the same reverberation times), through the configuration of the suitable materials and the background noise, previously measured, the electroacoustic design of the equipment necessary to develop the multichannel sound system Dolby (R) will be completed. In the electroacoustic design the sound power level and the dealys of the speakers and its amplifiers will be configurated till amplifiers provide an uniform coverage over the entire room in compliance with the Dolby (R) standard. Finally, once an electroacoustic system will be proposed and checked it works correctly in compliance with the THX standard, posible improvements will be identified. Abstract. Acoustic and electroacoustic study of the 18th room of the movie theater Kinépolis (Madrid) It must however be pointed out that although the THX standard is known as a standard it is actually a set of recommended practices made by Lucasfilm Ltd, anyway, from now on we will call it THX standard.

Museum of foreign literature, science and art.

Edited at first by Robert Walsh, Jr. and then by Eliakim and Squier Littell, the monthly Museum of Foreign Literature, Science, and Art was the leading American eclectic for twenty years. Much of its contents were selected from British magazines; included were reviews, poetry, literary and scientific news, biographical sketches of British authors, lists of new British publications, and articles on literature. The engraved portraits in each number were a popular feature. After 1830, plates were published regularly, and the magazine began to devote a large proportion of its space to serial fiction by Dickens, Reade, Bulwer, Thackeray and other popular English novelists.