980 resultados para 1996


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O presente trabalho servirá para informar sobre a produção anual de leite beneficiado no município de Rio Branco-AC. Estas informações foram coletadas em janeiro de 1997, junto aos laticínios, identificados de um a cinco, para evitar problemas de concorrência, pois o objetivo é levantar a quantidade de leite produzida e armazenar as informações em banco de dados da Embrapa Acre.

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Recenzje i sprawozdania z książek

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Recenzje i sprawozdania z książek

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Recenzje i sprawozdania z książek

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There are many bassoon competitions around the world- and one of the most famous is the Gillet competition, sponsored by the International Double Reed Society. In 1981, it was established as an annual event, the "Femand Gillet Bassoon Competition"- a title expanded in 2000 to the "Femand Gillet-Hugo Fox Bassoon Competition." My goal was to explore the history of the competition, the availability of the repertoire selected for each competition, and the difficulties performing each piece. Through this journey, I was able to discover the variety of material chosen and how it was used, the quality, value, and the importance of the repertoire in each competition. For example, Ferdinand David's Concertino op.12, the style of the piece provides romantic, operatic type lyricism, a flashy presto section and finale, makes it as a standard romantic piece in the bassoon repertoire; Otmar Nussio's Variations on an Air by Pergolesi, contains a slow theme and few diverse variations, which provides a contemporary style music with the traditional music form and descriptive quality. The result of learning this repertoire proves that different styles of music in the competition demonstrate the artistry of the bassoon repertoire and music history in relationship of the development of the instrument. My first dissertation recital featured: Concerto for Bassoon, K. 191 by Wolfgang Amadeus Mozart; Concertino by Marcel Bitsch; Metamorphoses by Leslie Bassett; and Sonatine by Alexandre Tansman. My second recital featured: Concerto in E minor, RV 484 by Antonio Vivaldi; On the Summer Map of Stars by Gordon Kerry; Concertino Opus12 by Ferdinand David; Elegie by Jacques Hetu; and Interferences by Roger Boutry. My third recital featured: Cello Suite No.2 in D minor, BWV1008 by Johann Sebastian Bach; Combinaciones: Sonatina para Fagot y Piano by Salvador Ranieri; Andante e Rondo Ungarese Opus 35 by Carl Maria von Weber; and Variations on an Air by Pergolesi for Bassoon and Piano by Otmar Nussio.

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A lo largo de esta lección hemos presentado una variedad de consideraciones interconectadas, cuyo objeto común ha sido la relación del número natural con los modos de pensamiento y de actuaciones prácticas de mujeres y hombres. Nuestra reflexión se ha centrado en tres elementos fundamentales:Unos instrumentos conceptuales: sistema de los números naturales, simbólicamente estructurado; su evolución histórica y su análisis conceptual.Los modos de uso de este sistema simbólico: funciones cognitivas, así como los estudios que se han propuesto delimitar y caracterizar tales funciones como parte del pensamiento humano, su evolución y las condiciones para su aprendizaje.Los campos de actuación: fenómenos, cuestiones y problemas, en los que se pone en práctica y se trabaja con este sistema; especial importancia hemos concedido a la reflexión crítica en relación con el período escolar.