192 resultados para significations


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Geografia - FCT

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A presente pesquisa investigou o processo de construção das Representações Sociais dos jovens egressos do Programa Saberes da Terra e PROJOVEM Campo – Saberes da Terra, do Município de Bragança-PA, sobre a sua condição juvenil do campo e suas relações com a proposta nacional de inclusão social, implementada em nível local pelo referido Programa. O estudo teve como referencial teórico metodológico as Representações Sociais, desenvolvidas pelo romeno Serge Moscovici (2009), Jodelet (2002), Marková (2003), Nascimento (2014), entre outros, que nos possibilitaram articular a abordagem processual ao campo sociocultural. A partir desse referencial construímos a lógica das dimensões que compõem a teia representacional deste estudo. Para tanto, seguimos os suportes indicativos de Jodelet (2001, 2009), sintetizados nas seguintes formulações: Quem Sabe? O que sabe? e Quais efeitos? e acrescentamos o Para quê?. Estes suportes fomentaram as dimensões e as estruturas de análise presentes neste estudo: 1) Ser Jovem do Campo no Campesinato Bragantino; 2) A Representação Social dos jovens egressos do Programa PROJOVEM Campo Saberes da Terra sobre a sua condição juvenil do campo; 3) Resignicações da condição juvenil do campo: análise da proposta de inclusão em nível local. Os sujeitos participantes da pesquisa foram 10 jovens, o coordenador Programa e os educadores. Para coleta do corpus da Pesquisa utilizamos como técnicas: Entrevista em Pauta e o Grupo Focal. Além das dimensões de análise utilizamos, para análise do corpus da pesquisa, a técnica do Discurso do Sujeito Coletivo de Lefevre e Lefevre, para destacarmos as objetivações e ancoragens. Na proposição da hipótese defendemos que o processo de construção das Representações Sociais dos jovens egressos do Programa PROJOVEM Campo Saberes da Terra, encontra-se vinculado aos limites da inclusão social, que se constitui na dialética da inclusão-exclusão própria do sistema capitalista. Os resultados revelam mudanças nas Representações dos Jovens que participaram do Programa PROJOVEM Campo Saberes da Terra sobre sua condição juvenil do campo, a partir da reconstrução do seu afeto positivo com a terra e com a ressignificação da agricultura familiar. Entretanto, mesmo reconhecendo que essas novas representações se constituíram pela experiência vivenciada no PROJOVEM Campo, na prática elas não se configuram em possibilidades de mudanças estruturais para o desenvolvimento do campo do Município de Bragança.

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This article mainly aims at addressing issues of the complexity and dynamics of beliefs in collaborative contexts for language teaching and learning, such as Teletandem. On the assumption that beliefs are dynamic and can be (re)signified, we present some of the results of a research about the interaction of beliefs of two Teletandem partners, a Brazilian and an Italian undergraduate student, addressing moments of convergence and divergence, as well as their possible origins and (re)significations from lived experiences. The results show how the Teletandem context can become a field for conflicts and clashes of beliefs and how the mediation as well as the relationship between the participants becomes essential for the conduction of language learning in collaborative environments.

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The objective of this paper is to introduce a model, called the Model of the System of Schemes of Actions and Operations on Symbols and Signs (MoSSAOSS), that articulates a systemic, systematic, and synthetic view of some of the principal theoretic and experimental results obtained by Piaget and his coworkers. Here, the term model means a schematic representation of experience, the relation of whose elements can be explored by means of logic and mathematics in order to deduce properties that correspond, in a sufficiently accurate form, to direct observable empirical properties. The MoSSAOSS model is intended to reveal in an abstract and simplified form, and through explicit hypothesis and definitions, the general structure and function of the System of Schemes of Actions and Operations on Symbols and Signs. It is this system that furnishes the elements that make possible the diverse structures necessary for the knowledge of the epistemic subject, the subject of knowledge, the stages in their construction, and the attribution of significations to objects, to situations, and to the actions and operations of the subject itself.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Ce travail cherche montrer quelques caractéristiques de la Poésie Visuel, expresion artistique qui melange le langage verbal et le langage visuel à tel point qu´on ne peut pas afirmer une classification appuyée sur les genres traditionnels. Aprés une curte presentation des chemins et des points polémiques de cette esthétique, on analyse comme exemple deux compositions sorties de le grand réseau de communication de l´Art Postal qui est né les années soixante et survit aujourd´hui avec intensité. L´Art Postal a une structure fondé sur la simultanéité de l´information que ressamble à la forme de la poésie visuel. Cettes compositions contemporaines sont confrontées à la tradition du poème visuel qui commence peut-être à l´époque des premiers écrits de hiéroglyphe. Elles sont analysées, donc, dans son originalité. A partir des analyses realisées dans le but de révéler les significations, on arrive à la question proposé par Wilcon Joia Pereira : la nécessité de se comprendre d´une façon nouvelle les expériences esthétiques oú les mots deviennent des images

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Based on sound and video synesthetic possibilities, we seek for the same possibilities on drawings and photographs by treating these in image editing softwares. The resulting montages of this final college work tend to manifest and evoke sensations in which all the human senses work as ways of understanding significations

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The means of mass communication are powerful tools to the spread of a concept as persuasion is a strong characteristic of discourses that gather around the sphere of communication, especially in advertising discourses. By the end of the 90’s, the advertisement “Down: the worst syndrome is prejudice”, did great success approaching prejudice / pre-concept in a subtle and innovative way, due its outstanding purpose and style inserting two boys in a carousel, one is a street child, the other a Down syndrome patient. The advertisement reveals a speak project of diffusion and spread of ideas that down syndrome patients are capable of dealing and supporting a routine full of activities, making a opposition to the campaigns and ideas that, in spite of raising the respect towards these kids, only contributed with the attenuation of their handicaps. Our objective is to investigate the presence of these social values in the quoted audio-visual material, and for that we’ve searched the contextualization of the advertisement in its own time period. The theory and methodological aspects got their base in Bakhtinian studies and concepts; we used the concepts of discourse gender, chronotope and mainly dialogism and enunciation. We analyzed the style utilized in the advertisement, the dialogue between the politically correct and the prejudice speeches, the verbal discourse of the music that flows with the progress of the enunciation, the non-verbal discourse of the photography (nostalgic, producing effects of sense in its relation with memory), the chronotope present in the utilization of the carousel and its significations. We concluded that the accession of the recipient, in it responsive comprehension of the enunciation at hand, is an effect produced by the well-succeded addition of these different types of discourses

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Pós-graduação em Letras - FCLAS

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Besides producing a vast literary work, Angela Carter (1940-1992) participated of the screenplay’s production for two movies based on her books, The Company of Wolves and The Magic Toyshop. Either through the influence that cinema had in her life or through the very own style of her writing, the relation of the British author with the seventh art is visible. Considering the importance of significations in literary works, this paper proposes a comparative study between Angela Carter’s The Magic Toyshop (1967) and the film of the same title, based on Carter’s novel, directed by David Wheatley and produced by Granada Television, in 1987. Based on Tania Carvalhal’s conception about intertextuality and film theories, the focus of this paper is the gender study, since its ideology is subscribed, represented and reproduced in every cultural practice, including literature and cinema. The characters construction in both cases, especially the female characters, is filled with symbols which are going to bring the film closer to the literary work and contribute to express the critics suggested in the work’s leading: the complaint to the patriarchal system. However, given the different nature of each work, it is necessary to stress that this present comparison doesn’t intend to establish a total identification between novel and film, but to set a dialogue between both, observing the approximation and distance of these two instances.

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Pós-graduação em Ciências Sociais - FFC

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)