The history of Scotland during the reigns of Queen Mary and of King James VI. till his accession to the crown of England. : With a review of Scottish history previous to that period; and an appendix containing original papers. ; In two volumes. /

Includes index.

The history of Scotland during the reigns of Queen Mary and of King James VI. till his accession to the throne of England : with a review of the Scottish history previous to that period and an appendix containing original papers /

Includes index.

The history of Scotland, during the reigns of Queen Mary and of King James VI. until his accession to the crown of England: with a review of the Scottish history previous to that period; and an appendix containing original papers.

Mode of access: Internet.

The history of Scotland during the reigns of Queen Mary and of King James VI. : til his accession to the crown of England. With a review of Scottish history previous to that period; and an appendix ... /

With : His An historical disquistion concerning the knowledge which the ancients had of India. New York : Harper, 1844.

Royal correspondence; or, Letters between her late Royal Highness the Princess Charlotte and her royal mothre [sic], Queen Caroline of England, during the exile of the latter...

Mode of access: Internet.

The history of Scotland during the reigns of Queen Mary, and of King James VI. till his accession to the crown of England.

Mode of access: Internet.

Ecclesia Anglicana Ecclesia Catholica; or the doctrine of the Church of England,

Mode of access: Internet.

The life of Sir Edward Coke, lord chief justice of England in the reign of James I., with memoirs of his contemporaries,

Mode of access: Internet.

The vision of William concerning Piers Plowman, together with Vita de Dowel, Dobet, et Dobest, secundum Wit et Resoun,

Parts 1-3 have added t.-p.

The tragedie of King Richard the Second /

Photostat (negative) of copy in the British museum.

The modern British Plutarch; or, Lives of men distinguished in the recent history of England for their talents, virtues, or achievements.

Richard Arkwright.--Edmund Burke.--Robert Burns.--Lord Byron.--George Canning.--Earl of Chatham.--Dr. Adam Clarke.--Lord Clive.--Captain Cook.--William Cowper.--Rev. George Crabbe.--Sir Humphrey Davy.--Lord Eldon.--Lord Erskine.--Charles James Fox.--Benjamin Franklin.--Oliver Goldsmith.--Henry Grattan.--Earl Grey.--Warren Hastings.--Bishop Heber.--John Howard.--Dr. Jenner.--Sir William Jones.--Sir James Mackintosh.--Rev. Henry Martyn, B.D.--Sir John Moore, K.B.--Lord Nelson.--William Pitt.--Sir Samuel Romilly.--Sir Walter Scott.--Richard Brinsley Sheridan.--John Smeaton.--James Watt.--Marquis of Wellesley.--William Wilberforce.--Sir David Wilkie.--Duke of Wellington.

The English, Scotch and Irish historical libraries. Giving a short view and character of most of our historians, either in print or manuscript. With an account of our records, lawbooks, coins, and other matters, serviceable to the undertakers of a general history of England.

The letter to Kennet (an answer to Francis Atterbury's attack) is substantially the same as the preface to the Scottish historical library.

The Political history of England.

Reprint of the 1905-14 ed.

An entirely original comic opera in two acts entitled The Gondoliers, or, The King of Barataria /

Mode of access: Internet.

King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494

In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture.